My Ugly/Beautiful Friends: Nothing but Beautiful from Dani Dodge

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artist Dani Dodge, above

Now at Shoebox Projects through April 14th, Dani Dodge offers mixed media works in a tribute to the Joshua Tree that is profoundly moving and beautiful.  The exhibition, My Ugly/Beautiful Friends, is comprised of two compelling parts.

Dani Dodge at Shoebox Joshua Trees

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With “Wielding Swords,” Dodge deconstructs the Joshua Tree spikes into separate stories of survival, love, and loneliness. Much like the human body, these spikes age; they metamorphose, going from upright to drooping to being absorbed as a protective coating for the plant itself.

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Here, working with mixed mediums in dimensional wall sculptures sheathed in thick plastic that are alternately chartreuse, clear, and hot pink that also forms the shapes, Dodge offers seeds, beads, glittery fabric, even film shoot permits as a part of her reprsentations.

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There is – or was – (Dodge is selling out this show) – an entire wall, a quilt of sculptural images on display like a surreal forest of these fierce and wonderful desert leaves. 

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Beautiful and evocative as this work is, the other part of her exhibition resonates even more strongly.

In “Symbiosis 1-12,” the artist explores the Joshua Tree’s ugly/beauty and its symbiotic relationship with the yucca moth, on which the trees rely for pollination; in turn, the moth depends on the Joshua Trees for their survival.

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Using her own photographs, adding her own notes and painted art work, she adds a moving depth to the story of the trees, their strange beauty and toughness, and the somewhat bizarre moth itself which sports tentacle-like fronds from its mouth.

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Dodge explains her process in creating these works. “Over the past four months or so, I had been photographing these plants that captivated me while doing residences at the Mojave National Preserve and the Prime Desert Woodland Preserve in Lancaster, Calif. I loved the photographs, but as an artist I wanted to say more about the plants than I could capture in a photo. I wanted to simultaneously emphasize their strength and fragility at the same time I explored their awkward beauty.”
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And so Dodge added additional, lush elements. She rims some of the trees with gold leaf; utilizes spray paint; incorporates beads. She used hand-cut stencils, paint pens and acrylic paint to incorporate the yucca moth into her works, and to further place emphasis on what she calls the “ugly/beautiful nature of my friends;” she crafts what she calls “S.O.S. notes” for their survival.
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These are deeply moving works, reminiscent of religious icons in her treatment, not just because of the touches of gold, but in her reverence for these mysterious, otherworldly trees. 
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“When I wanted to push past what the photographic image could say, I decided to use a symbol of beauty and wealth: gold. Specifically gold leaf on the sides of each work and then incorporated into the photograph in some of the pieces,” she says. “Each time I go into the desert, those arms welcome me. I wanted the gold to symbolize the beauty some do not see in the branches of these plants that were called hideous by some early explorers.”
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According to the artist “This installation is an ode to the Joshua Tree’s ability to adapt and survive for so long, and a prayer that it may continue.” That prayer may be necessary indeed due to both climate change and the trees’ slow reproduction and dispersal rate. 

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She adds “To me, the Joshua Tree simultaneously symbolizes survival and fragility. It demonstrates the power of adaptation, while also illustrating the danger of climate change (even) to the most adaptable species. This plant also is one of the most ugly/beautiful pieces of nature on our planet.”

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Photo above by L. Aviva Diamond

The Joshua tree was given its name by a group of Mormon settlers who crossed the Mojave Desert in the mid-19th century. Its unique shape reminded them of a Biblical story in which Joshua reaches his hands up to the sky in prayer. Joshua’s own name has a meaning: Yahweh is salvation. And to many, including Dodge, the trees represent their own form of salvation, redemption, and resilience.
“To me,” she says, “those akimbo branches are like the arms of broken souls welcoming me into their fold.”
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Photo above by Thalassa Dimitra Skandali
Dodge creates immersive, surrealist environments and installations from Los Angeles to Stockholm. A member of the Durden and Ray collective in Los Angeles, and alumnae of A.I.R. gallery in New York, you can read more about her at http://www.danidodge.com
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And go see this show with a prayer in your heart and wings on your feet. We did.
Shoebox Projects is located in DTLA at The Brewery Complex in Lincoln Heights.
Genie Davis; photos: Genie Davis; two additional photos: by L. Aviva Diamond, and from Dimitra Skandali, as noted above.

Nature is Nurtured in Transcendent Exhibition at Loft at Liz’s

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Jackson Pollock once responded to a colleague’s questioning of his work with the retort “I am nature.” Curator Gary Brewer has taken that idea and run with it, in a beautiful, thoughtful exhibition of the same title at Loft at Liz’s in mid-city through April 22nd.

It is not any one person who embodies nature, after all, we are all a part of the natural environment, we are its components, its caretakers (of sorts), its outgrowth. We seek the succor, inspiration, and purpose in the wonder around us, the burgeoning, blossming of the spirit. Art reveals all of this and more, our connectedness in and of nature, our revels in it, our destruction of it.

Thirteen different artists show us this connection, theirs, and ours, in a beautiful exhibition of tactile images in a variety of media.

Aline Mare Nature

Aline Mare (above) offers a variety of photographic artworks that in some cases – as with two lightbox photographs – literally glow. But each of her works here, which utilize rich and hypnotizing natural elements such as crystals, roots, and seedpods, create a light-filled world; the universe in miniature made large again; the universe within our bodies. A world of wonder pulses from her images, enveloping, beginning, a process of natural creation and passage.

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While the work and medium is completely different, Bonita Helmer’s lush acrylic and spray paint works take us on a journey that seems both inward and to a distant planet. The silvery grey and periwinkle blue backgrounds here are barely enough to contain these travels.

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Perhaps one should undertake them on Charles Dickson’s awe-inspiring mixed media work, “Sankofa Spaceship Dogon Class.” Dickson uses found objects to create a starship that goes artistically where few have gone before; highly detailed, translucent in sections, and suspended from the ceiling, it was both a focal point of conversation and attention at the exhibition’s opening, and a literal invocation of transport. His aluminum “Point of Departure,” a silvery wall sculpture that dazzled with light, accentuates the idea.

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David Lloyd offers a series of mixed media works on wood and paper, with geographic components that resemble both kaleidoscope and origami flower. If these works indicate growth and change, then they’re a natural step toward the astonishing work of Gary Brewer, below, who would’ve been remiss not to include several of his own lush oil on canvas, and watercolor works on paper, here.

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Brewer’s work offers both interior and exterior intricacies, mutable, vividly colored, dream-like. They take on inner and outer space at the same time; we contemplate what could be the molecular building blocks of existence, and life forms sailing through the stars, forming new worlds. There is gravitas and majesty in this work, but also a playful sensibility, an inward joy.

Jesse Standlea

Joy is perhaps not the zeitgeist in the narrative Jesse Standlea presents, in sculptural works that are beautiful but dark, their titles focused on “Mortality,” and an awareness of the natural order of things: all things die, some things come back.

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At least that is the case if we do not destroy our own natural world.  Monet Clark’s color photographs, give us images that point to the invasion of the natural world by human beings, and the destruction that cavalier dominance can cause.

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Nick Brown’s mixed-media painted works, which include materials such as cotton rope, white sage, and shark teeth, are beautiful, but fused with a kind of inward sadness. And it’s no wonder: the images are representative of the remains of burned homes in the San Bernardino mountains. 

Paul Paiement

Perhaps we are only a small step away from our own destruction – if we destroy nature, and it is us, then we are all nothing but ash. Or perhaps there are boundaries we could set for change, as in Paul Paiement’s works in acrylic on wood-panels, depicting the dichotomy between natural settings and man-made structures (above). His ceramic and acrylic insect “Hybrids CS” series is something else altogether: is this the mutated result of man and nature in consort?

Mabula

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Richard Mabula’s untitled oil on canvas and board four-panel painting is dark and monochrome, evoking the color of raw wood; on the far right, a smiling/fierce skeletal face seems like a warning of what will happen if we do not respect nature – and our own.

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Shiri Mordechay

Equally dark yet somehow redemptive are  Shiri Mordechay’s small individual drawings on paper, above, each offering precious clues to a different world.

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Xu DaRocha takes us full circle, perhaps, with ceramic moon rocks that appear about to gestate; blissful floral colors in acrylic on canvas works, and a world with choices to be made, as with the sultry snake and equally reptilian blue hand invading the floral bliss of “How far is heaven.”

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Perhaps that is the point here: if we are nature (and we are), it is imperfect and wonderful, profoundly holy and routinely ruinous; ready to bloom and consume, to thrill, inspire, destroy, and rise again — whether here on this earth, or in another form of natural eternity.

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Work by Aline Mare, above.

There will be an artist talk on April 17th at Loft at Liz’s – go get in touch with your natural self.

Genie Davis; photos: Genie Davis, Gary Brewer

Celia Center Arts Festival: Art and Family Fun for a Cause

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Save the date: Friday April 12th and Saturday April 13th, the Celia Center is holding their second annual Arts Festival, Adopting Resilience, Fostering the Spirit of Creativity: The Voices of the Fostered and Adopted.

The non-profit organization is featuring the work of diverse artists in a wide range of mediums; along with the art exhibition, performances, readings, workshops, children’s activities, and an artist’s panel are all part of the event.

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The artists participating were encouraged to explore their personal experiences as individuals who were adopted and/or in foster care. They’re offering experiences in musical, performance, and visual arts, as well as in the healing arts.

The event will be held at the Highways Performance Space a co-presenter of the festival in partnership with Celia Center. The opening reception is scheduled for 6 – 8 p.m. on the 12th. The art exhibition will be viewable through April 28th.

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The LA-based, non-profit Celia Center was founded in 2012 by Jeanette Yoffe, a child therapist with a special focus on adoption and foster care issues. Inspired by her own experiences in the foster care system and through the adoption process, Yoffe also had a strong desire to merge her previous career in the arts as a dancer and actress with her activism.

The center provides workshops, salon support groups, and other events throughout the year, supporting and uniting those who’ve worked their way through adoption and foster care.

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Joffe (left) will be one of the performers at the Celia Center Arts Festival. Other highlights of the weekend event include a writing workshop, and a celebrity book reading for children with track athlete Steven Benedict (right); the opening reception is focused on the CCAF’s visual art group exhibition, curated by Nicole Rademacher (middle image), herself both an artist and an adoptee.

Attendees will have the opportunity to hear evening performances at 8 p.m. both nights of Voices from the Past to Present, a 90-minute presentation of narrative, poetry, spoken word, and theater pieces assembled by actor and playwright Brian Stanton; the event will also include Yoffe’s performance from her own play, What’s Your Name, Who’s Your Daddy. The play recounts her experiences in foster care and adoption by a New York Jewish family, a work which inspired Yoffe in her work as a psychotherapist.

Rock Willk

Also featured will be Rock Willk (above), Julayne Lee, and performance artist Kayla Tange; as well as Jerri Allyn, reading a letter written to the biological son that she found. The event will additionally include a reading from Susan Harris O’Connor, writer of a seminal autobiographical book, The Harris Narratives: An Introspective Study of a Trans-racial Adoptee.

A writing arts workshop will also take place at 4 p.m. on Saturday. Both this workshop, Writing the Unsaid, and the evening performances require purchased ticketing; tickets are available at https://www.eventbrite.com/e/celia-center-arts-festival-2019-tickets-51995221106

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Free programming at the event includes children’s activities such as face painting from 12 noon – 3 p.m. on Saturday; a celebrity book reading at 1 p.m. from professional track and field athlete and Olympic Trials Qualifier Steven Benedict, a former foster child who has run in some of the world’s most prestigious events.

Event goers can expect to experience VR painting with Google Tilt Brush as well. And for ages four and up, there will be a Healing Arts Table for children in foster care and/or adoption and their families. Free for adults will be an artists panel and Q&A moderated by curator and Highways museum director Rebeca Trawick.

For more information, visit https://www.celiacenterartsfestival.org/

Highways Performance Space is located at 1651 18th Street, Santa Monica, CA, 90404

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  • Genie Davis; images provided by Celia Center Arts Festival

Borderless at Gabba Gallery Transcends Geographic Boundaries

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Mikael Persbrandt – “Restauranten,” above

For the second installment of Gabba Gallery’s international series, Borderless, three Scandinavian artists represented by Norway’s Gallery Art Oslo are coming to Los Angeles.

The three are Ari BehnEspen Eiborg, and Mikael Persbrandt, each both popular and highly regarded in Scandinavia. The exhibition opens March 23rd and runs through April 6th.

Behn is well-known in Norway and Denmark not only as an artist but through his best-selling collection of short stories, Sad as Hell, and a national television series, Ari and Per. His rich palette and sometimes whimsical figurative work is highly narrative. Vibrant pieces each tell a complex and highly emotional story, as with his work “The Crossing,” below.

Ari Behn - The Crossing

Behn describes the piece as depicting an “opening to other worlds, and new, great experiences.” Reflecting passages in our lives, the final passage here takes us from birth to death, the work revealing his belief that experiences of transition “make miracles possible…” In this work, beneath a darkening sunset sky, a green explosion flies, labeled “Boom,” small nude human figures  – one of which may represent a Christ-like figure – fall beneath a blue river into a strange new pink, a lustrous glowing shade enveloping them, infusing their demise with hope.

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Ari Behn,  “Swinging London,” above

An inveterate traveler, Behn’s “Swinging London” pays homage to a city he clearly loves. Written in bold black letters on the vividly colorful surface of the work are the words “My Dear Swingin’ London Revisited” and “With Love.” The iconic “Be Calm and…” signage is posted with the classic phrase “and Carry On,” among beautifully rendered post-card-like images of the Tower of London and the Bombay Bicycle Club. There is a melancholic air to some of Behn’s work, which may fit with the well-known story of his marriage to and divorce from princess Martha Louise of Norway. From his palette to his expressive mix of figurative and abstract work, Behn offers a riveting visual story.

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Espen Eiborg, “Once Bitten Twice Shy,” above 

Also from Norway, Eiborg draws viewers into a world where imagination and reality mix and merge, a day-dream of art, that is both complex and passionate, infused with a sense of happiness as well as with an ever-present awareness of darker human deeds. His mediums are varied, using acrylic and oil paints, oil crayons, spray paint, tar, and glue, working with both brush and palette knife. The artist also enhances and contrasts his images with a thick glaze from industrial varnish. In “Once Bitten, Twice Shy,” Eiborg gives us a Storm Trooper from the Star Wars universe, a tiger, a gorgeous rose, beautiful women, and a lightning bolt. All are stand-out images that fuse together into a mysterious, evocative, and somehow boldly familiar place.

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“Red Hat Kate,” by Espen Eiborg, above

According to Eiborg, “When a painting reaches a critical point, I see it as being in harmony and at rest after a long journey, barren and aged with the poetry of travel. It pays homage to water, earth, sky, wind and fire, the elements from which it originated.”

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Mikael Persbrandt, “Bacon,” above

Swedish artist Mikael Persbrandt, is, like Behn, also an actor. Trained at Stockholm’s College for Artistic Education, his art and film career have paralleled in Scandinavia, starring in Susanne Bier’s Academy Award-winning In a Better World, and as one of the lead characters in the Netflix series Sex Education. In a solo exhibition of his art at the Gallery Sandgrunn, 80,000 visitors poured through the door to see his intense mixture of figurative and abstract expression, which though very different from Behn’s work, offers another fascinating and depth-filled perspective that blends these two approaches.

The haunting central blue figure in “Bacon” is both everyman, demon, and ghost; yellow lines around the chair in which the figure sits resemble the sides of a four-dimensional cube, or tesseract. The long horn cattle in an apparent stampede in “RUUS II,” seem to have arisen from a different dimension, a wonderfully eliptical web of sky and dust.

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RUUS II by Mikael Persbrandt, above

This isn’t the first time the three artists have been paired together: in fact, their work has been shown in over 60 international galleries since 2017.

Gallery Art Oslo partners Kenneth Stensholt and Einar A. Lund have worked with these artists for more than two years, Lund relates. For the show at Gabba Gallery the trio of artists seemed an exciting fit. “They all have a unique, honest, and expressive artistic language which I liked. They go beneath the surface and explore both their own emotional life and inner lives of others. They are not afraid of exposing themselves or their own lives,” Lund asserts.

He adds “For a long time I have admired Mikael Persbrandt, who is not only one of the most famous and merited theater and film actors in Scandinavia, but who is also a great painter. Very few are aware of the fact that he was a painter prior to being an actor.”

As to Behn, Lund explains that the artist’s divorce “resulted in a series of self-reflective, colorful, expressive paintings, for which he has achieved great recognition,” which Lund deeply admires. Behn’s open expression of coping with depression through his artwork was and remains profoundly affecting.

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Epson Eiborg, “Exploited,” above

About Eiborg, Lund notes “His pop art has been popular in Norway. When he lived in New York, he sold works to, among others, Robert Redford, Sean Penn, Oprah Winfrey, Dolce Gabbana, Jennifer Lopez and David Bowie.” In a truly meta moment, during the exhibition’s opening March 23rd, Eiborg will paint a portrait of an invited celebrity. To find out who – you’ll have to attend.

Lund says he hopes he can continue to work with Gabba curators Jason Ostro and Elena Jacobson, who introduced the Borderless series in April 2018 with art from Latin America. Their goal: to connect Los Angeles with a different part of the world through the language of art. With Borderless: Scandinavia, they continue to do just that.

Gabba Gallery is located at 3126 Beverly Blvd. in Los Angeles. The exhibition opening runs from 7-11 p.m., March 23rd.  For more information, visit https://www.gabbagallery.com/