Baby, It’s Cool Here at 118 Degrees

 

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118 Degrees, the new hip and healthy dining spot in Tarzana serves nothing but raw vegan food. No dairy, no cooking, just plant-based deliciousness including fruit, nuts, seeds, veggies, and sprouted grains.

But don’t go thinking the idea is better than the execution. From organic beers to amazing desserts, no matter what your standard food default (yes, even In n’ Out) diners will find themselves enjoying incredibly drool-worthy as well as good-for-you dishes.

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Chef Jenny Ross co-owns the establishment with Sharyn Wynters, and both women share a strong belief in the health properties of the food they serve.

The restaurant hews completely to living food, all of it prepared at 118 degrees or lower. As our charming server Kelly noted, “Warm entrees and soups come warm at 118 degrees out of the dehydrator. Our fried avocado is not actually fried, it’s sliced, rolled in ground flax seeds, and warmed in the dehydrator until it’s crunchy.”

One of the first things that Wynters and Ross did when taking over the existing restaurant space was removing the stoves and the microwaves. They’ve also redesigned the dining area into an airy, vibrantly green indoor space and large outdoor patio, with antique mirrors, succulent plants, and soft faux “grass” covering benches.

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But what you really want to know about is the food, right? Dairy free, soy free, wheat free – and packed with flavor. We started with an appetizer, the house made Cheese and Crackers.

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The house-made cheeses were terrific: pistachio pesto, chipotle cheese and tahini cheese. Each was soft, spreadable, and delicately spiced, and came served with house bread, crackers and cucumber. We tried kamut bread and carrot crackers. The carrot crackers, crisp and sweet, were my favorite.

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Above and below are what were to us, the restaurant’s signature dishes. The exceptional flavors and beautiful presentations were a delight. Above: pistachio pesto stuffed mushrooms. Below, cucumber salad with cucumber, corn, sprouted quinoa and tahini cheese served with a light zingy lemon vinaigrette.

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Okay, maybe there were a few other “signature dishes,” these taken solidly from the entree portions of the menu. Below, “fried” avocado tacos. Beautifully spiced, light, and yet completely satisfying, the house-made flax wrap tortillas are filled with tahini cheese and “fried”avocado, cucumber, baby mixed greens, and spicy tomatillo salsa.

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Below: the sign says it all. Co-owner Sharyn Wynters tells us she has been on a journey with raw food cuisine for forty years. Which may explain why she appears to be in her late thirties: her body is thriving. “I had cancer at age 25, and my whole cure was enzymes and raw food long before it was fashionable. I traveled around the world looking for this type of food,” she reports. “Ten years ago I went to what was then Jenny’s 118 Degrees restaurant in Costa Mesa. I was eating the coconut ceviche, which is an incredible dish, and I became friends with Jenny. We met again, speaking at various events about healthy foods together.”

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Finally, Wynters, who is a skilled natureopath, says everything fell into place. “Last March I said, let’s have a restaurant in Los Angeles. I wanted it to be in my own neighborhood, Tarzana, to be of service to the community.”

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Above:  Wynters’ favorite on the menu, the raw lasagna. The lightest and yet incredibly robust lasagna you may have ever eaten. Ingredients: layered zucchini, tomato, macadamia creamy ricotta and sweet basil marinara, with basil cheese and marinated portobello mushrooms.

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It’s fortunate that the main courses are not heavy, because the desserts are incredible and beg to be tried. Healthy desserts? But, yes. The fudge brownie, strawberry cheesecake, and chocolate banana butter pie made with almond butter use only the healthiest yet sweet-tooth-satisfying ingredients. “Cacao, avocado, coconut nectar, and crusts made of hemp seeds, walnut and coconut,” are some of the ingredients that Wynters describes.

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We noted an absence of several tried and true vegan raw food elements such as cashew cheese and agave in  the dishes, and asked about that. According to Wynters, they only use pepitas, walnuts, pistachio, and macademia nuts, no cashews or peanuts due to the possibility of fungus or chemicals in those nuts. Impurities in agave also rule it out.

With a supreme attention to detail and health – and most importantly of all, perhaps, to our readers, flavor – 118 degrees should be no degree at all away from your next dining experience.

The restaurant is located at 18636 Ventura Blvd., Tarzana, CA 91356

  • Genie Davis, all photos: Jack Burke

Zachary Aronson at Stone Malone Gallery

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What’s pyrography? It’s wood burning, it’s art, it’s the sweet-smelling creation of artist Zach Aronson now on view for one week only on Melrose at the Stone Malone Gallery. Friday and Saturday night there’s live music, too, so go on down and be sure to inhale – the redwood creations are as fragrant as they are cool.

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Metamorphosis is the title of the show, and it really is just that for me. I’m really exploring in my work,” Aronson says.

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“I like the idea that I’m changing the medium I’m working with. I’m turning wood to ash with fire – without adding any new elements,” he asserts.

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“Fire is traditionally a destructive element, but I’m creating with it, not destroying,” he continues.

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“Each work is drawn from life using an open flame. I do portraits on the spot. It’s relatively fast work,” he explains.

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Sometimes, Aronson goes for a complete, rather than partial portrait image, but he says he prefers the partials for now, that their nature is more evocative.

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Viewers will find Aronson’s work haunting. There is something profoundly moving about these artistic “scars” reshaping the wood, creating a very life like portrait in an unusual medium.

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Aaronson’s work with wood originated from necessity. “One night I couldn’t find any paper to draw on, so I salvaged a scrap piece of lumber and decided to draw on it instead. The first time was with graphite, and soon afterwards charcoal. I came to the realization that charcoal is simply burnt wood, and tried using a flame as a drawing implement. Over time I became more skilled with this medium and came to prefer drawing with fire.”

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His large-scale work is surprisingly intricate and revealing. With such detailed portraits shaped on wood panels, the wood takes on an aspect of skin. These could be the faces of giants, impressions realistically superimposed. The pyrographic technique provides a layer of softness in the work, and in the scarring of the wood to create the portraits, a three-dimensional aspect that draws the viewer. Aaronson describes his art as “Portraits focused around ideas of identity and anonymity, and how these concepts influence who we are, both as individuals and as a culture.” However they’re described, it’s not just the size of the pieces that make it hard to look away.

Stone Malone is located at 7619 1/2 Melrose Avenue, Los Angeles, CA 90046, the show runs through Saturday night.

  • Genie Davis; all photos: Jack Burke

The Chinatown Art Scene: March Edition

 

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Chinatown has more cool art than dim sum these days. Last Saturday night, the opening receptions for a bevy of terrific shows filled Chung King Road with art lovers. There was a live band in the plaza, and the red paper lanterns glowed overhead, but the real events were inside a quartet of great galleries.

At The Good Luck Gallery, running through April 2nd, the imaginative found-art sculptures of Willard Hill dance across shelves and tables. Tenessee resident Hill worked in restaurants in his hometown of Manchester from the age of 17 to 63. Twenty years ago, he began creating sculptures crafted from others’ detritus. Today, retired, he shows no sign of stopping. A flood of creativity pours from his hands and heart.

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Hill uses foil, hangars, plastic bags, tooth picks, and cotton balls, among other commonplace discards, shaping them into ingenious and charming sculptures that tell beautifully realized stories.F23C9777

The pieces are lighthearted, but poignant. There’s a yearning in the figures, a longing for movement. F23C9776

A carnival of imaginative figures dance, pull carts, ride horse drawn conveyances, sing around a piano. There’s an immediacy and intimacy to his work that makes these figures spring to life. A viewer could imagine these pieces inhabiting a living world of their own when the lights go out and the gallery closes. F23C9773

Hill has crafted a world that’s colorful, bright, and slightly surreal. His use of found objects adds to the power of his pieces. He’s crafted so much from so little. This quintessential outsider artist has made literally thousands of pieces. The sheer scope of his work is astounding, the emotion captured in each piece literally shines.F23C9769

A very different show awaits viewers at the Charlie James Gallery. On display through April 9th, artist Guy Richards Smit presents A Mountain of Skulls and Not One I Recognize, a series he completed in just under a year. “I just constantly have a need to comment on things, even on the most basic image, like that of a skull,” Smit remarks.

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Smit has crafted a mock newspaper with headlines that amusingly mock current events, public figures, and social cliches. Brilliantly satirical, and sometimes laugh-out-loud funny, Smit is a force to be reckoned with, read, and watched.

His skull series was created as a response to a trip to Bohemia and a visit to a church made of skulls and bones when he was in his 20s. “I could imagine each skull having had a fight with a landlord or a lover. I’ve held onto to those images. Sometimes my captions are mundane, and some have bigger messages.”F23C9751His skulls feature captions that describe human types and behaviors. Each skull, like each person, is unique – in color, shape, and physical characteristics. The works, created in watercolor and gouache, are as haunting – a treatise on the ephemeral quality of life – as they are amusing. F23C9750

At Coagula Curatorial , the first solo show by New York based artist Emma Sulkowicz, Self Portrait, is a riveting portrait of the artist as – a sculpture.

The 23-year-old artist will be taking her place on a platform during regular gallery hours for the first three weeks of the show, which runs through April 3rd. The experience of communing with artist, sculpture, and 3D printed replica is quite profound. What dimension do we exist in?

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Above, Sulkowicz herself is on display, positioned on a pedestal and answering questions posed by viewers.

Below, In-Action Figure, a 3D-printed replica of the artist representing her past experience with the media, flattening her image.

 

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On opening night, viewers were able to interact with the artist, and ask her questions on just about any subject they liked. Except those that objectified her.F23C9740

Objectifying questions could be posted to Emmatron, a life-size, and life-like sculpture on an adjoining pedestal. Viewers interact with Emmatron through an app,  programmed so that the sculptural figure can answer a series of pre-set questions. F23C9733

At the Gregorio Escalante Gallery, perfect, minute, rotating doll house displays take viewers into a world of madness, survival, and whimsy – all at the same time. Running through March 27th, Michael Criley’s “Dr. Awkward’s Clinical Findings on the Back Wards,” plunges viewers down an Alice-in-Wonderland rabbit hole of sanity and insanity.

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Criley was inspired by closed state mental hospitals in Lima, Ohio, and Weston, West Virginia. His mixed media creations tell the dark tale of a doctor and his abandoned patients. Abandon all hope, ye who enter here. But not the ability to laugh, relate, and connect.

 

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An imaginary doctor’s insane dissertation on insanity, the mechanical gizmos here are madly magical.

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Containing equal parts of whimsy and terror, the miniatures, collages, sculptures, and dioramas of Criley’s work will have viewers thinking a long time. Or perhaps it’s time to stop thinking, lest your mind play any number of tricks that lead you to an urban legend of a mental hospital gone mad. F23C9704 F23C9702 F23C9697 F23C9696

Provocative, fascinating, and different indeed – those are the four exhibitions that opened fresh last weekend. Hold the egg rolls – order instead a quadruple helping of awesome art in DTLA’s Chinatown gallery row.

  • Genie Davis, All photos: Jack Burke

Paint the Town Red: Ajo, Arizona and the Sonoran Desert Conference Center

 

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The hills appear to be painted red and gold around the former copper mining community of Ajo. The town name means garlic in Spanish, but it was probably a translation error: the Tohono O’odham tribe in the area had a similar word for paint, and they took their red paint pigments from those vibrant hills.

Ajo’s name is just one interesting story in a town filled with them. Here is what could’ve been an abandoned community, revising, renewing, and revitalizing itself when the copper mine that gave it a reason to exist was closed. In the middle of the raw and beautiful desert the sparkling white Spanish-colonial town square and a series of beautiful murals all around town draw the eye like a very pleasant mirage.

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Perhaps most interesting of all is the town’s former Curley School, a large and beautiful structure that now houses artists residences in one wing, and in another, an incredible hotel. How such a place came to be is a story in itself.

The Sonoran Desert Conference Center is a beautifully designed, industrial-chic hotel with high ceilings, luxurious bedding, and expansive rooms that were once school classrooms. It is one part of the former Curley School; the complex also includes a community garden, a courtyard with a fire pit, an auditorium, and renovated, low-income artist’s lofts. The entire campus is gorgeous.

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According to Emily Siegel, who manages the property along with husband Stuart, there are 21 completed rooms at the hotel, with construction being completed on two additional small dorm-style rooms designed for large groups and families. The school campus was originally built over a period of time from 1919 to 1948, with the hotel wing being the most modern construction.

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While The Sonoran Desert Conference Center is a truly wonderful vacation destination, it does in fact contain the space for conferences. The original high school auditorium has been redone and features retractable walls that offer an incredible view of the property and desert beyond. Group activities such as yoga retreats and large reunions are naturals for the property, but so are visits from couples looking for a romantic getaway, family vacationers, and adventure travelers.

To see this spot is to fall in love with it – the ornate architecture, the wild javalinas occasionally scurrying through yards, the spectacular sunsets. And that’s precisely what Emily and Stuart did when they were passing through Ajo a few years ago.

“Stuart and I made the unconventional decision to leave jobs and home and take a great American road trip. We planned it to be ten months long, but five and a half months in, driving from Joshua Tree, California to New Mexico, we got in a touch with a friend who lived here in town. We came by for just one night and were fascinated,” Emily relates.

That fascination led to a meeting with Tracy Taft, who owns the non-profit that owns the former school, and led to the Siegels’ signing on as volunteers onsite six weeks later. They helped furnish the units – which are hip, comfortable, and employ recycled materials; they hired housekeeping staff; and they set up the website for the property. The next thing they knew, they were asked to stay on and run the place.

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“We love this place, and the important mission this non-profit represents in improving and restoring the town,” Siegel says.

Taft herself ended up in Ajo somewhat by accident. “Driving past the Crater mountain range fifteen miles north of here, I found the scenery compelling,” she attests. “I bought a house the same day I drove through in 1992.”

Taft didn’t move to Ajo full time until 2000, when she discovered the former school occupied by several small non-profit organizations. A new, modern school has been built on the other side of town. “I came here to retire, and within a year I joined a non-profit, and hatched this idea of renovating the Curley school. The first project was creating thirty units of live and work space for artists. We worked with the department of housing and the state as a way to save the building and bring skills and a new economic niche into Ajo.”

Below, a glimpse at one of the few vacant units in the artist’s residences, where large loft live/work space rents for $300 to $625 a month.

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There were already artists living in town, and it was clear that there was plenty of interest from artists outside the community to come and live in the large, low cost studio and living space. The building was purchased in 2006, and the artists’ residences opened in 2007.

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“Our mission is about community development. We want to draw more people here who create art, who invent things. And we want to encourage them to open other businesses,” Taft says.

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The non-profit now also owns the historic town plaza, which is part of what was once a carefully designed, planned community that supported the mining industry. Both mine and property were owned by the Greenway family, the same family whose descendants still run the elegant Arizona Inn in Tucson. John Campbell Greenway was a beloved figure in town, and when he passed away in an untimely death, he left $100,000 to the miners of New Cornelia Copper Company.

But all this backstory is merely an entry point to add to the appreciation of a truly cool community and an attractive, peaceful hotel that is more than worth a visit – and a repeat visit or two.

Like Taft and the Siegels before us, we were smitten by the place. The craggy hills, the cactuses, the quirky and wonderful murals throughout town, the historic and beautifully preserved town square, and the spotless, sleek hotel rooms won us over fast.

At first glance, there isn’t a lot to do. But look again. Take a stroll through the pretty plaza, which contains an art gallery and coffee house, and should soon be adding a craft brew pub to its quiver. Drive, bike, or hike the scenic loop road that starts just a few blocks from the hotel, catch a sunset.

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There’s a mining museum that pays tribute to and allows a good look at the Ajo mine which was purchased from the Greenway family and by the Phelps Dodge company who shut it down in 1984. The mine is still a sight to see: it measures a mile and a half across and 1200 feet deep to the bottom pit. The mining crater is circled in levels, each forty feet. Formerly one of the largest copper mines in the world, the New Cornelia pit also offers a glimpse of a startlingly turquoise hued lake at the bottom of the pit.

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Beyond Ajo, a less-than-thirty minute drive takes visitors to the stunning Organ Pipe National Monument.

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The relatively quiet preserve allows plenty of space to take some stellar hikes and quite wonderful driving loops. We were surprised and enchanted to see a red rock arch delicately etching the bright blue sky;  the main roads, easily driveable dirt, lead drivers and hikers past a variety of scenic stops from unique cacti to rock formations.

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The park was surprisingly lush for the desert. Plenty of green plants, birds, and other wildlife are visible. Interestingly, the Organ Pipe Cactus itself, while common in Mexico is rare in the states, and can’t tolerate cold weather. They also need plenty of sun, and are found throughout the monument in the thickest clusters on south-facing slopes.

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Visitors with passports can drive on past the park, cross the Mexican border,and be on the gulf coast at Rocky Point within another 90 minutes.

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But staying close to Ajo itself also offers pleasurable exploring. With thirty-five plus murals and a number of sculptures scattered throughout the town, some commemorating movies shot in the area, the art scene that the Curley School artist lofts support is definitely a real presence.

The Spanish colonial revival architecture that makes up the plaza and a number of other historic buildings is also an attraction. Located in the plaza is the Under the Arches Gallery, curated by artist Jacqueline Andes.

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“We’re a non-profit community gallery featuring work by emerging contemporary artists, art from recycled materials, and photography,” Andes relates. “We’re self-sustaining, we draw visitors from Phoenix and snowbirds heading into Mexico.”

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The gallery opened in November 2015, and offers evening opening receptions monthly, for artists like Danny Carriere who works as did Andrew Wyeth in egg tempera paint, and photographer John Linton whose subject in a recent show were the homeless residents of Phoenix.  

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The gallery, like the Curley School project and the plaza itself are all a part of the International Sonoran Desert Alliance.

Every February, fiddlers from all over the country come to perform in the plaza; the Ajo Peacemakers Annual Quilt show is also held in February, as it has been for twenty years.

The unpolluted skies are relatively dark at night, which means excellent stargazing. Another short drive takes visitors to the Kitt Peak National Observatory which features programs open to the public and viewing through massive, research-grade telescopes.

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But all of these places to visit and explore are just a sum of the whole: Ajo, whose name may truly mean a place not just where Native Americans came to get the colors with which to paint, but a place which paints itself on the heart, and imprints itself on the mind.

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Whether you’re an artist looking to establish residency, an adventure minded tourist longing for an uncrowded desert hike, or just folks who want to get away to a place both quiet and renewing, Ajo is well worth the drive down a relatively untraveled road. Stopping here isn’t only good for the soul of the visitor, its good for the soul of the town – tourist dollars are helping to renew the community. Perhaps its that spirit of mutual giving that adds to the feeling of being rewarded for discovering this place.

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Check out what one non-profit, a group of supportive, driven people, and a focus on the arts can accomplish. Go visit! From Los Angeles, the drive is less than six hours; from Phoenix it’s under two.

  • Genie Davis; Photos: Jack Burke