High Altitude Filmmaking at Mammoth Lakes Film Festival on First Full Day

Our first full day at the Mammoth Lakes Film Festival offered an eclectic and exciting mix of films.

We started our morning with Narrative Shorts Block 1.

Among my favorites was Messy Legend, an hilarious and perfectly realized story of a party girl on the streets of Montréal for an elusive “one last night of party ‘til you drop.” The filmmaking team of James Watts and Kelly Kay Hurcomb created an indelible character played by Hurcomb. Accompanied by a terrific original sound track from the duo’s musical project Voyeurism, this is vibrant, shoestring filmmaking at its best.

Also quite wonderful was Bridge/Keeper from Sinclair Rankin. This film offered an ethereal connection between an inspector of structures and an aging, musical bridge which became a character in its own right. It’s also a beautiful elegy for a real life soon to be demolished bridge between Brooklyn and Queens.

And speaking of elegiac, there was the richly poignant Portuguese film Ode. A grieving father and mother mourn the passing of their son from a hate crime and their lack of acceptance of him when he was alive. As recipients of a balloon that their son blew up as his last act, the couple communicate their true feelings of loss through its haunting  presence. Set at Christmas time, this was a lovely, somber story.

Also in this shorts block, Hyun Kim’s animated short Hills for the Head, in which a young man is forced to run a marathon by his therapist in an analogy to his mental health.

From China, the complex Burning Moon told the tale of Ying, accompanied by her husband and his boss’s mistress Qiqi, returns to her hometown for her sister’s wedding. It’s a story of female oppression and rebellion, couched inside an eerie series of shifting relationships.

Runaway mixed cinematic mediums in the study of Alexia, a runaway who left behind video footage revealing hateful scenes from her parents’ marriage, and her crush on another girl.

Next up, we viewed the documentary feature Union, in which recently fired Chris Smalls took on the behemoth that is Amazon in an effort to unionize at an Amazon warehouse near JFK airport in New York. While serving as a rallying cry for unionization, the compelling film also depicts the internal challenges of organizing amid Amazon’s intensive effort to prevent  employees from joining the union and conflicts among union members.

Immersive and galvanizing, the film also reveals the difficulties of managing the expectations of unionized members and the continued roadblocks enacted by Amazon to prevent meaningful change. Stellar work from filmmakers Stephen T. Maing and Brett Story.

We began our third film block with the short Chomp, paired with the feature Welcome Filmmakers. These experimental horror films did not compel me, so we switched to the other festival programming option, the often mystically lovely narratives short films screening in Narrative Shorts Block 2.

 Ciela was a gorgeous work of magical realism from Mexico, in which an imaginative young girl imagines a stuffed octopus come to life and given magical powers. A truly lovely film from  Mauricio Sierra.

Mothers and Monsters was a surreal, spooky story of an upper class woman hosting a surreal banquet in which her guests are served cabbages containing perfect babies – all except her. It serves as a haunting take on motherhood from Canadian director Édith Jorisch.

A ribald cross between Cabin in the Woods and Mean Girls unfolds at a bachelorette party in the darkly comic Isaac from Samantha Carroll.

Mirage, a mysterious revenge film from Iranian filmmaker Atefeh Salehi, follows a hitchhiking woman on a journey with a truck driver who reminds her of past abuse.

Two other entries in this block of shorts were not viewed.

Finally, we saw the harrowing, exceptional documentary feature, Inheritance. Filmed over a ten year period in a small, decaying Ohio town, filmmakers Matt Moyer & Amy Toensing explored the ravages of addiction, the bonds of family love, and the hope for a better future for the intelligent Curtis, who grows from age 12 to 18 during the course of the film’s depiction of five generations of his extended family. Grandma and family matriarch, Cheryl is another key protagonist in this riveting film.

Do check out the story behind and continuing from this film on the filmmakers’ website, INHERITANCE the film | documentary film.


And before calling it a night, there was a generous late night party at Distant Brewing in Mammoth Lakes – delicious beers and fantastic brew staff plus an opportunity to mingle with filmmakers, fest staff, and sponsors.

It’s not too late to join in the festival experience and fun – for more info and to buy tickets, click here.

  • Written by Genie Davis; photos by Jack Burke

Mammoth Lakes Film Festival Starts 10th Season with Powerful Film

Celebrating its 10th year of stellar cinema, Mammoth Lakes Film Festival opened tonight with a visceral, important film.

Lucy Lawless of Xena:Warrior Princess fame directs a compelling documentary which has justifiably wowed audiences at a cadre of film festivals this year.

Never Look Away is a wild ride, telling the story of a woman who commanded so many to view the human story of war, involving and riveting her viewers as she skewered expectations as a gutsy CNN camerawoman traversing the globe in perilous times.

Both the stories she revealed and her own personal story are passionate and haunted.

Margaret Moth grew up in an abusive New Zealand home, immigrated to Houston, Texas. There she embraced a punk/Bohemian lifestyle, dropping acid, playing music, and taking lovers, including a 17 year old high school dropout, a relationship essential to both of them for decades.

Grabbing a camera on her many global travels, Moth covered the Middle East for CNN in the turbulent 80s and 90s, putting her life on the line, partying hard, and developing new friendships and loves that were as essential to her life as water.

Her penchant for putting her life on the line to depict horrifying scenes of war with compassion eventually caught up with her. Covering the siege of Sarajevo in the early 90s, she was shot in the face by a sniper.

While the tragic injury severely disfigured her, she endured 25 surgeries to regain as much normalcy as possible – and went back to work.

Lifelong friends admired her, lovers helped or distanced themselves, and her visual stories awakened many to the horrors of war and loss. Her bravery and empathy were only halted by cancer, leading to her death at age 59.

The persistence of a CNN colleague in telling her story and the wistful recollections of her lovers through the years inform the film with personal footage that round out the story of this consummate visual journalist.


Presenting this film as an opening night Spotlight event, MLFF appropriately gifted viewers with a fine film about the power of the moving image, something this festival is well-known for.

Helmed as always by festival director Shira Dubrovner and director of programming Paul Sbrizzi, 2024 looks to be an incredible year of cinematic storytelling.

Rounding out the night, the festival’s opening party presented a tasty spread of hors d’oeuvres and local craft beers, wine, and Yerba Matte along with its signature conviviality in introducing new and accomplished filmmakers to an eager audience – all in the beauty of snowy California mountains.

What are you waiting for? It’s Memorial Weekend, spend it taking in super films amid the pines. For more information and to purchase tickets or passes, click here. 

–  written by Genie Davis, photos by Jack Burke 

 

 

 

 

 

 

 

And the Winner Is…Mammoth Lakes Film Festival 2023

Festival program director Paul Sbrizzi with fest director and founder Shira Dubrovner, above “This year’s festival was a testament to the importance of an event that creates community and support for personal, innovative filmmaking…” Sbrizzi added “We consciously seek out the kind of bold filmmaking that deserves a showcase.”

So, who won? Let’s take a look:

U.S Narravie GRAND JURY PRIZE WINNER – Unicorn Boy (USA)– When a heartbroken young artist is sucked into a unicorn-run alternate dimension, they must help conquer a dark force in order to bring peace to the kingdom and themselves. Directed and written by Matt Kiel.

U.S. Narrative AUDIENCE AWARD WINNER – Love Dump(USA)– Trash-filled love ensues when a quirky antique shop owner searches for her missing father and falls for a determined dog lawyer along the way. Directed by Jason Avezzano and written by Leila Gorstein and Jesse Kendall.  

International Narrative GRAND JURY PRIZE, AND AUDIENCE AWARD WINNERWhere the Road Leads  (Serbia) – A stranger arrives in an isolated village and the locals suspect his involvement in constructing a highway nearby; their intolerance gradually builds to open conflict. Jana falls in love with him and sees the danger; she’s the only one who can save him. Directed and written by Nina Ognjanović.

U.S. Documentary Feature 

GRAND JURY PRIZE WINNER – A Still Small Voice(USA) – An aspiring hospital chaplain begins a yearlong residency in spiritual care, only to discover that to successfully tend to her patients, she must look deep within herself. Directed by Luke Lorentzen. West Coast Premiere 

BRAVERY AWARD WINNERMississippi River Styx (USA) – An enigmatic drifter with terminal cancer lives his dream of floating down the Mississippi River on a ramshackle houseboat — until locals start to question his story. Directed by Tim Grant & Andy McMillan.

AUDIENCE AWARD WINNERName of the Game (USA) – The untold story of black male exotic dancing in south Los Angeles and how it intersects with the origins of hip hop, gang culture, and kung fu assassins. Directed by William Forbes and Douglas Skinner.

International Feature Documentary 

AUDIENCE AWARD WINNERNaked Israel (Israel) – Interviewees are exposed both physically and mentally in this irreverent look at Israeli masculinity, through a series of interviews with men from a broad range of ages and backgrounds. Directed by Ines Moldavsky. World Premiere

GRAND JURY PRIZETo Kill a Tiger (India) – Ranjit takes on the fight of his life when he seeks justice for his 13-year old daughter, the victim of a gang rape. Directed by Nisha Kumari Pahuja.

Screenplay, Shorts, and Music Videos 

Best Screenplay: “Field of Weeds” by Kelly Jean Karam. 

Best Narrative Short: “Play This At My Funeral,” directed by Ray Smiling.

Honorable Mention: “Filling Holes,” directed by Miriam Gabriel and Sophia de Baun.

Best International Narrative Short:

“Sanaa, Seductress of Strangers,” directed by Jan Eilhardt.

Honorable Mention: “Summer Rain,” directed by Shao Lin. 

Best Documentary Short: “A Throwing Forth,” directed by Xiao Zhang.

Honorable Mention: “Let Me Take You Home” directed by Evelyn Hang Yin. 

Best Animation Short: “Our Pain,” directed by Shunsaku Hayashi.

Honorable Mention to “La Última Historia (The Last Story),” directed by Vicente Molina Pardo. 

Best Music Video: “Under No Nation” by Goat, directed by John Mark Lapham.

Honorable Mention to “Funeral Solution” by Osees, directed by Logan Feser.

Special Mention to “Rakiya Su Katamam” by Altin Gün, directed by Sylvain Rusques and Simon Moreaux.

But ultimately the biggest winners are the filmmakers and audience members attending MLFF 2023. 

For information on the 10th annual festival taking place 05/22/2024 – 05/26/2024, visit www.MammothLakesFilmFestival.com.

  • Genie Davis; photos courtesy of the festival’s Dori Myers; and photos by Jack Burke

Closing Day at Mammoth Lakes Film Fest

The final day of the Mammoth Lakes Film Festival brought many gems, as the countdown to awards night begins. Here’s a look at a few of them.

Mad Cats

Offering a wildly inventive mix of martial arts, cat trivia, and a message about the importance of caring for cats, this kinetic Japanese language film is entirely unique. The actresses playing the felines possessed by long-buried Bastet catnip were terrific – director Reiki Tsuno captured a totally believable vibe of vengeful cat warrior goddesses. Think John Wick meets an actually well done non-cgi version of Tom Hooper’s Cats – the film was great fun.

Before the feature we saw the second of three short films by director Stephen Collins here at the festival, Sentimental Journey. A seriously depressed musician and Compu-City employee is revived by his friends and the purchase of a battered piano. An outdoor performance of Rachmaninov literally sends depression away in flames while the pianist’s mind leads him through a sparkling ruby red wormhole. Director Collins says these sections were difficult to shoot as they took place under water. The challenge was both technically and because the actor was uncomfortable being submerged. Despite the struggles, the result is a sweet and imagistic film about personal revival.

Kokomo City

Richly engaging, this smart, sharp documentary feature depicts the lives of Black trans sex workers in both New York and Atlanta. Director D. Smith is a force to be reckoned with as she lets these women speak for themselves uninhibitedly. One of the four participants, Koll Da Doll was violently killed since the making of the film and its initial showings earlier this year.

The poignant intensity of this powerful first time directorial work is galvanizing, as the subjects discuss everything  from rejection by family, violence against them, and struggles with survival in a world rigidly committed to long-held gender beliefs. Defiant and lively, the film is a testimonial to the high cost of being oneself.

Also viewed today, the absorbing and lovingly wrought documentary short, Carl Runs the Paper from directors Joey Horan & Manish Khanal.  The new newspaper editor of California’s oldest newspaper saves more than the struggling paper – he saves himself from deeply felt grief in this quiet, lovely film. 

The intimate and engaging portrait of 73-year-old Carl Butz depicts him bearing the weight of the struggling Sierra Gold Country newspaper, The Mountain Messenger, which was set to close in 2019.

Butz purchased it, and became editor, despite having no journalism experience. His purchase was in part his own way forward following the death of his wife from cancer. Carl describes his goal for the paper as simply keeping it alive, but in the process he’s given it and himself a new lease on life.

That’s all our film reviews for now…

If you didn’t make it to Mammoth Lakes this year, be sure to come next time – you’ll find films to cherish, and the most innovative programming around.

See our coverage of festival award winners tomorrow.

– Genie Davis; Photos: Jack Burke and provided by the festival