Stories from Père Lachaise – Carolyn Campbell’s Photographic Art Springs to Life

Posted on by Diversions LA
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Ooh la la – photographic artist and author Carolyn Campbell’s bestselling book, City of Immortals: Père-Lachaise Cemetery, Paris came to life at the Raymond Kabbatz Theatre in Los Angeles November 6th.

An immersive multi-disciplinary festival, the 6-hour event paid tribute to the many artists resting in the cemetery from Bizet to Jim Morrison.

The event included a photographic exhibition, film screening, artist talks, and book signing, as well as tasty baguettes and champagne.  

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While Campbell’s large-scale prints of her beautiful photographs were the centerpiece of the exhibition, the ultimate interpretation of these works and the book itself came in the form of living performance artists interpreting the works of the composers, poets, dancers, and visual artist who now reside in the monumentally sculptural cemetery.

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The day unfolded with a screening of the documentary Forever from Heddy Honigmann, a tour of the cemetery that was powerfully poignant and meditative, a beautiful overview of the cemetery’s environment and emotional impact.

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Following the film, Campbell conducted her first presentation and q and a with audience members, showing slides of her images and describing her visits to Père Lachaise. After Campbell’s own book signing, it was time for a second talk, and the dramatic live performance.

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A tour de force narrated by the character of Isadora Duncan, viewers were led into the world of the cemetery’s great residents, from Frédéric Chopin, Edith Piaf, Georges Bizet, and Jim Morrison, to a witty and riveting Can-Can dancer finale that drew people out of their seats.

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Kacie Devaney wrote the original play, Stores from Pere Lachaise. Devaney also played Duncan, and choreographed the dancers in the production, which was directed by Pierre Leloup, the director of the Raymond Kabbaz Theatre.

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Performances were top notch, with incredible voicing and sinuous, well-choreographed dances.  The cast members, many of whom took on multiple roles, included: Cedric Berry, Victoria Kirsch, Shana Blake Hill, Nora Germain, Chloé Perrier, Cabaret Versatile, Félixe de Becker, and Kacie Devaney. Kirsch, a fine pianist, also served as music director. Berry’s brilliant baritone was a special standout.

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It was a fitting tribute to and full-on entertainment about an other-worldly place, as depicted in Campbell’s City of Immortals. The non-fiction work, as gracefully written as it is photographed, features 100 color photos along with a fold-out map of Père-Lachaise Cemetery, which is sure to encourage a visit.  

Copies of the book are sold through Village Well, an independent bookstore in Culver City – order there, or via Amazon.

Genie Davis; photos, Carolyn Campbell; Genie Davis

Skirball Cultural Center Goes Where No Man Has Gone Before

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Star Trek Exploring New Worlds is a delightful exhibition that explores the quite relevant themes the series – in all its iterations – sought to explore. A history of the sci fi show’s production – we can thank Lucille Ball in part, for her belief in the project when others found it too costly or unappealing; costumes; culture; and various characters are all a part of a thoroughly engaging collection.

Costuming art
Commercial conquests
Props of all kinds

Props and artifacts, the storyline of each series and spin-off, and production models are all there. Delightfully well-curated, the exhibition treats the series and both its message and artistic design with both reverence and humor. Pose in the Captain’s chair or try out your prop phasers and get beamed up in a variety of video scenes you can watch enfold via Blue Screen magic.

As much fun as the exhibition is, it is the unfolding of its cultural impact, its messages of inclusiveness and kindness that both the Skirball, and the series itself, explores to purpose. To say that Star Trek the series went where no series had gone before is entirely true. It introduced many of the concepts we now discuss in daily life, as well as some classic catch phrases. It took an early look at the issues and understandings we now strive to reach, or at least attempt to do so, including equality between cultures and races as well as between men and women. One of the reasons for both the original series’ appeal and that of the iterations that came after it, is that the tenets it holds most dear, of learning to accept one another and our differences, never gets old.

Interactive Fun

Thematically, tolerance, reverent history, championship for those who need championing, and a willingness to explore are all inherent in the Skirball’s own mission, adding further resonance to the exhibition.

Both charming and informative, with savvy insider production knowledge and an intelligent look at the series’ impact on viewers and the entertainment industry, Exploring New Worlds offers a smart look at a pop-culture phenomena viewed through a lens of appreciation and the hope for a better tomorrow.

Heartily wishing the Skirball Cultural Center’s deeply enjoyable exploration of Star Trek will live long and prosper. The exhibition runs through February 20th, 2022, a space trip for all ages.

Brandon Lomax (RE)Place Encourages Relationships with Nature

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A new site-specific sculptural installation is opening at the California Botanic Garden in Claremont on November 13th. Artist Brandon Lomax combines fine art and scientific horticulture in vividly motion-filled sculptures. His art in the garden is beautifully designed to fit the environment. Immersive experiences tied to natural cycles are the thematic components of many of his many sculptural and installation works. Empathetic and encompassing, Lomax reminds viewers and exhibition participants of their place in the universe.

In this exhibition, Lomax’s sculptural works will be shown at various stages of completion, from fully fired clay works as durable as stone, to unfired clay pieces more vulnerable to the weather and natural garden elements. Guided by garden horticulturists, Lomax has embedded some works with native plant species. During the exhibition, which will run until June 2022, these unfired works will disintegrate and rejoin the soil, their once solid forms replaced by new plants.

The work is designed to reference many meanings about place, restoration, and diversity, reminding viewers that we’re all vital contributors, and instilling the hope that human beings can celebrate our own biodiversity. Lomax’s wish is for us to work together to create a more positive symbiotic relationship with each other and the earth itself. Lomax himself is currently completely a master’s degree in ecology at the Burren College of Art in County Clare, Ireland.

His works here suggest the impermanent transience of population diversity within a given place. Some pieces, just like plants and people, last far longer than others, with the fired works serving as monuments to sustainability, and unfired pieces representing the natural cycle of selection and species dominance. 

On opening day, Lomax will be onsite at the California Botanic Garden for some public workshops. While space is limited, viewers can participate in a public installation using unfired clay infused with native plant seeds to create small sculptures. These will be added to the artist’s own large-scale installation. Participants are encouraged to return periodically to the site over its 7-month span to see how their own sculptural works transform to native flora. To check availability, visit https://www.calbg.org/events-programs/events 

Garden hours are 8 a.m. to 5 p.m. Admission is free for members; tickets: https://www.calbg.org/

  • Genie Davis; photos provided by artist

Check In Soon at the Madcap Motel

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Looking for a place to spend the night? Well, you can’t stay overnight – at least not yet – although that may be in future plans, but you can, and should, spend the evening Elsewhere at The Madcap Motel.

Located in DTLA’s arts district, the immersive mix of walk-through theater and clever art installation might remind you a bit of Meow Wolf’s immersive offerings, and also reminded me, at least, of the 2019 film Bad Times at the El Royale, but it’s entirely unique.

Motel “guests” check-in at a comfortable lobby and wait their turn to enter, entertained by an improv-prolific maid who serves as de-facto leader of small groups of motel guests into another waiting room, a motel-suite.

From there, you’ll meet a mad, or semi-mad, scientist, various walking shrubbery, mysterious maids and other staff, and explore a wide range of surreal and super fun room installations.

You’ll travel into a storyline that is all about time travel, alternate dimensions, and the mysterious disappearance of one J.D. Sando, the motel’s original owner. You’ll uncover weird worlds and a variety of possibly illicit relationships in the bargain.

There are plenty of photographable moments for your social media sharing of choice, as well as lively improvisational performances, super cool miniatures, and a clever path through one door into another room and into another time.

Along with the elements of a missing person and assignations – noir aspects that brought to my mind the Jeff Bridges-starring El Royale film, there is of course a distinct hip art vibe coupled with Alice in Wonderland.

From the minute dioramas…

…to the oversized, step-inside TV and giant chair, guests enter one White Rabbit hole after another.

It’s a lot of fun and has a more intimate feel than other installation experiences, involving its “travellers” interactively with character encounters as well as experiential rooms.

Yes, a smoke effect may transport you into space, a beam of light lure you down a distant corridor, and a visit to the very “alive” greenery-filled courtyard encourage you to sit awhile.

You’ll also be privy to false doors and magical mirrors, an enormous blue/green coral reef, vehicles trapped inside walls and others filled with a jungle of plants.

There’s groan-worthy broad humor, lively performances, and abundant art and design, but above all else, your stay comes with a special kind of room service – a willing transcendance of disbelief into a magical throwback of pure fun.

You’ll find rooms at a slant and floating furniture; strange emerald green plants alight in terrariums; miniature desserts and towns and undersea life caught inside incandescent portholes, and more.

The experience takes somewhere around 90 minutes, and guests of all ages will enjoy their mini-vacation. We sure did!

Like any good traveler, if you want to bring home a souvenir from your trip, you can do that, too.

Tickets are $40 for adults; $30 for kids; 3 and under are free. Purchase in advance online.

  • Genie Davis; photos: Genie Davis and Jack Burke