SLO and Easy Getaway

SLO – San Luis Obispo – is far more than a half-way point between Los Angeles and San Francisco. If you haven’t discovered it yet, you should – it’s a food haven, a paradise for wine and beer afficiandos, and a town with delightful, uniquely different accommodations.

It would be hard to think of a destination that’s more of a one-stop pleasure. Take Amtrak, leave the car at home – or drive – either way, SLO is an easy and engaging destination that offers so much to explore we’ll be featuring this charming city in several articles in the next month.

Valentine’s Day sweetheart stay? President’s Day Getaway? Winter break or spring fling – SLO is a great choice.

We loved staying at SLO Brew Lofts in the center of town. The sleek urban lodging is more cool apartment than it is hotel.

Beautiful hip furnishings, a full kitchen, and bathrooms that will make you want to bask are enhanced by touches such as a blue velvet sofa, Edison lights, cushy leather dining room chairs, sleek industrial-style Smeg refrigerators and stoves, cozy, tile rimmed fireplaces, and a state-of-the-art espresso and coffee maker.

Another fun feature: rooms come with Crossley record players – replete with lp choices in the rooms, and additional selections available in the hallway.

Exposed brick walls, unique and artful lighting features, high-end furnishings all win large points; loft sizes range from one to three bedrooms, with the largest unit including a private, creek-side patio. They’re romantic, but with the space they offer, the lofts also make for an excellent friends’ getaway or family gathering.

Although the lofts make it incredibly tempting to just stay in and enjoy a 70s-era 33 rpm and a blazing fire, SLO itself is well worth exploring.

Besides, you might only have to take a short walk to one of the top restaurants in town. These five luxury short-term rentals are positioned over one of them, The Carissa.

The Carissa occupies a space that was once the more casual SLO Brew gastropub. It was terrific too, but this change is particularly sweet.

With a lovely outdoor patio that overlooks the creek, and location offers both fire pits and comfortable, cushioned alcove seating, making the restaurant a vacation in and of itself. Inside, it feels hip and airy.

The Carissa is named for the classic building in which it and the lofts themselves are located; the interior reflects its heritage with bright white and blue floor tiles, the space’s original white-washed brick walls, wood-plank flooring and pressed tin ceilings.

The Carissa has a definite California-cool feel with both beachy artwork and cozy nooks within the large room, providing a sense of intimacy.

A mezzanine level includes a pool table.

We sat outside for dinner, warmed by heat lamps and thoughtfully provided soft lap blankets, as well as inventive craft cocktails to start our meal. SLO Brew beers are also on tap, and an intelligent wine selection is available.

We went with a Salty Dog – a refreshing, vodka-based drink with bitters, grapefruit, and a sea salt rim; and the Cigar Smoke, which arrives in a dramatic, covered presentation that literally features aromatic wood chip smoke. I’ve enjoyed smoked drinks before, and this one is outstanding. Rod & Hammers straight rye, orange, sugar cube, and that richly satisfying smoke.

We began our meal with the vegan tortilla soup – thick, creamy, and delightful; redolent of cilantro and with just the right bite of spice offset by silky avocado. The Refreshing Salad lives up to its name. Spring and spinach mix with raspberries, Asian pear, candied walnuts and the lovely bite of a mint jalapeno vinaigrette, the palette is both original and just right – sweet and spicy and cool. We shared a salmon plate with fries and cucumber slices with a dusting of chili powder as our sides. Pan-seared in shallot ginger butter, the salmon was intensely flavorful, tender and fresh.

We left room for dessert: mini churros and a banana fritter. The churros came with a rich chocolate dipping sauce and more than delighted. The banana fritter far exceeded expectations – I’m not a banana fan – a fluffy fried banana with the restaurant’s signature waffle batter, caramel, strawberries, and a scoop of vanilla Van Leeuwen ice cream.

With twinkling white lights strung across the patio and feeling cozy we concluded our meal with two more cocktails – one the sensationally inventive Head in the Clouds. Featuring a pouf of pink cotton candy, Asian pear, aloe, and watermelon, this vodka based treat is also Instagram-ready. I opted for a more traditional off-menu Irish coffee, made sweeter and lighter with Amaretto in the mix.

Although shops and a bevy of other lively clubs abound on SLO’s main street, we retired to our loft suite for a great night’s sleep.

Morning found us at the lovely, bright Joliene Bakery located in The Creamery complex, where owner Chloe Fertel offered us pastries such as a lemon tartlette and honey almond cake.

The bakery features beautiful breads such as Meyer Lemon Herb, sandwiches, and French macarons. Flavors on macarons vary; we had pistachio, chocolate, and raspberry – all terrific.

We browsed shops and took a long walk along the Cerro San Luis Lemon Grove Loop. Vast views of SLO reward a steep but well laid out four-mile trail.

We’ve taken this trail at sunset as well, when the westward-facing heights make a stunning view point.

Rewarding ourselves for our hike, we had another terrific al fresco meal at 1865 Craft House & Kitchen.

For starters: Crispy Cauliflower, a dish that has been over-used in many venues was a treat here – dusted with Cajun seasoning and coconut flour, with a dipping sauce of bracing chipotle aioli. The Dip Duo is a classic appetizer that could make a meal. Comprised of both roasted corn elote and guacamole, it’s an elevated take on a casual nosh that’s hard to stop eating.

But then came the beet salad with shrimp: made with sweet greens and gorgonzola; and a mushroom truffle flat bread featuring earthy crimini mushrooms.

The restaurant added a Beyond Meat sausage topping that made the dish even heartier. To drink? The Ciro peach vodka based Pismo Fog with muddled strawberries was beyond delicious, and alluring served with dry ice for a stunning effect. The light Cambria Pines was gin based, and included fresh squeezed lemon, a quite wonderful rosemary infused simple syrup, and a splash of Brut.

The restaurant is multi-leveled, with two patios back and front; the fresh, modern look embraces its catch phrase of “eat, drink, be happy.”

Late afternoon found us just south of town in the Edna Valley, enjoying the sunny outdoor tasting tables at Saucelito Canyon Winery. Crafting fine red wines from 13 acres of Zinfindels, Bordeauxs, and a handful off off-estate Cabernets and Merlots, the winery is unique in the region which often features Pinot Noir as its signature red. In fact, Saucelito is the only winery in the region that doesn’t produce Pinot; their Zinfindel was planted in 1860 and remains a centerpiece.

Their flagship Zin is produced from 40-year old vines from Croatia, a part of the U.C. Davis Heritage Collection. 

My favorite was the late harvest Zin which was sweet and delicious with the taste of berries and chocolate notes. The Rose was crisp, bright and tart; the unique Dos Mas introduces Grenache to the winery’s line-up, blending Zinfandel with Petite Syrah and Grenache.

Open from 10-5 daily, the winery offers generous pours and an astonishing variety of tastes.

From a luxurious loft stay to wine tasting and fine dining – SLO is easy to visit and fabulously easy to enjoy.

Always reinventing and reinvigorating its historic spaces, there are more stories coming up on SLO — a Central Coast original.

  • Genie Davis; photos: Genie Davis

Perceive This

Kristine Schomaker had an idea. It started with the personal and has become a galvanizing collaborative project that reaches and speaks to a wide-range of viewers. It’s a conversation starter, it’s a collection of absolutely unique artworks, it’s an exultant vision of personal spirit, a creation from and of the soul that’s grounded – both literally and figuratively – by the body that holds it.

Art above by Sheli Silverio.

We’re talking about Perceive Me, an exhibition about to debut on January 25th at California State University Los Angeles.

Artist: Emily Wiseman

According to Schomaker – artist, curator, publisher and founder of Shoebox PR – the concept for the show started with a conversation between herself and artist Amanda Mears. Mears was drawing Schomaker athe time. “We were talking about body image, ideas of beauty, modeling nude, and I brought up the story that I had only been asked out on a date a couple times in my 46 years of life. I think unconsciously I took that as this validation that I wasn’t worth anything. Of course I know it is much more complicated than that,” Schomaker laughs, noting that the first time she expressed this out loud was in a previous interview for DiversionsLA.

Artist: Holly Boruck

Describing the idea as having come “full circle,” Schomaker says “I never realized that that was where a lot of myself worth came from. The need for outside validation. Or the idea that we often take our own self-worth from how we imagine others perceive us. Working with Amanda and looking back to a collaboration I did with J Michael Walker for his Bodies Mapping Time project as well as Chris Blevins-Morrison for a photographic project, I thought it would be an interesting ‘research project’ to see how I look through another person’s eyes. It was like a lightbulb.”

Artist: Austin Young

Over the next several months, Schomaker put together the idea of how Perceive Me would work, meeting with 57 different artists between November 2018-August 2019.

Schomaker selected the artists for the exhibition beginning with artists she knew who created work using a figure. “I have a folder on my computer of ‘Artists to Watch’ and culled from that. Plus, I looked at my walls, my art collection and invited those artists. And I invited friends, of course. I started off with the idea of 20 artists, then it went to 40; because I couldn’t say no then it went to 60. Most of the artists were invited, but there were a few who contacted me and after looking at their websites and seeing how their art practice was aligned with mine, I knew they were a perfect fit.”

What she mosts want viewers to take from this powerful and poignant exhibition is to “feel free to be themselves. I want people to be less afraid of ‘going for it,’ whatever that means for them. I want people to not be afraid to be different, unique, authentic and to not hide from others or themselves.”

Artist: Geneva Costa

The catalog that accompanies the exhibition is beautiful and rich; delving much deeper into both the intent behind it and presenting a fuller depiction of the images that most exhibition catalogs.

What led Schomaker to create such a vital piece of the project, or as she calls it, performance, is based on a fundamental belief in its social practice/impact and community engagement.

Artist: Marjorie Salvaterra

“I think my thesis was to see if my perception of myself changed as I saw myself through others’ eyes. Or maybe by inviting the many talented artists to collaborate with me, I thought they could make me beautiful? I am just now at this moment asking this question. This is just one project in many in my art practice that will continue helping me develop my own identity.”

Artist: Sydney Walters

“I have a story to tell, a message to relay. I want to educate and inspire. I knew an exhibition would not be enough to get the message out there. I knew a catalog would help get the word out there more,” she relates. “We are also doing artists talks; I am working with classes at the colleges, and there will be a video. I want to support others as much as I can. The catalog was one way of sharing the artists’ amazing work.”

Artist: Dani Dodge

Schomaker terms the exhibition a continuation of her own work, which focuses on challenging and finding herself. “I don’t think I will ever get to an end-point, because life changes all the time. Our identity changes all the time. Our weight changes all the time. My art practice is about telling my story of my eating disorder, struggles with weight and self-confidence. So, it will continue on.”

Artist: Nurit Avesar

The genuinely brave and beautiful show is uniquely notable from its lush and individually terrific images to the concept and Schomaker’s willingness to literally and figuratively expose herself. Following its debut at CSULA, the show will travel to Oxnard College in November 2020, Coastline Community College in January 2021, Mesa Community College in San Diego in March 2021, MOAH in Lancaster in October 2021 and the College of the Sequoias in Visalia in 2022.

Artist: Anna Stump

“We are actively sending out proposals to colleges and Universities right now, because I believe that is where a large part of our audience is. If I can reach our youth and make a difference, I feel like there is hope for the future,” Schomaker asserts.

Artist: Bradford Salamon

Perceive Me opens January 25th  5-8 p.m. at the Ronald H Silverman Fine Arts Gallery, Cal State University LA, under the direction of Dr. Mika Cho.

Participating artists include: Amanda Mears, Anna Kostanian, Anna Stump, Ashley Bravin, Austin Young, Baha Danesh, Betzi Stein, Bibi Davidson, Bradford J Salamon, Caron G Rand, Carson Grubaugh, Catherine Ruane, Chris Blevins-Morrison, Christina Ramos, Cynda Valle, Daena Title, Daggi Wallace, Dani Dodge, Debbie Korbel, Debby/Larry Kline, Debe Arlook, Diane Cockerill, Donna Bates, Elizabeth Tobias, Ellen Friedlander, Emily Wiseman, Geneva Costa, Holly Boruck, J Michael Walker, Jane Szabo, Janet Milhomme, Jeffrey Sklan, Jesse Standlea, John Waiblinger, Jorin Bossen, K Ryan Henisey, Karen Hochman Brown, Kate Kelton, Kate Savage, Kerri Sabine-Wolf, Kim Kimbro, L Aviva Diamond, Leslie Lanxinger, Mara Zaslove, Marjorie Salvaterra, Martin Cox, Monica Sandoval, Nancy Kay Turner, Nurit Avesar, Phung Huynh, Rakeem Cunningham, Serena Potter, Sheli Silverio, Susan Amorde, Susan T. Kurland, Sydney Walters, Tanya Ragir, Tony Pinto, Vicki Walsh.

CSULA Gallery is located at:
5151 State University Drive
Los Angeles CA 90032
Opening Reception: Saturday January 25, 5-8pm

Artist Talk with Alexandra Grant Sun February 2, 2-4pm
Artist Talk with Leslie Labowitz-Starus Sun February 16, 2-4pm
Artist Panel and Closing Reception Sat February 22, 2-4pm

Artist: Daena Title
Artist: Mara Zaslove
  • Writer: Genie Davis; photos: provided by artists through Kristine Schomaker

Partita II at Durden & Ray Adds Art for the Holidays

Who wouldn’t want to enjoy the works of stellar contemporary artists, have a fun and festive evening, and help support one of the most cutting-edge and globally-linked art collectives in LA? Certainly not you, right?

Artist: Nadege Monchera Baer

Partita II at Durden & Ray in DTLA’s Bendix Building this Saturday night offers you the opportunity to bid on, enter a raffle for, and simply enjoy the art of:

Lillian Abel, Kim Abeles, Mark Acetelli, Daniel Adkins, Robin Adsit, Kim Alexander, Dawn Arrowsmith, Nurit Avesar, Carlos Beltran Arechiga, Christine Morla Armstrong, Dawn Arrowsmith, Kristine Augustyn, Nadege Monchera Baer, Malado Baldwi, Marsha Effron Barron, Quinton Bemiller, Arezoo Bharthania, Jodi Bonassi, Jorin Bossen, Gary Brewer, Janine Brown, Stefan Bucher, Suzanne Budd, Gavin Bunner, Julian Bustill, Gul Cagi, Jane Callister, Debbie Carlson, Jennifer Celio, Chenhung Chen, Sijia Chen, Mika
Cho, Trine Churchill, Norman Clark, Daniel Barron Corrales, Natalie Cruz, Joe Davidson, Ismael de Anda III, Ilknur Demirkoparan, Mark Dimalanta, Glenda Dixon, Dani Dodge, Tom Dunn, Lana Duong, Martin Durazo, Cliff Eberly, Michael Emmanuel, Mitra Fabian, Marielle Farnan, Roni Feldman, Cia Foreman, Christian Franzen, Sarajo Frieden, Josh Friedman, Steven Fujimoto, Sean Michael Gallagher, Martin Gantman, Gabe Garcia, Michael

Garcia, Yvette Gellis, Lawrence Gipe, Audra Graziano, Phyllis Green, Kio
Griffith, Jenny Hager, Steve Hampton, Stephanie Han, Aska Irie, Ben Jackel,
Claire Jackel, Dion Johnson, Brian Thomas Jones, Flora Kao, Yasmin
Kazam, Kate Kelton, Shane King, Nadim Kurani, Jay Kvapil, Connie DK
Lane, David Leapman, Tidawhitney Lek, Stephen Levy, Echo Lew, Nikki
Lewis, Kevin Linehan, Susan Lizotte, Amelia Lockwood, Mela M ( Mela Marsh), Maya Mackrandilal, Alanna Marcelletti, Aline Mare, Jane Margarette, Kim Marra, Anne Martens, Javier Martinez, Lynne McDaniel, Annelie McKenzie, Amanda Mears, Kathleen Melian, Yevgeniya Mikhailik, Hagop Najarian, Hung Viet Nguyen,
Khang B. Nguyen, Sean Noyce, Labkhand Olfatmanesh, Elizabeth Orleans, Miguel Osuna, Billy Pacak, Paul Paiement, Kristopher Paos, Chris Pate, Olga Ponomarenko, Elizabeth Preger, Max Presneill, Michael Provart, Katie Queen, Mei Xian Qui, Kristopher Raos, Samuelle Richardson, Frederika Roeder, Ann Marie Rousseau, David S. Rubin, Frank Ryan, Liza Ryan, John Sollom, Annie Seaton, Sonja Schenk, Kristine Schomaker, Nike Schroeder, Lorenzo Hurtado Segovia, Steve Seleska, Rafael Serrano, Shilla Shakoori, Maccabee Shelley, Stephanie Sherwood, Dimitra Skandali, Jeffrey Sklan, Charles Snowden, Robert Soffian, David Spanbock, Curtis Stage, Kayla Sweet-Newhouse, Eric Minh Swenson, Jill Sykes,Vincent Tomczyk, Katya Usvitsky, Emily Van Horn, Melissa Walter, Ann Weber, Joan Weinzettle, Dana Weiser, Stacy Wendt, Tracy Weiss, Valerie Wilcox, Sammy Jean Wilson, Surge Witron, Steven Wolkoff, Alison Woods, and Jacob Yanes.

Artist: Christine Morla

The one-night-only small works exhibition and fundraiser is designed to help Durden and Ray to continue its international artist exchanges which this year took viewers on a one-of-a-kind art exploration here in LA with compelling contemporary artwork from Rome, Luxemborg, Greece, Berlin, and Iceland. The result for viewers is an exploratory adventure.

Artist: Max Presneill

For this show, Los Angeles-area artists were invited to make small-sized art that represents, according to Durden and Ray member Dani Dodge, “the unification across distances through image and discourse. They are the physical remnants of experience.” The works are available for $50 each, with 100% of the proceeds benefitting Durden and Ray.

In short, the night is a holiday gift for attendees and might just help you wipe out your entire gift list besides.

The raffle will include larger artworks and experiences such as portrait sessions and studio visits. Raffle tickets are $5 each and will be available at the event. The raffle will be held at 8:30 p.m. the night of the event.

Event curators are Arezoo Bharthania, Joe Davidson, Ben Jackel, Alanna Marcelletti, David Spanbock, Curtis Stage, and Valerie Wilcox.

The evening runs from 6-9 p.m. at Durden and Ray, 1206 Maple Ave. #832 in the Bendix Building. Santa says go, and so do we.

  • Genie Davis; photos provided by Durden and Ray and Genie Davis

Let There Be Light: Light Art That Is

From Bruce Munro’s elegant, haunting Sensorio Field of Light in Paso Robles to the variety of poetic light art exhibitions at Descanso Gardens to the wildlife-honoring glittering fun at GLAZA’s Zoo Lights, there’s a light exhibition to help you get your glow on.

Enchanted Forest of Light 

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At Descanso Gardens in La Canada Flintridge, a series of beautiful installations create moody, highly spiritual settings throughout the gardens come nightfall.

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Some offer interactive experiences – kids and adults alike can create musical notes and change colors at the Symphony of Trees, and adjust light colors by spinning at handle at lakefront Lightwaves section. Other areas are more quietly elegaic, beautifully alight set pieces that stir the imagination.

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Some resemble stained glass, as does Tom Fruin’s Camouflage House reflecting on Mulberry Pond; others offer a radiant new take on a public park space with illuminated benches and the Luminous Lawn by Jen Lewin that changes color as you walk its path.

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Strolling the Enchanted Forest is magical, slightly surreal, and yes, enchanting.

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The one-mile walk takes you past thousands of glowing, color shifting tulips…

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past HYBYCOZO’s delicate spinning art shapes casting patterned shadows in the Rose Garden…

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and through the Garden of Good Fortune, a lustrous, red-lantern-lit nighttime view of the Japanese Garden.

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There are ten enchanting exhibition sections in all; hot chocolate, churros, cocktails, and even full meals (with reservations) are available. The exhibition runs through January 5th. For tickets, click here.

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Sensorio Field of Light

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Located in a rolling field in Paso Robles, a 3.5 hour drive from LA, Bruce Munro’s lush 15-acre light show is absolutely captivating and well worth the journey. Pro-tip – arrive just before sunset if you can, to take in the transition from dusk to fully illuminated 1.5-mile loop trail.

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The installation is a sculptural composition as well as a light experience, with over 58,800 stemmed spheres lit by fiber-optics creating subtly realistic glowing blooms powered by solar energy.  A true artwork, the isolated setting – we saw stars and a rising moon – adds to the wonder.

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It’s a transcendent and dream-like experience; dark solitary trees stand like sentinels, and the lights are beautifully colored but muted in intensity, like real flowers infused with light.

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It’s a little like walking on another planet – or fully appreciating the beauty of this one, senses heightened.

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Food trucks offer tasty local eats and beverages including regional wines and beers; a picnic area separate from the light path allows dining and relaxing while live acoustic musicians play.

For tickets, click here; the exhibition closes in mid-January.

GLAZA Zoo Lights

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Lions and tigers and bears oh my! glowing ones in mosaic patterns; a light tunnel that dazzles and twists; thousands of tiny dancing green firefly light dots; an illuminated water show. Kids and adults alike enjoy the luminous, animal-themed displays.

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The exhibition has been delighting all ages since 2014, and each year a fresh new element appears. Santa, and the zoo’s antique carousel are, however, constants.

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Glowing and charming animals welcome visitors past large-scale illuminated snowflakes, a silver and purple disco ball forest, a herd of animated elephants, and the concluding attraction on a winding path through the main walkways of the zoo, a twinkling tunnel filled with glittering, crystaline color.

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Lavender and blue glowing butterflies and a stroll through the nocturnal reptile lair add to the joyful experience. A family New Year’s Eve event at Zoo Lights is offered this year, too. The event runs through January 6th, for tickets, click here.

So, which nighttime light art experience should you choose? The best answer is… all of them.

  • Genie Davis; photos: Genie Davis; Jack Burke