Karen Hochman Brown’s solo exhibition Cloud Renewal, now at Gallery 825 in Los Angeles is a transcendent exhibition created while the artist was sheltering in place during the height of the COVID-19 pandemic. Using her photographic images of flowers, waves and clouds that she alters and merges, she presents three distinct and beautiful series.
The first presents larger scale works titled by where sky and clouds were photographed and the name of flowers she merges with these views, selected from her own garden. Each is a mounted, shiny acrylic print with a protective layer.
“Dusk on Honolua Bay With Roses” is one such work, vibrating with pink and gold shades against sections of blue sky, and darker cloud arising like streams of smoky incense at the center top of the work.
Her “Twilight in Ojai with Magnolia” is equally evocative, but here, there is less of the recognizable burnished gold sunset, which has instead become like glowing orbs, or a mysterious lamp suspended within a mauve-toned, gentle, near-evening sky. “Sunset in Tel Aviv With Orchid” transforms the flowers depicted to white shadowy filaments of the blossoms, making them dance together like faeries or angels.
Making a deeper dive into a world she could not then visit physically, she created the mixed media series “In the Bubble,” once again focusing on clouds viewed on her travels in the past. These smaller works allowed Hochman Brown to experiment in medium, using resin to create smaller works that are as experimental and experiential in technique as they are in image. At 10 x 10 x 2, these works are like small jewels, or their own permanent bubbles of light and magic cloud. There is the silvery blue of “In the Bubble Maui,” the seashell-like shape of “In the Bubble Galapagos, the lively orange, blue, and white mixed with gold of “In the Bubble Mexican Riviera.” She captures a vivid sense of place within each work, in her shapes, colors, and patterns. For example, her “In the Bubble Home” provides a richly recognizable orange, pink and blue sky – the color of fall sunsets over Los Angeles.
Later in her year in relative confinement, Hochman Brown and her husband wintered in Kauai, Hawaii. There she says that she brought her cloud panoramas essentially down to earth, “where the sky meets the ocean and earth…anchoring them to the horizon line.”
These works are presented on wood panels and on fabric tapestries. Where her other two exhibited series offer a focus that is sky/clouds/floral images or sky and clouds alone, here she creates full realized worlds, magical places veiwers can feel connected to. Along with the lush dark green palms and island shrubbery in “Bananas,” there are radiant pink, white and gold flowers with banana-like curves emanating from the vivid golden yellows of their stamens, a fully realized flower resting within a green globe sitting on the heart of the island which reflects downward into a glassy sea.
“Parting” provides the viewer with three golden orbs, a dark gold and inky colored seat which wraps around these balls, clearly the last of a glorious sunset what has set fire to the clouds and charred the ocean with its light. “Loopy” is a meditative, transfixing image in which swirls of blue sea form ribbons and arcs around a luminous pink, mandala-like center. “Welcome” shapes a vivid near-chartreuse green and deep rose watery portal – with hints of orange flaming wave – around a rocky shore line and a cloud dotted, still glowing sky. In the middle of this portal rises a full moon. “Breathe” offers a shape within a rectangular shape, reminiscent of a pillow. On this restful place foamy ocean spray rises; the sky and clouds have a lighter pink cast than Hochman Brown’s fiery sunsets.
Also a part of the gallery exhibition are two looping videos, each exuding magic and mysticism. Both were inspired by her residency in Kauai as well. “Meditation” gives us a stunning seascape with soothing ocean waves crashing to shore, and the only sound is that of the sea itself. In “Respiration,” the ocean is contained with a portal shape, rising and falling white and blue and darker midnight colored waves flow like a perfect breath, while behind it, a sensuous, sinuous colorful background unfolds. The soundtrack is both delicately musical and the sound of waves.
The gracefully exhibited gallery room is well-curated, creating a highly sensorial world of intense visual beauty that connects the color and sense of motion in all the artist’s work from video images to her luminous clouds “In the Bubble.” The artist never disappoints. Breathe in the beauty.
Cloud Renewal is ready to renew you through October 28th, reward yourself with a visit – by appointment – at 825 N La Cienega Blvd. There will be an artists’ talk on the 21st at 11 a.m.
Also at the gallery: Peter Hiers new exhibition Burning Question features a body of work made from tire fragments he finds along highways; Ted Rigoni‘s Bygone Patterns represents a contemporary artistic presentation of the Mojave’s remains; and Sean Young offers profound mixed media work in TOUCHING THE TRUESELF WITHIN deals with The Four Noble Truths.
- Genie Davis; images provided by the artist
