Street Art Takes Hold of the Beverly Hills Art Scene at Julien’s Auctions

Banksy's "I remember when all this was trees" at Julien's Auctions - Photo: Jack Burke
Banksy’s “I remember when all this was trees” at Julien’s Auctions – Photo: Jack Burke

British artist Banksy​’s 2010 Detroit street art “I Remember When All This Was Trees,” sold at Julien’s Auctions in Beverly Hills tonight for $137,500. This sale is just one of many street and contemporary art pieces drawing big crowds at Julien’s as well as participants online and by phone.

Excavated from an abandoned Packard Plant by Detroit’s 555 Gallery, and drawn in Banksy’s stencil technique, the piece that originally graced a cinder-block wall, is now owned by Steven and Laura Dunn. Dunn is the CEO of toy manufacturer Munchkin, Inc. 555 Gallery plans to use the proceeds to rehabilitate a 30,000-square-foot east Detroit warehouse into a multi-use arts space.

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Other Banksy pieces generated interest and substantial sales throughout the evening, but perhaps the bigger story at Julien’s had nothing to do with Banksy’s murals.

Bleep (left) with The Gabba Gallery owner, Jason Ostro (right)
Bleep (left) with The Gabba Gallery owner, Jason Ostro (right)

As the liaison between Julien’s Auctions and consigning curator The Gabba Gallery, located in DTLA’s Westlake neighborhood, gallery owner Jason Ostro brought art in to Julien’s for the third year. “The majority of the artists here this evening I’ve worked with, and I’ve showed them. Gabba Gallery is thrilled that Julien’s Auction House is doing their 4th annual street art auction, and that they auction more and more pieces, year after year,” Ostro says.

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Among the local artists Ostro curated for Julien’s are Wordsmith Jules, Mock Mar, 20, Morley, Christina Angelina, and Louis Carreon. All in all, over 40 LA-based artists contributed to the auction.

“While Banksy is certainly a large draw for the auction, a king of street art with a big world voice, the Los Angeles artists represented here do incredible work, and we’re excited by their participation,” Ostro asserts. He’s “always looking for more consigned and private collection pieces for the gallery, and to shepherd to Julien’s.”

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Ostro has exhibited L.A. area artist Bleep, and was instrumental in bringing his piece “Rabbit Ears” to auction. Consigned as Lot 109,  “Rabbit Ears” is acrylic and oil on canvas, and depicts a large, textured bunny with a television for a head, on whose screen is written ‘More.’ A strong symbol of a conspicuously consumptive culture, “Rabbit Ears” is whimsical, satirical, and pointed. What signal are your rabbit ears pulling in?

rabbit ears

“Having a piece in the show has been insane already,” Bleep says. “Being interviewed, having so much attention paid to the work, the trajectory has just been amazing for me, jaw-dropping, and I’m super grateful to be here.”

Kat Kramer
Kat Kramer

Actress and producer Kat Kramer was at Julien’s to support the artists and the auction. “My father Stanley Kramer and my godmother Katherine Hepburn were huge supporters of the arts. I always come to support Julien’s. If my father and Katherine were alive they would be here,” she said.

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Spicy margaritas, IPAs, hors d’oeuvres, and a buffet of cheese, breads, fruits and vegetables were enjoyed while auction paddles were distributed, and the buzz in the room became palpable.

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Lot 1 began the evening with Shepard Fairey’s “Rise Above First” selling for $21,250.

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Session I concluded September 30th following the preview reception; Sessions II and III will take place on October 1st as more street and contemporary artists go under Julien’s renowned hammer.

Time to Get Scared: Universal Studios’ Halloween Horror Nights

The Walking Dead Wolves Not Far maze begins at Terminus - Photo: Jack Burke
The Walking Dead Wolves Not Far maze begins at Terminus – Photo: Jack Burke

Remember the magic you used to feel on Halloween? The sense of excitement to go out trick or treating? The spooky but fun dread that maybe there really was something lurking behind the tree in the neighbor’s yard – that wasn’t the neighbor’s cat? Dark rooms, zombie flicks on TV, things that go bump in the night?

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Well you can experience it again, albeit with a fairly substantial price tag, at Universal Studios Hollywood Halloween Horror Nights. Not just any old haunted attraction, this one features movie-quality recreations of set pieces from frighteningly famous franchises like Halloween and The Walking Dead.

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Great sets, fantastic animatronic figures, eerie lighting, and of course, what really makes the event take off, the “scareactors,” some 500 talented performers stalking, scaring, and jumping out at guests, gruesomely attacking each other, and each creating an astonishingly well-choreographed live performance on average once every six seconds.

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So is it worth it to “haunt” Universal Studios after dark? Absolutely. From the kitschy 3D horror humor based on the film This is the End to the longest and arguably scariest maze this year, The Walking Dead Wolves Not Far,  to the supernatural Insidious Return to the Further, these live performance scares are worth every penny.  Also not to be missed: this year’s Terror Tram offering based on The Purge films takes over the back lot, and in a break from all the horror, a live stage show starring the hip hop energy and special effects of Jabbawockeez. Of course there’s scare zones scattered throughout the park – from the evil elves of Dark Christmas to the giant bugs of Exterminatorz you’ll get your screams on. Strolling through the recreation of Homer Simpson’s Springfield or jumping on the Jurassic Park ride are also somehow a lot more fun after dark, when you know just outside the rides’ perimeters lurks – a shadowy menacing monster or two.

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This was our third year experiencing Halloween Horror Nights, and it’s an absolutely horrific delight. Go early – early admission allows guests into the park an hour before HHN officially opens and access to several lower lot mazes before the lines get too deep. And stay late – don’t rush the scares. Savor the midnight magic.

  • Genie Davis; all photos Jack Burke (copyright Jack Burke)