Neon artist Linda Sue Price mixes form and light with texture – in pieces that are fluid, glowing, and exuberant. Price’s work is about the idea of change as the eternal constant as well as being the process of all communication. Seen at Santa Monica’s TAG Gallery in December, Price’s work was as beautiful as it was evocative. She’ll return to the gallery with a new exhibition coming up in April 2016.
“I was inspired by phrases that resonated with me. I got them from observing human activity, things people say and do. It seems that sometimes in the process of living, we make it harder on ourselves than it has to be,” Price says.
“What inspired me visually was the fact that people don’t see the backside of neon signs. All the bending, the entire creative process,” Price explains.
“I wanted to show that process, to showcase the tube itself, and the way that it can be bent, and to make that the focus.”
As for the words Price chooses to work with, she does not capture them in neon glow. “I intentionally chose not to make them out of neon.”
The words are the background. The neon seems like a living thing the words attempt to capture.
Price has been a neon-admirer since her childhood. She notes that a visit to Las Vegas was always special for her, because of all the neon she could see there.
No past or future in the now…Price’s “Words” series uses some of her own favorite words.
Price’s next show will be held at the TAG Gallery in Santa Monica from April 19 – May 14.
Curated by Kristine Schomaker, the incredible collection of art on display at Gallery H of Phantom Galleries in Hawthorne was ablaze with magic Saturday night. The opening saw many of the 30-plus artists present.
Works by Susan Melly
Margaret Ouchida presents detailed, intimate pieces in “The Battle” and “T’ode to Klimt.”
The exhibition’s theme, of getting out of one’s comfort zone to that special place where magic can indeed occur – or zen, or power, or enlightenment, however you want to look at it – was fully realized in virtually every piece. This group show has the feeling of celebration, and both in terms of the art created and the means by which it was created and displayed, the feeling was genuine. The exhibit included a wide variety of contemporary Los Angeles artists who go beyond conventional artistic boundaries – the standard gallery system – to establish a vibrant presence in the art community. Presented by Schomaker’s company, Shoebox PR, the artists and their art have created an exciting body of work, and are each showing that work in independent, outside-the-system ways from artist-run galleries to online magazines like this .
From beautifully detailed small scale dioramas to large scale canvases and sculptures crafted from found-materials, there’s something for everyone in this exhibit. Perhaps its the freshness of approach or the freshness of the “we can do it” attitude by these artists, but this is a special show that unfolds the passion of art like the petals of a Georgia O’Keeffe flower.
Terry Arena’s graphite on mixed media piece.
Artists exhibiting include:
Susan Amorde, Terry Arena, JT Burke, Jennifer Celio, Chenhung Chen, Jeanne Dunn, Dwora Fried, Rob Grad, Carlos Grasso, Cie Gumucio, Carla Jay Harris, Teale Hatheway, Cindy Jackson, Echo Lew, Erika Lizée, Susan Lizotte, Dave Lovejoy, Susan Melly, Freyda Miller, Mike M. Mollett, Andrea Monroe, Stacey Moore, Malka Nedivi, Margaret Ouchida, Lori Pond, Linda Sue Price, Lindsey Price, Isabella Kelly-Ramirez, Katherine Rohrbacher, Jane Szabo, Christine Weir
Here’s a closer look at some of the stellar pieces on display.
Cindy Jackson’s “7 Deadly Sins” are crafted from wood, aluminum, urethane, paint, iPods, and fluorescent lights. And with these materials come seven heads, all the same but painted in a rainbow spectrum. “Because these sins are in each of us, the heads are all the same, with pride standing tall above the rest – anger, lust, greed, pride, envy – envy is always looking elsewhere, gluttony, and sloth,” Jackson says.
Suzanne Lizotte blends the classical and contemporary, using aerosol spray and traditional oil-on-canvas painting in her rich “Seeking Treasure.”
Mixed media artist Lindsey Price is a photographer with a vision, here “A Clockwork Orange” offers a stunning digital photo montage.
Andrea Monroe’s stylized “The Harlot” and “The Oiran and Her Pussy” use acrylic on canvas to create full dimensional figures that pulse with life.
Cie Gumicio’s “Fragile” uses mint glass and light to create a wispy, beautiful vision of the planet earth. “It reflects where we are now with our fragility as a planet,” she says. This delicate image shapes not just a planet but the construction of a leaf-like image when viewed from a certain angle – mother nature meets mother earth in a shadow box. “Art, at its best, reminds us that we are human,” Gumucio says.
Dancingly nuanced neon is served up by Linda Sue Price with her pieces “Joy Ride” and “Cynthia Rose.”
Jennifer Cielo’s “Astral Travelers” is an example of the artist’s work which “expresses the effects of human disconnection with the natural world.”
Malka Nedivi’s large scale “Woman in a Box,” evokes her singular style using wood with paper, fabric, acrylic, and glue to create an image of poignant beauty. A painter, sculptor, and collage artist, Nedivi says that all of her work is inspired by her mother, and both her parents’ previously unknown past as Holocaust survivors.
Katherine Rohrbacher’s glittering canvasses “Early One Morning” and “Arcadia” are bright, sparkling, and brilliantly moving all at once. “I draw everything on like a pattern, then comes the glue, and glittle applied with a paint brush. With only a few colors did I have to put paint beneath the glitter itself.” Her “Arcadia” relates the passing of her cat. “She’s entering a glittery cat Heaven,” the artist explains. “Early One Morning signifies the ending of a relationship, but also the passing of a small bird found on a balcony.”
Chenhung Chen continues to amaze with her ever evolving art, crocheted copper with its amoeba like, sinuous shapes, a viewer-participation piece “Connect the Dots” that allows guests to literally do that with colored pencils, and free standing wire sculptures. Her works are fluid, like electronically charged water. Delicate and ephemeral are not often the words associated with recycled materials such as copper wires and components, but Chen’s work provides both. She describes her work as being “about the driving force for inner fulfilment, balance, meditative process…and experiencing the inner power.”
Erika Lizee’s curved and haunting hanging piece is an example of the artist’s propensity to create installations that work as journeys, drawing the viewer down mysterious paths on a pursuit of nature and rebirth.
Mike M. Mollett is the sculptor of large scale pieces created from found art, shaped into balls and bundles. His work provides an outside-in look into a different reality, in which balls and bundles of wires appear animate, hold secrets within secrets.
Dwora Fried creates miniature tableaux, using tiny figures and photographs to create detailed worlds inside glass-topped wood boxes. “I keep re-creating the feeling of what it was like growing up,” the artist says, “the box captures the claustrophobic feeling a painting can’t,” she says.
With so many other artists to admire, grab a hold of the magic now. The show rums through October 17th. Gallery H is located at 12619 Hawthorne Blvd. in Hawthorne.
Sunday marked the closing of this small but stellar showcase for four states of matter – and four terrific artists. Held at the Art Exchange in Long Beach, the show illustrates that matter itself can transcend it’s earthly anchor, and mutate into, well, art.
Neon artist Linda Sue Price used neon gas to shape her works.
Solid matter? That’s Ron Therrio’s beautiful wood work.
Kate Carvellas’ abstract sculptures represent the shift of liquid matter.
Alex Schaeffer – the element is fire
The exhibit was both playful and profound, another win for ArtX, which also sponsors monthly art walks and art activities, as well as hands-on arts classes.
Neon artist Linda Sue Price creates compelling, vibrant images that, in her own words, “mix form, light, reflection and texture.” Communicating through the fluidity of her glowing shapes, Price expresses her idea that change is the ultimate form of communication.
Her mixed media neon sculptures use free-form bent, unique abstract shapes. Whether using backgrounds that are simple and reflective or complexly textured, Price creates a visual texture that reflects the neon itself. She layers elements that enhance the glow and playful aspects of the neon, such as acrylic rods and patterned backgrounds. Her pieces have a depth that cast the neon tubes as living elements.
Such an approach may be natural to Price, who has been a neon-admirer since her childhood. She notes that “A visit to Las Vegas was always special because of the extensive use of neon all over the buildings. There was a palm tree in front of one of the casinos that I loved. Motel signs often had animation. I liked to look at them and try to figure out how the animation patterns.” Today, Price uses color as well as shape and background to make her pieces sing. While the initial color source is dependent on the gas itself, from neon’s red to argon’s purple, krypton’s white, and argon with mercury blue, colored glass tubing and fluorescent powders painted or baked inside the tubing create more color choices. She creates beading in the tube through the natural use of the gas itself, controlling it with small transformers that pulse the beading.
In Price’s “Solo Works,” her “Dancing Girls” show five caught-in-motion female forms undulating against a multi-textured background whose peaked pattern evokes the shape of a house, with the girls perhaps dancing on a metallic lawn in front of it. Green and purple light images are the largest, with red, yellow, and spotted white figures significantly smaller, as if these were girls of all ages, shapes, and sizes, their spirits as bright as the light that represents them.
Inspired by an article the artist read about the translation of Chinese poetry, Price’s “Words” series uses some of her own “favorite words such as Consider, Change and Pause.” In “Change,” nearly entangled green and red coils serve as yin and yang like figures, partially framed by bent tubes of yellow, green, and red over a softly mottled background. “Reveal” is a complex yellow coil, bright as the sun, partially framed by green and blue tubing that remind the viewer of grass and sky.
Price’s “The Garden” series stands as fresh and bright as the plant-like images she shapes. “Green Beans” contrasts stalk-straight blue and green tubes with curved blue and green shapes rising from a blue flower box. The images remind the viewer of a spring day, when all things are growing and possible. Price notes that the images in this series are crafted to “create a neon garden.”
Dedicated to the idea that it takes a great deal of discipline to stay focused in the moment, the artist’s “Stay in the Moment” series reflects her own necessary discipline in focusing on bending neon tubing. “The shape of the tubes express the joy of being in the moment,” Price says, and the viewer can see this beautifully illustrated in her rich orange, yellow, green, and blue “Wild Child,” for which she created a layout after bending the tubes. Her pink, red, and purple
“Pacific Sunset” features a reflective blue background that warms the neon tubes into a riveting sunset image. Two of the tubes bead through a pulsing transformer.
Evocative and ethereal in nature, the neon glow behind Price’s works stay in the viewer’s mind, their soft color and curved shapes imprinting like a new form of neon nature. Recently exhibiting Art + Science + Craft II at the Fine Arts Building in Los Angeles, Calif. , Price has upcoming shows in Long Beach at Arts Exchange, as part of an All Media Juried Exhibition at the Chico Arts Center in Chico, Calif., and also has two exhibitions planned at the TAG gallery in Santa Monica, Calif. before the end of the year.