LA Art Show 2022 Sparkles

Posted on by Diversions LA

There was a great deal of awesome art eye candy at the LA Art Show, which ran in the South Hall of the LA Convention Center January 19th through 23rd. From glittery NFTs to a dazzling series of installations by DIVERSEArtLA, there was plenty to take in.

Opening night also saw the return of a food court and cocktails, as well as art talks held throughout the event.

Daniela Soberman

DIVERSEartLA, curated by Marisa Caichiolo, returned this year with an evocative, environmental perspective, shaping immersive experiences focusing on global warming and human relationships to nature. Each of the participants provided fascinating work, with TAM (Torrance Art Museum) presenting Memorial to the Future, a collaborative work curated by Max Presneill referencing Brutalist architecture in a large scale cityscape installation created by Daniela Soberman.

Both impressive and immersive, the structure was interspersed with photographic visual elements offering interpretations of nature, climate change, and danger in our environment. A dazzling piece.

Dox Contemporary-Prague, the Czech Center New York, and The General
Consulate of The Czech Republic present “THE SIGN,” a site specific
installation by Swen Leer used a mimicking of freeway signage to communicate trenchant messages that began in the entrance lobby to the South Hall. The largest and perhaps the most pointed was “Your children WILL hate you – eventually.” But, equally memorable as we all snapped photographs of art and masked but well-dressed guests posed for social media photos, was “Enjoy Your Life on Instagram or TikTok.”

Other installation pieces included work from MUSA, Museum of the Arts of the University of Guadalajara, and MCA Museum of Environmental Science presenting “THE OTHER WATERFALL & CHAPALA ALSO DROPS ITSELF” by Claudia Rodriguez, both of which reflect the contamination and lack of water that has affected the state of Jalisco, Mexico in the last decades. The result on exhibit: stunning visuals approached through a cave of netted curtains.

MUMBAT Museum of Fine Arts of Tandil and the Museum of Nature and
Science Antonio Serrano of Entre Rios Argentina presented “THE EARTH’S
FRUITS” by Guillermo Anselmo Vezzosi curated by Indiana Gnocchini, a
scientific research project and an installation work of
a specific ephemeral site, where the waste that takes on a second life is dignified. Vezzosi’s graceful trees, built into a darkened space, were beautiful.

Caichiolo curated “The Environmental Digital Experience” by A.Ordoñez delivered by Raubtier Productions & Unicus, an immersive experience
revealing a range of climate phenomena, with the culmination a representation of the positive growth of new flora. The sculptural construction of the images pulled viewers into a new space.

A startling, and even tragic look at the melting Arctic was presented in the large scale video installations from The Museum of Nature of Cantabria Spain in the work “Our turn to change” by Andrea Juan and Gabriel Penedo Diego, depicting on large screens how drop by drop, large amounts of ice are lost every second as the oceans levels continue to rise. UCLA Chicano Studies Research Center’s “Mound” by María Elena González, curated by Chon A. Noriega revealed the process of attempts at restoration; while “Recognizing Skid Row As A Neighborhood:Skid Row Cooling Resources,”
curated by Tom Grode highlights the neighborhood as a community, including the Skid Row Cooling Resources, a collaborative
planning effort and think tank.

Debbie Korbel

But of course, there was so much more. A series of sculptures by artist Debbie Korbel; a collection of NFT art from Fabrik NFT Salon; a wide range of beautiful work at bG Gallery including stellar LA artists such as Gay Summer Rick, Susan Lizotte, Glenn Waggner, Richard Chow, Barbara Kolo, Hung Viet Nguyen, and many others. Each artist’s unique work is somehow quintessentially born of Los Angeles, and it was fitting that this exhibition space, filled with their beautiful work, was the first I explored at the exhibition hall. Arcadia Contemporary offered a fascinating collection of works, from a series of portraits to an evocative Yoda looming from a movie screen in a heartland farm field from artist Stephen Fox.

There were artistic homages to other creators from Picasso to Kerouac, as well as an actual Picasso; rich rainbows of stained glass from Judson Studios; strange mysteries of civilization, such as London underwater, from Thitz; glowing jelly fish from Mario Pasqualotto at Pigment Gallery; Jacob Gils dazzling landscapes at InTheGallery; the quilt-like images of Heimyung C. Hyun; Wyoming Working Group’s ongoing Jackson Pollock project; and at John Natsoulas Gallery, whimsical and involving sculptural works and wall art. Minoru Ohira’s forest of small sculptures has an otherworldly glow.

Alexandra Dillon
Matter Gallery
Nathie Katzoff
Cinq Gallery

Sponsored by bG, there was Alexandra Dillon’s portraiture on unusual objects; LA’s Matter Gallery presented the works of JonMarc Edwards; Nathie Katzoff out of Seattle exhibited a series of dazzling cast and fused art glass works and sculptural wood furnishings. Also notable were the post-apocalyptic cats and dystopian landscapes at Cinq Gallery.

Cathy Immordino
Luciana Abait
Jorge Rios

Los Angeles artist Cathy Immordino’s portrait cyanotypes haunted in blues, golds and beige at Fabrik Projects; while Luciana Abait’s startling lime green and hot pink landscapes seared at Building Bridges Art Exchange. And, one of my favorite images throughout the entire vast banquet of art on exhibit this year was Jorge Rios “This was the first reflection.”

Moberg Gallery, Des Moines, Iowa

Art tells us a story that resonates visually, emotionally, and in the soul. The LA Art Show served up a big, sprawling novel for 2022.

  • Genie Davis; photos: Genie Davis

Illumination Shines on “Reindeer Road”

Posted on by Diversions LA

Oh what fun it is to ride in a one horse (okay, 6 cylinder) open (well, it was chilly, so the windows were open to take photos only) sleigh (automobile.) Located in the parking lot of Santa Anita Racetrack, Reindeer Road offers an exuberant drive through-light experience, perfect for a car load of kids or Christmas-light seeking adults.

Produced by World of Illumination, which holds the title as the producer of the world’s largest drive-through animated light show, has brought their illumination nights to Arcadia.

The exhibition opened Thanksgiving weekend, and will be running through January 2nd. Synchronized to pop and holiday music, the road leads guests under glittery, light changing tunnels, past polar bears and ice caves, blue sparkling mountains, leaping reindeer, happy gingerbread men, and a glowing version of the North Pole.

The event traverses over a million square feet that contains 250,000 glittering lights.

The colors and general jubilance is delightful, and it’s easy to get into the spirit of the season and starting singing along to those rocking holiday songs.

“World of Illumination prides itself on creating immersive experiences that push boundaries when it comes to audio-visual and drive-through entertainment. We’re not just about creating spectacles in our work. Our team of artists, engineers, designers, and technicians are passionate about telling stories, and that is reflected in Reindeer Road,” according to event marketing partner Stacey Kole at Branded Pros.

Reindeer Road was developed by a team of artists and technicians led by creative director Aaron Curry, who has also worked in lighting design for theatre and opera.

The company runs 4 other events events in Arizona and Georgia; this is their first year in Los Angeles, the land of the automobile. It should be a tailor-made experience for the region.

Reindeer Road‘s vibrant, dancing, and colorful LED lights and state-of-the-art displays are pure fun to drive through, and the attraction takes approximately 25 minutes to experience; when we went early in the run on a weeknight, it took us a little less time; if things are busy it may take longer. Either way, you’ll feel thoroughly “illuminated.” Ticket cost is per vehicle so you can scoop up everyone and go “laughing all the way.”

Weekday vehicle passes start at $59; Dasher fast passes are $79; weekends are $69/$89. For more information and to purchase tickets, visit World of Illumination’s website.

  • Genie Davis; photos: Genie Davis, drone shot provided by WOI

Blooming in the Whirlwind Whirls Away

Posted on by Diversions LA
Photo credit of installation artists, Dani Dodge

Durden and Ray together in collaboration with Level Ground have brought a brilliant mix of art, video, and poetry into being as a collision of light, color, sculpture, immersive experience and astonishing fun. The Blooming in the Whirlwind exhibition closes with an artist’s talk on December 5th.

It’s a riveting show at the Bendix building gallery, one that seems fraught with rich meaning and emotion. This whirlwind is a cavalcade of dreams, desire, and collaboration.

The conversation between collectives began with poems that inspired films, that led to visual art installations. Poets were paired with filmmakers, filmmakers with installation artists.

The title is fitting, referring to a classic poem by Gwendolyn Brooks written in 1968, another chaotic time here in the land of out of control hopes and dreams. But the exhibition itself took that chaos and made of it a thing of beauty and poignance, of fallen leaves and satin kitchens, of gilt edged tears and strangely alien sculptural “life forms.”

Curated by Level Ground’s Andy Motz, Rebekah Neel, Samantha Curley, and Simone Tetrault, poetry and filmmaker pairings included poets Christina Brown, Daniel Binkoski, DeiSelah, Jireh Deng, Karly Kuntz, Madeleine St. John, Noor Jamal, Simone Tetrault, and Tamisha A Tyler and filmmakers Andrés Vazquez, Anthony D. Frederick, Andrew Neel & Alex C. Smith, Ilgın G. Korugan, Labkhand Olfatmanesh, Leila Jarman, Meredith Adelaide, Rich Johnson, and Taree Vargas.

Curated by Durden and Ray‘s team of Arezoo Bharthania, Ismael de Anda III, and Sean Noyce were installation artists Bharthania, de Anda III, and Noyce, Dani Dodge, Kiyomi Fukui, Sean Noyce, Tina Linville, Reed Van Brunschot, Flora Kao, and Ricardo Harris-Fuentes. Artworks and many of the artists in the gallery with their work, shown below.

From Kao’s glorious autumnal forest to Fukui’s leaf-imprinted chair, de Anda III’s rocking, glowing drum kit, and Dodge’s tear-stained shower of TikTok images and gold leaf tear drops, to Bharthania’s photographic nightscape, Noyce’s towering layered sculpture, and lush tactile work by Van Brunschot, the harmony and kinetic connection between writers/filmmakers/and installation visual creators was vibrantly alive.

As with many exhibitions held at the D & R space, this collab effort was as fresh and compelling as it was entirely enjoyable. Collectives that make cutting edge cool and accessible? A resounding affirmative.

This exhibition was both response to the pandemic isolation and a glorious assault on the senses – power to the people arising from the pandemic and ponderous times.

Durden and Ray is located on the 8th floor of the Bendix Building in DTLA at 1206 Maple in the fashion district.

  • Genie Davis; photos: Genie Davis

Skirball Cultural Center Goes Where No Man Has Gone Before

Posted on by Diversions LA

Star Trek Exploring New Worlds is a delightful exhibition that explores the quite relevant themes the series – in all its iterations – sought to explore. A history of the sci fi show’s production – we can thank Lucille Ball in part, for her belief in the project when others found it too costly or unappealing; costumes; culture; and various characters are all a part of a thoroughly engaging collection.

Costuming art
Commercial conquests
Props of all kinds

Props and artifacts, the storyline of each series and spin-off, and production models are all there. Delightfully well-curated, the exhibition treats the series and both its message and artistic design with both reverence and humor. Pose in the Captain’s chair or try out your prop phasers and get beamed up in a variety of video scenes you can watch enfold via Blue Screen magic.

As much fun as the exhibition is, it is the unfolding of its cultural impact, its messages of inclusiveness and kindness that both the Skirball, and the series itself, explores to purpose. To say that Star Trek the series went where no series had gone before is entirely true. It introduced many of the concepts we now discuss in daily life, as well as some classic catch phrases. It took an early look at the issues and understandings we now strive to reach, or at least attempt to do so, including equality between cultures and races as well as between men and women. One of the reasons for both the original series’ appeal and that of the iterations that came after it, is that the tenets it holds most dear, of learning to accept one another and our differences, never gets old.

Interactive Fun

Thematically, tolerance, reverent history, championship for those who need championing, and a willingness to explore are all inherent in the Skirball’s own mission, adding further resonance to the exhibition.

Both charming and informative, with savvy insider production knowledge and an intelligent look at the series’ impact on viewers and the entertainment industry, Exploring New Worlds offers a smart look at a pop-culture phenomena viewed through a lens of appreciation and the hope for a better tomorrow.

Heartily wishing the Skirball Cultural Center’s deeply enjoyable exploration of Star Trek will live long and prosper. The exhibition runs through February 20th, 2022, a space trip for all ages.