CA 101 Exercises Artistic Muscles at Former Gold’s Gym

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One of the many wonderful things about the CA 101 Art Exhibition, now in it’s 7th year in Redondo Beach, is its eclectic locations. The museum-quality exhibition moves to a new spot in the South Bay every year – this year it’s located with a lovely harbor view at the long-closed former Gold’s Gym.
Under the auspices of curator Nina Zak Laddon, the art-under-served Redondo Beach area has an exciting art show to take in, whether the setting is an empty hotel, the AES Power Plant, a closed store in the Galleria mall, or now – this former gym rat’s favorite across from the Redondo Beach Marina.
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While past years showed only works by California artists, this year’s offering has an international and national inclusivity, in part to acknowledge other cultures and share global art in a diverse line-up.
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Above, “The Blue Hat” by Lynn Doran.

Another first this year was a ceramics gallery, a photography gallery,  and several beautiful installations, including Flora Kao’s lush morphing of the local pier and a Taiwanese avocado grove, below.

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719 works of art were submitted with 148 being shown.

Here’s a small taste:

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Scott Trimble, above, an artist local to Hermosa Beach, with his beautifully evocative oil on linen work, “Worry Not, for perfection is merely a notion.”

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Above, L. Aviva Diamond with her delicate black and white photography – a simple feather and water droplets create a lustrous universe in “Tiny Immensity #11.”

Below, Peggy Zask’s incredible, life-size metal sculpture of a horse is poignant and perfect.

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Below, artist Steve Seleska stands next to his richly textured abstract mixed media work.

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Below, Kristine Schomaker’s jubilant black and white image of her body in motion captures a reflection of another body contemplating her work, “Plus 14 (Crowne Plaza, October 7, 2017.”

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Below, Erika Snow Robinson uses mixed media to explore “The Landscape of Cancer (Sucks).”

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Lena Moross’ large-scale watercolor is a visual feast, above; equally immersive is Cudra Clover’s painted silk “Mr. Limpet’s Secret Garden,” below.

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Showing the wide range of materials used to create in this exhibition, below, Nancy K. Boyd works in fused glass with “Setting Sun.”

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Photography on metal, below with Katrim Cooper’s “Poolside 1.”

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Above, Susan Melly with her table sculpture.

 

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A terrific fundraiser at the opening: attendees could pose against a chosen background for a photograph mounted on wood – no ordinary snapshot souvenir, as seen above.

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The bling-tastic work of Diane Strack, above.

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Katarina Stiller’s ceramics, above.

The opening was last weekend, but there are more stellar events this closing weekend: June 8th – Wine Tasting at Sunset at the Gallery,  for tickets call (310) 720-4943; June 9th  TEDx Redondo Beach at the Gallery presents “Fake News & Filter Bubbles,” curated by Paul Blieden,  www.TEDxRedondoBeach.com
Gallery Hours:
Friday June 8th Noon – 6pm
Saturday June 9th noon – 5pm
Sunday June 10th Noon – 6pm
CA 101 is located at 200 Harbor Drive in Redondo Beach.

 

Street Food Cinema Serves Up Tasty Film Line-Up

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Street Food Cinema is offering a full line-up of summer fun, focusing – of course – on an eclectic batch of great outdoor movies. While film is the focus, these events are not only about what’s up on the giant outdoor screen.

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The season includes well-curated food trucks, lively audience games, live music, and even talks from film stars and directors. The full 27 week season runs at eleven different locations with over 50 film events projected on a crisp, 50-foot screen.

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The event was founded in 2012 by husband and wife team Steve Allison and Heather Hope-Allison, who’ve dedicated themselves to projecting classics, cult favorites, and cutting edge cinematic treats as well as offering a venue for emerging musical artists in a variety of musical genres.

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Food favorites are also well-selected, and viewers will notice LA-area favorites like Cousins Maine Lobster and Churro Stix in the gustatory mix. The Allison’s offer not just a movie screening but a complete al fresco evening out, which makes watching a movie outdoors an event.

This season opened appropriately enough with La La Land – shown to the venue’s largest crowd to date – over 5,000 film fans. Street Food Cinema offers screening events in LA, San Diego, and Phoenix, but you’ll want the local run down, with screenings, games, live music, and food trucks held at a variety of iconic Los Angeles locations including Beverly Hills, Manhattan Beach, the Pacific Palisades, the Los Angeles State Historic Park near Chinatown, Griffith Park, and Glendale.

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Coming up this weekend is The Big Lebowski in DTLA at the LA State Historic Park,  an event we’ll be reviewing. Not into the Dude? Then how about Dirty Dancing, screening in Victory Park just up the 110 freeway in Pasadena.

The 25th Anniversary of Mrs. Doubtfire screens June 16th at Griffith Park, next to the Autry; The Greatest Showman, a Hugh Jackman-starrer rapidly becoming a cult classic will be at Will Rogers State Historic Park in Pacific Palisades on the same date.

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Finish out June with Goonies taking over Glendale’s Central Park June 23rd, or Back to the Future zooming into King Gillette Ranch in Malibu on the same date, or the Oscar-winning I Tonya at Poinsettia Recreation Park in West Hollywood. Just in time for Independence Day, Top Gun offers a soaring good time in Culver City’s Veteran’s Memorial Park June 30th; the all-American comedy of The Sandlot, in its 25th anniversary presentation is at Victory Park in Pasadena on the 30th as well.

The season runs into the fall, with other highlights such as Grease on July 21stCasablanca on August 25th, Twilight and the original cult classic Halloween on October 13th. And don’t miss Street Food Cinema’s first double-feature pajama party – a September 15th pairing of The Craft and Teen Witch. 

Cinema fans, welcome to your summer feast.

  • Genie Davis; photos provided by Street Food Cinema

 

 

Bad Jews = Great Performances at the Odyssey

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Through July 1st at the Odyssey, Bad Jews brings audiences dark humor, fast wit, and dialog so smart it would make Aaron Sorkin weep. Created by Joshua Harmon, the play introduces opinionated Daphna/Diana Feygenbaum, a college student donning the mantle of her Jewishness with a passion. In town for the funeral of her grandfather, a Holocaust survivor, Daphna (Jeanette Deutsch) is  staying with cousins Liam and Jonah Haber (Noah James and Austin Rogers), in a luxe condo purchased by their parents.

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Daphna doesn’t care for their seemingly indolent acceptance of the luxurious residence, but she’s more focused on finding and keeping her grandfather’s chai, which he’d hidden even during his incarceration in a concentration camp.

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What Daphna doesn’t know can hurt her – and everyone around her – Liam already has the chai and plans to gift it to his non-Jewish fiancee.  And so the war of the words begins.

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Liam takes the secular side, Daphna the Jewish ideological trope, while Liam’s brother Jonah and fiancee Melody (Lila Hood) can only duck the verbal missiles.

Funny, poignant, bitter, biting, and intensely relatable, the richly human, insanely provocative battle of the chai also brings home the horrors of the Holocaust, the importance of loyalty, the sting of betrayal, and the power of words.

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Strong performances by all four cast members, an evocative set, and tight direction throughout the play’s 90-minute run time makes this a gem.

  • Genie Davis; photos: courtesy of the Odyssey.

Art at the Rendon: Checking In to Check It Out

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From outdoor art shrine to indoor glitter, the Rendon Hotel became the pop-up art spot to beat all pop-ups in LA this past weekend.

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You might not want to book at stay at the Rendon, a former single occupancy hotel just off 7th in DTLA. But if you checked out the first in a series of Art at the Rendon events this past weekend, it was all the same a terrific place to spend the night.

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Over 40 artists took over the hotel, creating immersive, individual rooms, some featuring performance art, some unspooling video images, some with the artists holding court, explaining the genesis of their work. Astonishingly beautiful, Hidden Rooms, curated by Cindy Schwarzstein of Cartwheel Art (below), brought DTLA-affiliated artists together to conceptualize all three floors of the building.

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Guests climbed the slightly-shaky metal fire escapes to access each floor, and wandered narrow halls to view the rooms.

Artists had just around 3 weeks to complete their works – and the results were stunning.

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Above, Davia King and Lisa Schulte, artists.

From magical neon to sheer, diaphanous fabric with haunting images of the city; light and the use of light was one key element that recurred in the rooms.

Below, artist Teale Hatheway lets the wind carry her work.

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Below, purple light infuses artist Jeff Ho’s room.

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Texture was also a key element of installations: below, Guerin Swing gives us a silver room with the walls of a celestial, alien cave.

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Faux fur on the bed, beaded lamp dangles above.

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The Baker’s Son conjured up outsize, tasty, tactile treats, below.

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Constructs of wood redefine space in the work of Susan Feldman Tucker, who bisected her room with wood and small sparkling lights, below.

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And what is the texture of money? As Warren Zevon once sang, “bring lawyers, guns, and money…” the lawyers were temporarily missing.

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The weapon worship of America was touched upon in several spaces, including this haunting installation by Clinton Bopp, below, referencing Arthurian times.

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From evoking ocean breezes to calling up something much darker, rooms also shaped distinct notions of place and time.

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Other images were harsher.

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Or haunted…as with filmed images from the hotel by Natasa Prosenc Stearns, below.

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Marcel “SEL” Blanco, below, gracefully took flight.

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Joseph Manuel Montalvo (NUKE) created the room of a Zoot-suited dancer, who interacted with hotel guests. Performance, below, by Pachuco Chino.

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Politics came in many forms – butterflies were one, emblematic of migration, below, from Maria Greenshields Ziman.

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A White House built of sand in the jungle… it is all a bit Apocalypse Now these days… from INDECLINE.

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Street artist Paradox gives us predictions of the future and a look at cool Sacrosanct Society clothing.

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Whatever door viewers stepped through, there was a transformation.

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Participating artists included:  ABCNT, Abel Alejandre Studio, AISEBORN – Visual Artist, Atlas, Kofie, Baker’s Son, Big Sleeps, Beau Stanton, Bisco Smith, Calder Greenwood, California Locos, Cassie Zhang, Christina Angelina (aka Starfighter), Clinton Bopp, Chaz Bojorquez, Darcy Yates, Dave Lovejoy, Dave Tourjé, Davia King, Dytch66, CBS, Emmeric Konrad, Francesca Quintano, Gabriella Fash, Gary Wong, Guerin Swing, INDECLINE, James P. Scott, Jacqueline Palafox, Jeff Ho, Johnny Cubert White, John Van Hamersveld, Joseph Manuel Montalvo (NUKE), Joe Prime Reza (K2S), Josh Everhorn, Josh Webb (aka Joex2), Kelcey Fisher (aka KFiSH), Kelly Graval (RISK), Keya Tama, Lisa Schulte, Man One, Marcel “SEL” Blanco, Maria Greenshields-Ziman, Mark Dean Veca, Michael Torquato DeNicola, MYMO (aka Mimo Ilie Mali), Moncho 1929, Deejay Trixter, Nataša Prosenc Stearns, Nicholas Bonamy, Norton Wisdom, Ralph Ziman (aka Afrika47), Restitution Press, RETNA, RhoXRose, Robert Sticky Shaw, Sarah K. Walsh, Shrine (Brent Allen Spears), Sma Litzsinger, Stephen Seemayer, Susan Feldman Tucker, Tanner Goldbeck, Teale Hatheway, VALTD, Vanessa Chow.

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On the ground level, music rocked the dive-bar, while sculptures, an art car, and food truck took over the courtyard. 

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Hidden Rooms was the first event in the Art at the Rendon series, which is planned to bring both art and music to the vacant hotel before it is renovated — and after the renovation. The idea is to  continue art programming and offer artist residencies.

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We wished there was an extended checkout, but unfortunately, this was just a weekend staycation.

  • Genie Davis; Photos: Genie Davis