Kate Carvellas Uses Found Objects to Create Lyrical Art

Kate C 1Working in a wide range of sculptures and mixed media wall art, artist Kate Carvellas uses found objects to create art that hums with energy, color, and fun. It’s both poetic and edgily whimsical, it tells stories that resonate and sing with substance, history, and the simple joy of creating “something” significant from “nothing” much.

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In this exhibition, which closes July 27th at SoLA Gallery in South LA, the forms she shapes – whether sculptural or in her vibrant montages of found materials – are filled with energy. There is a real sensibility at work here, offering images that, as the title of this piece below suggests, serve simply and profoundly as an “Ode to Joy.”

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Curated by SoLA gallerist Peggy Sivert Zask, each of the artist’s works were created within the last year, with many being shown for the first time.

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Many of the pieces use objects Carvellas finds on the ground, at yard sales, in thrift stores and flea markets.

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Connecting these disparate elements she creates sculptural forms from them, revitalizing them and reimagining their contexts. She combines these objects with painted work, forming dimensional wall art and sculptures that pull the viewer into a completely new and wonderfully startling visual landscape. The free-standing sculptural works displayed here are equally filled with a compelling worldview. There is an element of the fantastical, of having fallen down a delightful rabbit hole into another dimension – one where art itself is theatrical, fun, and spontaneous.

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Not that these works aren’t carefully and masterfully shaped, but they have a feel of having risen fully formed from the artist’s rich imagination. Calling her work “both intuitive and material based,” Carvellas says she loves using materials that are unexpected, “especially objects that others might consider unusable, and by incorporating them in my work, I elevate them from their original state, giving them new life and meaning.”

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The pieces feel alive, and exciting, almost as if Carevllas has has literally as well as figuratively brought them to life. The works evoke both modern sculptural form and folk art, steam punk and fairy tales. In short, they are truly and honestly entertaining, fascinating, and open-hearted. The works are generous, giving both beauty, visual wit – she offers a play on objects, rather than a play on words; and a redemptive look at how the everyday object can be in a certain artist’s eye, profound, and stimulatingly surreal.

 

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Come take a look at this richly rewarding exhibition in its closing moments, July 27th starting at 2 p.m. at SoLA Gallery, located at 3718 Slauson Ave.

And, in the front gallery, be sure to take in the Pulse of LA 2019, the second annual juried exhibit showcasing the work of Los Angeles women artists, juried by Holly Tempo, offers a look at a wide range of works from paintings to photography.

  • Genie Davis; photos: Genie Davis, Kate Carvellas

Nurit Avesar: An Abstract Blossoming at Beyond Baroque

At Beyond Baroque through July 28th, Nurit Avesar’s In Your World, gets into your heart.

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The astonishing show is somewhat of a departure for Avesar, who says her work is usually personal in nature.  She describes this current body of work is as being about global warming, and work that addresses universal issues.

“Instead of painting from memory or internal sensibility, I used photos from the news as referances and read a lot about scientific predictions regarding global warming and environmental changes. The current political situation has affected my work a lot, especially the illogical denial of scientific evidence, the clear lack of leadership and greed that influence politicies, and the refusal to address crisises that we are already experiencing, such as fires, floods and devastating storms.” Avesar adds that she finds painting a way to deal with her frustration and anxiety about the looming changes the world faces. “The work is more somber than earlier work and has urgency to it. I hope that by displaying this body of work, it will help create a platform for a larger audience, and bring up the unpleasant conversation about global warming without turning into a personal attack.”

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Avesar’s work has a lustrous and rich quality that draws viewers into a seemingly liquid, motion-filled space. There is a grace and fluidity to her images that transcends the canvas on which she works.

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“My new large work is mostly on unstretched canvas, rather than painted on a stretched canvas. It is presented in less formal way. I find it to be more effective because it is more organic. Also, I have introduced some new materials, such as plastic, and wood branches because of their relation to the subject of the environment.”

 Avesar says she’d like viewers to engage in a coversation about the environment from seeing her work, and on what we as individuals can do to assist the planet. “During the artist talk, people came up with ideas about what we can do to help improve the environment, such as planting gardens, trees, and demanding changes from our elected leaders, especially local ones. I hope that an exhibition like In Your World can bring about the necessary conversation regarding changes in public and political attitude,” Avesar attests.

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The artist says she would like keep  creating work about this subject. “I believe that global warming is the biggest issue we are facing. The need to change our energy sources is immense and will bring political struggle. Not addressing it, aside of the ecological and environmental disaster, will bring about wars, large scale migration, and sufferings. In future exhibitions, I would like to include installations as well.” The textural aspects of this new work adds to the resonance of it; future installations would be even more immersive in nature.

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Her color palette glows and is lush and dense; vivid without being harsh. Avesar says she recently went through several changes which are reflected in her palette. “I moved to the city, and I am affected by the political environment. Those changes are most likely affecting my palette and texture. Also, the subject matter of fires and floods changes my palette.”

The visceral, beautiful work creates a sense of the fraility of our world and it’s resilliance – if art can save us, it can save the world itself. Start with a look a this artist’s layered work.

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Beyond Baroque is located at 681 Venice Blvd., open by appointment and Friday and Saturday, 3-9 and Sunday, 2-5. Free parking. There will be a closing event on Saturday July 27th from 4-6 at the gallery; don’t miss this beautiful and resonant show.

Lyme Away 4: Heading to Germany for Treatment

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Featured image, Nurit Avesar; image above, by artist Dani Dodge

We are sponsoring this event along with fabulous folks at TAG Gallery with the help of artist and gallerist Rakeem Cunningham and neon artist Linda Sue Price – whose exhibition will be reviewed here next week – and will be on display during this event!

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Above, artist L. Aviva Diamond

And what is the event?
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Above, from artist Dwora Fried
At TAG Gallery in mid-city, Sunday, July 21, 3-6 p.m., enjoy an afternoon of food, drink, and of course, ART at Lyme Away 4: Heading to Germany for Treatment – Help Nicole Saari Win the Fight Against Late Stage and Congenital Lyme Disease. It includes a silent auction and raffle featuring dozens of AMAZING art works donated by prominent Los Angeles area artists to raise funds for Nicole‘s medical care for chronic tick-borne disease.
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Above by artist Francisco Alvarado
Live music by Adam Even and enough great art and other auction goodies to help you knock off your entire holiday shopping list – in July.
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Above, artist Glenn Waggner
There will be over 80 pieces of art, plus gift certificates for everything from massage to beautiful home decor components from Liz’s Hardware.
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Above, artist Cynthia Friedlob
Despite an ongoing epidemic in the U.S., late stage Lyme disease is not recognized as a condition by the Center for Disease Control (CDC), so little to none of the complex treatments – which can cost $1,000 a week – is covered by insurance; with Nicole unable to work, this family still NEEDS HELP. The St. Georg Klinik in Germany, which her doctors find promising, alone is a whopping $35,000 for the three-week program.
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Above, artist Diane Cockerill
Fundraiser event
Sunday, July 21st, 2019 at TAG Gallery from 3 p.m. to 6 p.m. located at 5458 Wilshire near LACMA. Street and lot parking!
Don’t miss it!
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Above, Jodi Bonassi

Francisco Alvarado Offers a Wide Range of Work in New Exhibition

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Francisco Alvarado lives, breathes, and is art. He calls himself an “outsider artist,” creating his work on paper, canvas, or digitally on an iPad. “Sometimes I  will make an art piece by physically working on wood, metal and or cardboard or some found material,” he says.

But Alvarado is in many ways more of an “inside” artist – he grabs at the soul within every living being, alive in the landscapes he sees, the abstracts he shapes.

He is improvistational in spirit, joyous in palette, his works radiant with light – both in terms of technique and intent.

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Born in Ecuador, Alvarado says his work reflects “life experiences through…colorful abstractions.” Inspired by nature, travel, and flora and fauna, he uses vibrant colors and patterns, noting that in his work he often creates “happy pieces,” images that are also powerful and daring. And prolific.

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“I work out of my home, so I don’t have much storage space and I am happy when the work goes out to shows or collectors,” he says modesly, adding that “I create work for me. I like the observation of people, places and  everyday things and activities and the decisions-explorations that are made along the way; like taking a trip down a fork in the road… except that this type of exploration does not lock me in. I can always come back, allowing my curiosity to roam free.”

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Alvarado sees art everywhere and creates works from images that inspire him to inspire his viewers.

“The possibilities are endless; the hard part is not having enough time to explore it all,” he explains. “My inspiration comes from my trips and the people and places visited.” A recent trip to France gave him new inspiration “In France, the nights make all the buildings stand out as the sun sets, much like California, but with a vibrant quality that is the people in the streets.”

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He feels his work has a evolved in recent years, in part through his practice of painting based on his daily experiences. “I don’t have a traditional arc that I can trace regarding my work,” he notes. “About three years ago I made a decision to limit the colors I use to three basic colors – like downsizing the palette.  I have been following this approach during my trips and daily walks, and taking pictures along the way to reference the moment. It has not been easy but the daily habit is helping me to stay focused.”

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The voluminous and magical body of his work has shown up at a variety of locations recently. “Last year I  had a lot of fun working with Robert Soffian at a residency with Shoebox Projects, and at the same time finishing a project for Artists and Reseachers 2 at Keck USC . The project teamed 13 USC Medical Researchers with 13 local artists. My role was to create a painting that reflected the work done by one team of researchers addressing youth suicide prevention.” According to Alvarado, “Both experiences reminded me how much I  love working with others and community participation. I plan to do more of these later this year.”

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His amazing color palette and vibrance he attributes to “observing with an inquisitive eye during my travels  and daily walks. The pictures I  take help me to select the colors to use.”

His diverse range of mediums leads to the question as to which he prefers, which he says varies.

“I work a lot of my sketches and color selection with the iPad, and that saves me a lot of time. I work daily, often at night, and will create two or more pieces. Often these pieces are finished and can go directly to print for a show or collector. In other cases, I would take one of these digital pieces and paint it on paper or canvas.” Alvarado stresses that “I like the scale of large canvas paintings, but I have to be mindful of my  transportation and storage space.”

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While he creates astounding figurative work, it is the abstract that draws him the most. “I  like abstract work the most, in my mind taking a walk in a fantasy, a colorful nature walk.” He believes his childhood in Ecuador and travels with his family into the tropical forests and Amazon jungle created a lasting impression that figures into his work to this day, of “the people, the colorful landscapes, birds, and insects.”

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Above, Alvarado recalls red ants at a picnic

Alvarado recently wrapped a solo show at the Monica Film Center in Santa Monica in May; in late June, a second solo show, curated by Skye Amber Sweet, concluded its run at the Vista Library. New projects range ahead.

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Alvarado at Vista exhibition, photo and curation, Skye Amber Sweet

  • Genie Davis; photos: Francisco Alvarado