Taste of LA: The Big Picture

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Taste of LA is the definitive Los Angeles Food, Wine, Beer, and Craft Cocktail festival held annually Labor Day weekend. Hosted by The Los Angeles Times and held on the Paramount Studios back lot, there’s a copious amount of treats to feast on, and a whole bevy of restaurants, wineries, beer, and spirit purveyors to explore. Enter the back lot and you’re immediately at home in LA, because what’s more quintessentially Los Angeles than the film industry.

While the backdrop might be a fake city, the food here is anything but false. Attending this event for the second year, the overriding impression is that the food showcased represents the real Los Angeles. Trendy new spots, check. Comfort food favorites, that too. Great vegan treats, in delicious abundance. New dishes never seen, signature dishes, menu items that seem to shout out, you want to taste Los Angeles? Then taste me. Co-hosts for this year’s Taste were Chef Michael Fiorelli of the Manhattan Beach new-Italian Love & Salt,  Chef Gary Menes from downtown Los Angeles’  Le Comptoir, Chef Carlos Salgado from Costa Mesa’s  Taco María, Master Bartender Vincenzo Marianella, Chef Corina Weibel from Canele, in Northeast Los Angeles.

What were our favorites? Gadarene Swine’s astonishing coconut pudding. Freshology’s spoon of porridge and spice and edible flowers. Dandy Don’s chocolate ice cream, Rosatello wine’s Moscato, Doomie’s vegan “pork” sliders, Art of Tea’s incredible iced tea, Lamill coffee’s iced coffee, M Cafe’s everything, Skinny Pop popcorn.

Saturday, we attended Field to Fork, which celebrated fresh produce, locally sourced ingredients, root to stem sourcing, and a surprising amount of ice cream. The sweet treat was perfect on a day when temperatures crested in the high 90s.  Field to Fork was hosted by LA Times Food Writer and Columnist Russ Parsons, Chef Gary Menes of Le Comptoir, Leona’s Na’esha Arrington, Squirl’s Jessica Koslow , Niki Nakayama of n/naka, and Akasha Richmond of Akasha/Sambar.

Now the best way to experience this event is to taste it – and you should put it on your calendar for next year to do just that. But the second best way to experience it is to see it – so here’s Saturday and Sunday events in photos.

At Choctal, single origin ice cream is a delicious tribute to global rain forests – where their cacao and vanilla grow.

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Beautiful greens, mushrooms, avocado gazpacho. So many bites, so little time. The Hudson, The District, Squirl, M Cafe…

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Refreshing and caffeinated Bai? Or Star Vodka craft cocktails?

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Brussel sprouts with goat cheese

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Sweet corn was quite a treat from MRG Michael’s Restaurant Group in Long Beach.

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Quenelle’s delicious gelato

 

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Is there a food or drink event these days that isn’t served well by Stella Artois on tap?

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Liquid nitrogen fruit flavored bliss – alchemy as dessert.

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Australian delight: Sauvignon Blanc from down under – Matua wines.

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Demos all day and into the night – learn from the best and taste their signature dishes.

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Premium meals delivered to your door at Freshology. A flavor explosion in a spoon including edible flowers.

Made to order limited menu from Le Comptoir.

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Asian cuisine delights.

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Best ice cream of the day – and we did sample almost all of them – Dandy Don’s.

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Flavor award: chocolate plus raspberry sorbet plus hot fudge. Keep it simple.

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Gluten free, gourmet vodka from Deep Eddy out of Austin, Texas.

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McConnells ice cream. That was pretty incredible, too.

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Matcha Green Tea donuts from Hinoki and the Bird

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Sunday brunch brought out the kind of cheerful crowd that could serve as extras on that back lot. Drenched in sunshine and heat slightly mor intense than Saturday,  the iced cold press coffees, frozen Kirin, and cool, sweet wines flowed; ice cream continued to be a big hit, too.

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Rosatello winery’s delightfully light Moscato, sweet, dry, crisp, and perfect for a summer day.

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Vegan pork sliders? You bet. This flavorful bet-you-can’t-eat-just one slider was flying off the platters. Doomie’s is located in the heart of Hollywood, and serves up meat-free versions of American classics.

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Brunch is one of the highlights of any Los Angeles weekend, and this was an essentially bottomless brunch, offering tributes to LA favorites like honey Sriracha chicken biscuits from Free Range LA, scones with clotted cream with sugarplum jam from Canele, shaved mango ice with salted plum powder from Fluff Ice.

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Taste of LA Photos by Jack Burke

All Taste of LA Photos by Jack Burke and Genie Davis

  • Genie Davis

Via Negativa at South Bay Contemporary

Via Negativa - Photos by Jack Burke
Via Negativa – Photos by Jack Burke

South Bay Contemporary in San Pedro has a fascinating new exhibit running through October 10th. Via Negativa: The Transcendence of the unReal explores the idea of clarifying religious experience and language through knowledge of what God is not, rather than what He is. Visually and texturally stunning, the theme behind the show adds heft to works that individually show substantial perceptive power.

Via Negativa - South Bay Contemporary - Photos by Jack Burke
Via Negativa – South Bay Contemporary – Photos by Jack Burke

Guest curated by the Cerritos College Art Gallery,  curator James MacDevitt, avoids a direct depiction of what is unknowable, instead presenting a swirling enigma in lieu of the concrete world. While the entire exhibition bristles with visual excitement, some standouts include untitled wood and neon pieces by Lisa Schulte, Shannon Willis’ fascinating sculpture created with ping pong balls and LED colored light strips, “Spiritual Aspiration,’ the single channel video “Wind and Water Study’ by David O’Brien,  and the spidery wires of Christopher Pate’s “Emergent Action.”

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MacDevitt explains the roots of the show. “When offered a space as guest curator here, I decided to extend the Cerritos show I curated with an exhibit that, like the show there, also attempts to know and to understand the unknowable.” At Cerritos, MacDevitt says the exhibition “tried to visualize big data, the artists worked with ideas like mystic diagrams. Here we are looking at apophatic theology – knowing something by what it’s not. The artists use issues of tangential stimulation and play around with animate objects. Ther’s a vitalist energy that expresses both science and religion without being dogmatic about one or another. Both, after all, are attempts to know. They are just different strategies for knowing.”

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Perhaps, where the intersection of science and religion meet, art is created. Judge for yourselves, and enjoy an exhibit that makes you think about deep questions, but is also quite a lot of fun.

South Bay Contemporary is located at 401 Mesa Street, 3rd floor, in San Pedro.

  • Genie Davis; Photos by Jack Burke

 

Transcendant – The Art of Angelica Sotiriou – San Pedro Art Walk

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The San Pedro art walk continues to be a wonderful opportunity to find exciting art. A highlight of this month’s  walk was discovering the work of artist Angelica Sotiriou. Her paintings have a mystical, magical quality that draws the viewer into her unique vision.

“It’s my voice. I’ve known since I was a child, the only way I can survive is my art. It’s my world,” Sotiriou says. Working with acrylics, she considers herself a contemplative, narrative painter. “My work – I get lost in it. It’s like little portals have opened.” Viewed, this makes perfect sense. Spend any time looking at the paintings and there is the sensation of being pulled into the paintings.

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“All my pieces have to do with looking for light,” Sotiriou relates. Viewing her paintings with their mix of deep blues, rich gold, and shimmering white, she has found it. There is a dimensional quality to her work that reaches beneath the surface of the canvas, and exudes spirituality.  The golds and blues have the resonance of 12th Century icons that have time traveled to the present. When first viewed, we were unaware that the artist was raised in a Greek Orthodox family, or that she had incorporated her religious faith into her paintings. And yet, knowing none of this, to the viewer, her work radiantly expresses pure faith, wonder, and belief. Possibly the best way to describe these pieces is transcendent.

Sotiriou's studio - photo by Jack Burke
Sotiriou’s studio – photo by Jack Burke

In Sotiriou’s studio, the artist’s work, past, present, and in process, all stunningly present images of light and life. “For the first 20 years I created large narrative bas-relief figurative sculptures. Currently I’m working on a crepuscular series, inspired by the beauty of light coming through clouds.”  On her website, the artist says “My recent drawings and paintings have been a personal journey of uncovering and revealing pathways, windows and portals of light and of spirit.” The paintings seem to glow, as if light came from inside the canvas, or the canvas itself was a window.

While many of the artist’s works are large scale, averaging 8′ by 4′, some are more diminutive in size.

Contemplative Narrative Paintings - Angelica Sotriou - Photos by Jack Burke
Contemplative Narrative Paintings – Angelica Sotriou – Photos by Jack Burke

The artist has this quote posted around her gallery and studio:

“I don’t know how
But suddenly there is no darkness left at all
The sun has poured itself inside me
From a thousand wounds.”  – Nikoforos Vretakos

Sotiriou has taught art throughout California, and holds masters degrees from UCLA.  From sculptural pieces to acrylic paintings, the artist has been exhibiting in San Pedro since 2001. See her astonishing work at Loft 2, Second Floor gallery  at 401 Mesa Street in San Pedro.

Artist Angelica Sotiriou right, author left - Photo by Jack Burke
Artist Angelica Sotiriou right, author left – Photo by Jack Burke
  • Genie Davis; Photos by Jack Burke and courtesy of artist

Stars Over Moab

Stars over Sand Dune Arch Photo by Jack Burke

Stars over Sand Dune Arch
Photo by Jack Burke

It’s midnight in Arches National Park. Open twenty-four hours, the red rock arches, towers, and spindles are a lot less crowded in the dark than they were at eight o’clock this morning when we joined other tourists in short hikes beneath, around, and within iconic formations called Windows, Park Avenue, and Skyline Arch.

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Arches National Park
Arches National Park

Now we’re standing in soft, ankle deep sand beneath the dark and sinuous curves of Sandstone Arch. Above the arch is a sky full of stars, speckled with the last of the streaking Perseids. Directly next to me, my partner and photographer is doing mysterious lighting adjustments to create the ultimate portrait of us illuminated beneath the stars, beneath the arch, somehow magically visible, carved into radiance out of the darkness.

We pose, smile, freeze, hold it until the flash goes off. Then darkness and silence returns. I’d worried about snakes or scorpions, almost missed this adventure of quiet. I almost missed looking up at the Milky Way, the sliver of a moon, the North Star burning bright. After an hour or so, we’re done, and driving back to our tent.

Not an ordinary tent set up around a fire ring, but our deluxe safari tent, a part of Moab Under Canvas, the ultimate Utah glamping experience.

Moab Under Canvas Photo by Jack Burke
Moab Under Canvas
Photo by Jack Burke

What’s glamping? Well, think of it as a superior camping experience. Tents are already set up for you, some have their own en-suite bathrooms – ours did – and those that do not, have access to privately sectioned luxury bathhouses. Located on 40 acres just 7 miles from Arches National Park and practically across the road from the entrance to Canyonlands National Park’s Island in the Sky section, the site consists of canvas tents and small canvas tipis. Some tents sit on raised wooden platforms and have porches. We were lucky enough to have one of these, which commanded a sweeping view across a scrubby desert plain to picturesque red rock cliffs. Tents with porches and bathrooms are the deluxe variety, with some even including a sitting area with a sofa bed.

Deluxe Safari Tent Photo by Jack Burke
Deluxe Safari Tent
Photos by Jack Burke

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Ours had a king bed, a wood-burning stove that we didn’t use in August, and that coveted in-tent bathroom equipped with a sink, flush toilet, and a shower operated with a pull chain. Heated by propane, we had plenty of hot water to wash off the midnight red rock dust.

We also had that porch, and two deck chairs, the perfect excuse to bundle up – even though it was August, on this night the temperature dropped to a cool fifty-nine degrees – and continue to stargaze.

Night at Moab Under Canvas - Photo by Jack Burke
Night at Moab Under Canvas – Photo by Jack Burke

The deluxe tents are positioned along a gravel road away from the tighter cluster of tipis, safari tents, and private group bathhouses. Closer to the center of camp, the staff – who are available 24-hours, as is access to the Moab Under Canvas office for hot beverages, cold water, and electronic device charging – sets up a bonfire each night.

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Moab Under Canvas encampment – Photos by Jack Burke

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Tipis have cots, plush sleeping bags, tables and chairs, and are just about as cost effective as pitching your own tent. Safari tents are large and comfortable, the Deluxe tent cabins like ours have the same features as the safari – bed, coat rack, dresser, rug, table and chairs, plus the bathroom and porch. 20 plus tents and 14 tipis make up the encampment. Families or groups can have a tipi moved next to any type of tent, adding extra sleeping room and privacy.

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Tipi time - Photos by Jack Burke
Tipi time – Photos by Jack Burke

But I wasn’t thinking of tipis. I was obsessed with our porch. It was the perfect spot to eat a bagel with cream cheese and sprouts, ordered from a local café and delivered to the site’s office for breakfast. It was a good bagel, but it went better with distant cliffs reddening in early morning light. Between hikes, the porch was the place to kick back and relax with a beer. And at night, that night, to keep watching the sky spiral on and on, stars sprinkled like sugar across a black velvet cloth.

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The porch, the porch
The porch, the porch

Moab Under Canvas isn’t the only glamping site owned by Sarah and Jake Dusek. Yellowstone and Glacier are two other outposts, both of which I’m hoping to see. Moab was the last to open in 2014. The Dusek’s goal was to provide an authentic, close-to-the-land experience, without the headaches of setting up a tent, finding a chemical toilet in the dark, or forgoing showers and organic shampoo. They succeeded in all these things, and in something more: establishing a feast of a vacation spot with a side of adventure and a topping of starlight. Midnight wanderings in nearby national parks, optional.

Moab Under Canvas
13784 US-191, Moab, UT 84532
(801) 895-3213

  • Genie Davis, Photos by Jack Burke (Copyright Jack Burke)