January Arts is About to Launch Exciting New Platform

Posted on by Diversions LA

You may know Kristine Schomaker as the creator of Shoebox Arts, an inclusive arts community that includes Shoebox Projects exhibitions,  mentoring artists throughout Southern California and beyond, and Art and Cake,  digital publication you’ve likely read along with DiversionsLA.

Now Schomaker has begun a joyous new project for her, January Arts, a nonprofit she originally conceived of in 2018,  and is bringing to fruition now, with a launch party that includes a small works fundraiser this Sunday, August 18th at the Moonhuts in Los Angeles from 3-6 p.m.

The nonprofit will serve as a hub, a facilitator, a connector, an introduction to the art world—the place where any artist can find mentorship, professional development, exhibition opportunities, critique groups, professional speakers, workshops, tools, and more.

As Schomaker says “The world is in a wonky place right now, but I knew I could help artists keep going: I’m a good cheerleader, advocate, and facilitator. While I’ve been doing this work for a decade through Shoebox, I’ve been itching to reach a wider audience. Now, through the tax-deductible nonprofit, we can apply for grants and fundraise to bring more support to creatives; with January Arts, I’m better positioned to offer my experience, knowledge, and passion to those who wouldn’t otherwise have access to support.”

She visualizes Shoebox “evolving into the more holistic platform that is January Arts. I am excited about January Arts being a hub of artist resources, where artists from all over can find whatever help they need.” Her board members were culled form diverse backgrounds in business, journalism, artist support, technology, and finance, among others.

Schomaker, left with board president Ellen Friedlander

She stresses that she wants “January Arts to be a platform where artists can find community, learn to network, and achieve their goals, whatever they may be. I also want it to be a place where any artist–regardless of career level–can realize that there are opportunities available to them. We know how hard it is to be a creative: trying to be vulnerable and put yourself out there can be an emotional rollercoaster. We want artists to know that they aren’t alone. Their story is our story. I also want January Arts to bridge the gap between artists and their needs, both material and otherwise: We have resources for graphic design, printing, framing, shipping, taxes, workshops, classes, art supplies, self-care, organization platforms, mentorship and more.”

According to Schomaker, “Once we have a bit of history under our belts, we will be applying for grants. The Launch party will feature a small works exhibition where all work is $100. We are also accepting donations on our website www.januaryarts.org. All donations are tax deductible. Fundraising will be key to providing unencumbered support to all artists.”

January Arts will officially launch on September 1st. “When you sign up through our artist membership, you have access to an abundance of benefits, including group zoom meetings three times a week: on Mondays we hold open forum Q&As; on Wednesdays we hold a book club; on Thursdays we hold co-working sessions where we all log in and work separately, using the energy of the group to finish the work we’ve been procrastinating on. We also hold a monthly meeting where we bring in an art world speaker. In the past we have had art writers, gallerists, curators, well-known artists, consultants and other guests,” Schomaker says. “Coming up we have someone talking about different technology that is available to artists to make their lives easier, as well as someone talking about licensing. Once a month, we also hold a zoom critique group. Each artist gets 10-15 minutes to share their work/projects and get feedback.” Additionally, she says “We have in person meet-ups at museums and galleries, too. Ongoing benefits include a call for artist list, an artist registry on the website, a private Facebook group, social media PR and more. Artists can check out our services as well as testimonials and FAQ on our website, www.januaryarts.org Artists can pay monthly, every 6 months or every year. We have been able to keep the fees lower due to donations and fundraising.”

The indefatigable Schomaker describes January Arts as “a passion project. It is a culmination of so many ideas coming together to continue supporting artists. In the future, we look forward to more collaborations with organizations and institutions. We look forward to expanding Art and Cake and bringing in art writer fellowships. We want to do more workshops with emerging artists and students. ”

And, she still dreams of starting an artist residency outside of the city, hoping to travel and share available opportunities with artists everywhere. “The internet and social media have opened up so many opportunities to artists, but it is still overwhelming. We want to be able to help artists navigate their individual path. We believe there is no linear or predetermined path for artists,” she attests.

January Arts Fundraiser August 18th 3-6pm
MoonHuts
5320 Valley Blvd LA CA 90032
https://www.moonhuts.com/
Catered by @district5kitchen
Small works exhibition, fundraiser, silent auction and more…

For more information,  visit:

January Arts Small Works Exhibition
https://www.januaryarts.org/post/off-the-wall-small-works-fundraiser

January Arts Website
https://www.januaryarts.org/

  • Genie Davis; images provided by fundraiser artists and Kristine Schomaker 

Island Hop: Ann Weber’s Sinuous Sculptures Wash to Shore in Catalina

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Now through December 1st, visitors have one more reason to explore Catalina Island and the beautifully exhibited Catalina Art and History Museum.  Ann Weber’s 26 Miles, a solo exhibition featuring Weber’s always mysterious and magical large-scale cardboard sculptures encourages a rethinking of the island – and the journey from the mainland to it – itself.

The massive sculptural works recall images of nature, transformed into new and shapes and identities through the shifting of time, the sea, and ourselves. They speak to the resilency of nature, the way in which it impacts human creativity, and also to the transformative vibes of island life itself.

Have you ever watched bits of broken glass shift into the soft, colorful translucence into the sea glass we treasure when washed to shore? That softening and perfection is a facet of all Weber’s work, which repurposes the crude rough-edged material of cardboard into something graceful. Pieces here resemble stones and shells and sea creatures, every memory of the ocean and every small bit of beauty we find along her shoreline.

Her art recycles, and reimagines surfaces and shapes – not unlike the rhythm of the sea on a jagged shoreline. On Catalina Island, these works have found a perfect home, speaking to the joys and vicissitudes of nature, manmade worlds, and the longing for paradise.

Additionally on view through September 8th: Philadelphia-based illustrator and designer Sarah Kaizar’s delicious original gouache and ink artwork from the book RARE AIR: Endangered Birds, Bats, Butterflies, and Bees. The two exhibitions create a lovely pairing along with permanent displays depicting island history.

Catalina Museum for Art and History is open 10 a.m. to 5 p.m. daily with extended hours until 6 p.m. Fridays and Saturdays, June – Labor Day weekend. Closed Mondays: September (after Labor Day) through May; open 7 Days: June – Labor Day.

  • Genie Davis, photos provided by the artist and museum

 

The Gaslight Anthem Helms Strong Rock Lineup on a Summer Night at the Greek 

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On a balmy night at the Greek Theatre, a rockin’ triple lineup headlined by The Gaslight Anthem brought three and a half hours of exciting rock n’ roll.

The concert began with The Dirty NIL,  a tight four person punk rock band all the way from Ontario, Canada. The band offered a lively set that veered toward the punk as the first opener at the Greek tonight. Lead singer and guitarist Luis Bentham was in strong voice and Ross Miller brought cheers for his robust bass work and wild stage leaps. Highlights included the terrific song “The Light, the Void and Everything.”

Joyce Manor, local natives out of Torrance, Calif., got the growing audience to their feet with a super danceable “My Tattoo.” Channeling a taste of Blink 182, they powered through a 45-minute set that also included the must-dance power rocker “Gotta Let It Go” from their new album, “as well as End of the Summer,” “Eighteen,” “House Warning Party,” “Stairs,” 2014’s sing-along “The Jerk,” and “Dance with Me,” along with many cuts from their 2022 album “40 oz. to Fresno,” finishing up with a raucous “Catalina Fight Song.”

Lead singer and guitar Barry Johnson totally brought it – including during a moment in which a “big f@&% spider” crawled across the stage – he’s not an arachnoid fan, but even the spider was probably dancing throughout the 45 minute set.

The Gaslight Anthem came on stage to a recording of Cindy Lauper singing “Girls Just Wanna Have Fun” and I think every girl and boy at the Greek had a lot of fun on the LA installment of the band’s History Books tour.

Offering strongly anthemic melodies with lead singer and guitarist Brian Fallon in fine voice, fans sure weren’t disappointed with a galvanizing, tight set that began with “45” and moved through 20 songs in a generous 85 minutes set, including the beautiful, lush, and romantic “The Weatherman,” from the band’s latest 2023 LP, History Books. The song’s titular narrator is just “trying to read you …” and the audience hushed in anticipation.

Every member of the New Jersey native band came ready to raise the roof – if there was one at the Greek, that is –  Fallon who handles rhythm guitar as well as vocals; Alex Rosamilia, guitar; Alex Levine, bass; Benny Horowitz, drums; and Bryan Haring on keyboards.

There were many highlights , including the high energy “Bring It On;” a poignant “Film Noir;” and the lightly nostalgic “Here’s Looking at You Kid,” the latter of which was followed by a tender cover of Red Hot Chili Peppers’  “Soul to Squeeze.”  

Then it was time to rock out again to a set that included the pounding drums of “American Slang,” as well as the location-appropriate blusey rocker “Mulholland Drive,” which concluded with delicately rendered blues-based guitar riffs. 

Favorites like “Autumn” brought a vibrant Springsteen-like vibe (note: Springsteen himself played on their new album’s title track which wasn’t on the set list tonight)  while a beautiful “Michigan 1975,” from the new album, led into a closing trio of songs that included “Mae,” crowd fave “Great Expectations,” and a rousing version of “The 59 Song,” as the finale that got the crowd clapping along and anyone still seated up on their feet.

Celebrating the October release of their new album after almost ten years on hiatus, the concert nonetheless focused on classic tunes which merge elements of indie rock, grunge, Americana, and blues rock that is at turns propulsive, sharp, and elegaic. It was a fine show under the starry sky tonight.

  • Genie Davis; photos by Jack Burke

 

 

Neon Delights at the Fine Arts Building

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Yes, they’ve done it again! Linda Sue Price and Michael Flechtner have created two killer cool exhibitions of neon and exciting inventive visual bliss now on display at the Fine Arts Building in DTLA.

Price’s work, above, includes many pieces that are brimming with kinetic moments – movements of all kind, including fantastic digital and video elements as well as her signature, utterly unique abstract neon. Here, her solo show series is called Lunatic Shields, a necessary tool for defending ourselves against the cultural zeitgeist and emotional burn-out as well as nasty neighbors or social meida trolls. This is brilliant, mysteriously alchemic work that dazzles the viewers eye with its integration of motion, color, light, and vibrancy.

Flechtner’s work (above) is equally special: from the cutest and hippest cat to mechanical robots, his work is witty, exciting, and remarkable in its fluid and figurative dyanmic forms. I’d recognize an original by this artist anywhere – because each piece is completely original: an object, being, or statement reimagined as a blaze of light.

Both artists have a wide range of works you can visit and purchase on a magical mystery tour of their Van Nuys studio, but do visit this beautifully laid-out exhibition in the Fine Arts Building, whose historic design makes an apt showcase.

The Fine Arts Building is located at 811 W. 7th Street, with this exhibition running through September 20th; typically, hours are weekdays 10-5 p.m., but this article will be updated with any scheduled weekend closing events if you missed the opening. Pro-tip: go shopping at Target just across Figueroa, buy a few things and get validated $2 parking!

  • Genie Davis; photos by Genie Davis