Feminist Variations at Loft at Liz’s: Female Philosophy in Art

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F23C0319Co-curated by Shana Nys Dambrot and Susan Melly, Feminist Variations at Loft at Liz’s through September 19th, expresses feminist issues without rancor. Nys Dambrot and Melly are second and third from the right, above, joining exhibition artists and gallery owner Liz Gordon.

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Works by Annie Terrazzo, Lauren Kasmer, Victor Wilde, Peter Walker, Susan Melly, and Carol Sears present relationships to diverse aspects of feminism in political, social, and philosophical terms. The female body, its physicality and it’s evocation in myth and allegory, is the subject of this highly poetic and vibrant exhibition. This is feminism as a life force, as a woven – in some cases, through items of clothing, literally – design in the pattern of life.

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Above,  artist Victor Wilde serves up stellar pancakes at the show’s opening August 27th, and creates the clothing-based artwork below.

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Co-curator Shana Nys Dambrot explains the exhibition’s genesis. “About a year ago I met Susan Melly. She was in a critic group in which it was noted to her that her work presented a feminist critique that wasn’t a complaint. Her work was engaged with the issues without anger. We talked about that, and worked on the idea together, and really rallied around  the idea of how the female body takes up space in the world, from fashions and wearables to negative space in abstract composition, as we brought other artists into the exhibition.”

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Susan Melly adds: “I had a discussion on a piece of mine with art critic and curator Peter Frank during a critique, in which I was telling him I always considered myself a feminist, but in a way in which differences between men and women should be acknowledged, but without complaint. That became the theme of the show.”

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Melly, whose work includes materials such as the paper-thin dress patterns her mother kept,  poses with some of her work above.

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“We were looking for artists whose work spoke to that idea. They did not have to be female. Of the six artists in the show, two of us are men.”

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Peter Walker’s beautifully detailed works here are created from graphite on paper. “I have been interested in exploring identity, the casual associations especially in a metropolis, where most of our sensations are fleeting and temporary. These pieces explore our chance encounters and how we identify ourselves as part of that random chance encounter.”

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Walker was trained as a painter, but with these works wanted to emphasize the ephemeral. “Pencil on paper felt more fragile, which was what I wanted to convey for a message, the fragility of these relationships,” he relates.

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Lauren Kasmer’s background is in photography. She’s the daughter of a clothing designer who only recently decided that fabric and photography belonged together in her work.

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“I usually work as an installation artist. Photos and video and live elements here at the opening all depict people wearing my clothes. There are many commonalities in clothing, in art. I’m sharing these commonalities, not the differences between men and women.”

Working in a wide range of mediums, the artists in this exhibition create a body of work that deals in contrasts and fluid relationships, on change and sameness, on awareness of the Venus/Mars differences, the bond of humanity, and the shared knowledge of the world that men and women experience – together.

Loft at Liz’s is located at 453 S. La Brea, Los Angeles.

  • Genie Davis; Photos: Jack Burke

 

We’re All – Naked Underneath

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Above, the art of Jane Szabo

The Brand Library and Art Center explores the – pun intended – naked truth of human existence in Naked Underneath, now through September 17th. And while this sounds like a weighty topic, the approach to this subject lightens the load of shared human struggle with identity.

Curator Shannon Currie Holmes presents the work of five artists in a variety of mediums. The theme of the show, that underneath whatever artifice we create we are all the same – naked below the surface – is as relevant as it is profound.

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Jane Szabo presents two series, both conceptual self portraits: “Sense of Self,” is a sequential set of actions, exploring the need for a sense of control over self and environment. Her “Reconstructing Self,” depicts dresses made from personal or familiar objects that suggest a persona as a stand-in for the artist, inviting viewers to connect and create their own mythologies from hers.

“Though my recent work has been photographic, my original training was as a painter, and I branched into working on installations during graduate school. In addition, my professional background as a model maker and scenic painter for film and television has informed my interested in materials and the tactile aspects of being an art maker. My project, Reconstructing Self, which is featured in the exhibition Naked Underneath, was a way for me to combine my interest in fabricating objects with the photographic medium. Though the photographs of my handcrafted dresses were well received, some curators also expressed interest in displaying the actual objects. The idea of creating site-specific installations within this project intrigued me, so I decided to fabricate a new piece specifically for the exhibition at the Brand Library.”

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Szabo’s piece has a special personal reference for her. “The focal point of this exhibit is an installation called La Boheme, which is an homage to my husband, who has the unique skill set of being a trained opera singer, as well as a surfer. ”

Szabo says because The Brand Library specializes in collections of art and music, and it was important to give a nod to the institution, as well as telling a personal story. 

“La Boheme features a papier-mache dress surfaced with pages from the opera score for La Boheme. The suspended dress floats above the ground, and branching out from the base, are “sound waves” made from more pages from the libretto. The beating heart of the metronome is just one of the added effects that accompany the installation,” Szabo relates.

Each of the five artists represented in the exhibition approach the theme of identity differently, and exquisitely.

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Cathy Akers uses photography and porcelain, two separate mediums to convey the same message of the necessity and struggle for human connection. Her photographic collages are haunting and ghostly, exploring the presumption of family in 1960s era communal living.

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Tim Doyle’s sculptures are abstract and sexualized, with round edges and phallic shapes taking on a sensation of softness, the illusion of a giant’s body parts. The shapes are compelling, and even mystical.

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Colleen Kelly offers a pointed look at censorship and body shaming in her works, which use chine-colle, a printmaking technique that transfers images to a heavier supporting material. The result weighs clothed figures as the nude figures shift more freely.

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Alison Kuo uses delicately realized water color images to show oblique and unidentifiable subjects in perfectly realistic yet dream-like terms.

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And Carrie Yury presents riveting diptychs that vividly represent domestic environments which contain, sustain, and confine the human body.

So go ahead, get naked. At least metaphorically speaking. The exhibition runs through September 13th, and a closing is planned. The Brand is located in Glendale at 1601 W. Mountain Street.

  • Genie Davis; Photos: courtesy of Jane Szabo, and The Brand Art Center.

Art Share LA: Spectra

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Closing this Sunday, Sept. 4th, hurry over to Art Share LA for Spectra, and add a little color to your life. Mixed media, paintings, drawings, and photography make up this bountifully colorful and exceedingly masterful exhibition.

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Featured artists include:

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Chenhung Chen – Here she features works crafted of glittering, amazing silver patterns – using staples. “I make them over a long period of time, initially just playing with the material, with paper and staples, finding the right elements.”

She was originally focused on the center of the paper, but notes “The later pieces, my inspiration was intuitive playing. As in the piece ‘Conversing,’ with two images communicating with each other.”

She describes these works as a flat extension of her multi-dimensional pieces. “All have something to do with line, with the dichotomy of simple but sophisticated work. The texture looks delicate but its strong material, the paper is soft, the staples hard. The works are soft and tough at the same time.”

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Kaori Fukuyama – Fukuyama’s oil on canvas works are vibrating with color. They have a spiritual quality that the artist notes “I don’t put that in my work consciously, but it’s how I feel when I work.”  She was “always interested in color and light, and how they affect our experience and perception of space, depth and volume.”

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Nancy Goodman Lawrence – “I used to do detailed, labor intensive work. I’ve switched gears, I decided wanted to use simple techniques. I just draw – and that morphed into pure acrylic paintings. I’m always pushing the boundaries  – my work is very playful. Here I’m squashing shapes into my frames. I’m serious about my work but exploratory.”

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Above, Carl Shubs with his photographic art to the left; to the right, the glittering work of Kelly Brumfield-Woods.

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Carl Shubs – As a photographer, his saturated colors are thematically vivid. “My work is diverse subject matter and approach and color. It could be in black and white as well – it’s about the geometry of images. Some are abstractions.” He goes around Los Angeles and photographs “whatever catches my eye, people, places, things, a pattern, something that is interesting or inspiring, the humanity in every day life. I like to shoot the spontaneous moments.” Surreal as some of his work looks, he never uses photoshop, and finds digital, full-frame camera work allows him to be “spontaneous and not afraid of the cost. This medium set me free.”

Also exhibiting:

Jeff Iorillo, Amy Kanka Valadarsky, Tanya Nolan, Melissa Reischman, Kelly Brumfield-Woods, Stephanie Sydney, and The Perez Bros.

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Above, The Perez Bros.

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Above, Tanya Nolan’s mixed media mirrored sculptural work.

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Above: Stephanie Sydney

Art Share is located at 801 E. 4th Place in DTLA.

 

  • Genie Davis; photos: Jack Burke