Beach Life Festival Redondo Beach Is a Musical Feast

 

Maybe you grew up, as I did, going to the beach and bringing your favorite music along for under-the-umbrella tunes. Whether it was on your Walkman, Boombox, Ipod, or through speakers linked to your latest Spotify or Apple Music playlist, a little sunshine, a little sea breeze, and great sounds were the vibe you were after.

Beach Life Festival offers those vibes and all that great music from just about anyone’s playlist live. Running on four different stages this weekend, May 3-5, the performances are varied and eclectic, from big name mainstream acts like Sting to bands with a more local SoCal following like Dirty Heads and smaller acts such as Jordana or Surfer Blood. The end result is a well executed, mellow, and super fun festival with guests able to stand or sit to the sidelines on astroturf or sand, with VIP-level front row or upper level choices also available.

We wlll be attending all weekend, and judging by Friday’s strong set list, if you can snag tickets for this weekend’s performances, you should.

Even before the music started on Friday, we enjoyed the festival.

Kinecta Credit Union handed out free ice cream truck treats; Grillo’s pickles passed out free tasty dills with a dot of dill dressing along with pickle-logo baseball caps in exchange for “riding the pickle” the equivilent of a fun kid’s pony ride outside shopping centers past, rather than a bucking bronco ride. We won a purse at a Dakine-sponsored promo game booth, tried a bag of delicious HIppeas – nacho flavored chickpea puffs,  enjoyed a video walk through of surf sponsored by Gray Whale Gin, and posed for selfies at designated spots that ranged from giant Beach Life surfboards and deck chairs to a neon-lit arch telling us to “Bring the Aloha.”

Certainly the bands did. We started the day at the main stage for a jubilant, fun set by The Samples on the Hightide main stage. The band jubilant, engaging, and got the daytime attendees up and dancing with songs such as “Shine On, ” “My Town,” and “Taking Us Home. ”

The rock-pop band was a perfect, sunny-afternoon start to the day with touches of reggae in the mix.

Switching venues to the Lowtide stage – almost as big a venue as Hightide, but located close to the edge of the festival’s Seaside Lagoon location, with glimpses of the marina and a sandy audience space – we saw Bedouin Soundcloud. One of the newer acts on the roster of big stage acts, Bedouin Soundcloud is a staple of Sirius Radio’s alternative music channels.

The Canadian alt rock band played their radio hit “Mountaintop,”  along with cuts from their 2022 album release “We Will Meet in a Hurricane.” Sweetly, lead singer Jay Malinowski rocked out, along with a special appearance by his sweet son and two of the little boy’s female friends for a love-fest sing-along.

Over at the Main Stage, Donavon Frankenreiter and G Love offered rousing surfer rock tinged with a bit of cowboy and hip-hop style blues, in a strong set accompanied by video projection of dancing flames.

Things were starting to get crowded at the festival, and this was a vibrant set by an accomplished, tight band.

Riptide is one of the festival’s smaller stages, with a convenient Tito’s-sponsored covered area and bar. The diminutive size didn’t mean the musical offerings were small however. Jordana was a powerful singer with a tight back-up band.

Her intimate, evocative electro-acoustic pop was hard to leave to see other acts.  Her single “Safe House” was lovely. Expect to hear more from her.

City and Colour on the Lowtide stage drew a deservedly big crowd. The richly melodic Canadian act knocked it out of the ballpark with lovely, danceable songs like “Meant to Be” and the more hypnotic “Bow Down to Love” in a tight hour-plus set.

Their mix of folk and alt-rock sound is my “thing,” and although the act has been performing quite awhile, I was delighted to hear them for the first time. It won’t be my last. Lead singer/songwriter Dallas Green started the band in 2004.

Seal was a huge draw on the High Tide stage, and as sunset beckoned, this was probably the first fully packed venue. Seal remains a wildly engaging performer, bounding onto stage in a white ensemble, the jacket to which he quickly removed as he launched into hits like “Kiss from a Rose” replete with red lights and projected falling petals, and “Crazy.”

The British pop/glam rocker has deservedly won multiple Grammys, and brings joy to a stage.

The Dirty Heads over at Lowtide was equally dynamic. The SoCal favorite brought tons of fans to rock out to its reggae infused hip hop, rock, and rap.

Their hit “Vacation” was a big highlight, but darker, enigmatic rap sounds like “Medusa,” which opened the hour and 15 minute set were also strong.

Over at the Riptide meanwhile, the Florida-originated Surfer Blood rocked out on the smaller stage, serving up a harder edged version of surfer sounds with an occasional edge of metal.

The ultimate Friday act was of course headliner Sting.

With full darkness descended on the astroturf field of the Hightide main stage, the viewing area was body to body, and this was the one concert in which we were viewing close to the light booth rather than at the front. It was a vantage point from which we could see the folks in the VIP sections and sponsored and bar spaces from Jack Daniels to Skechers viewing from the elevated sidelines, and beyond them, the balconies of the Redondo Beach Sonesta Hotel jammed with viewers as well.

Sting began with tried and true favorites such “Message in a Bottle,” “Every Little Thing She Does is Magic,” and “Walking on the Moon.” It was Sting’s first performance in SoCal in some 20 years, and as such was memorable in of itself. Terrific back-up singers and big screens bursting in color and images of waves added to the fun, and while the nearly 90 minute set may have lagged a wee bit in the middle, the finish with “Roxane” and “Every Breath You Take” had the crowd singing along again.

A truly strong day of music, sunshine, and great vibes, this kid-friendly fest should be on every music lovers’ calendar. Tonight, Local Natives, DEVO, and Incubus will be rocking out; tomorrow, it will be a pleasure to see Atlas Genius and hear songs from their first new release in five years

Three-day GA and GA+ passes were listed at $399 or $549 with in and out, and VIP is available for $399 as well as single-day tickets set for $159 (GA), $229 (GA+) and $399 (VIP). If you’re looking to splurge a three-day Admirals pass starts at $995. Saturday is SOLD OUT. But Sunday is still up for grabs, and high recommends for doing so.

  • Genie Davis; photos by Jack Burke

Invertigo Dance Theatre Offers Rewarding Interior Design

Always inventive, powerful, and intensely emotional, Invertigo Dance Theatre’s latest production, Interior Design, will be performed Saturday April 20th and Sunday April 21st at the Kirk Douglas Theatre in Culver City.  Using the vibrance of modern dance and the gift of extraordinary dancers and choreography, the production takes viewers on an interactive and deligthful journey through the relationship of a couple, as they move through moments of love, loss and transformation.  The work takes us into the world of Anna and Carlos, as they move into a new space together, where they are soon “navigating an ocean of boxes, waves of grief, tides of neighborhood drama, and the ultimate challenge in any relationship: assembling Ikea furniture.”

Artistic Director and Invertigo founder Laura Karlin choreographs in her exciting signature narrative style, as dancers
Hyosun Choi and Marco Palomino soar through an emotionally rich and kinetic narrative. The production features music by Diana Lynn Wallace and Eric Mason.

Since its inception in 2007, Invertigo Dance Theatre has presented original, dynamic, and emotional productions as well as programs that are commuinty centered and as joyous as they are interactive and inclusive.

Invertigo has created and performed more than 40 original choreographic works that invite viewers to dive deeply into the joy and wonder of dance. Along with its eclectic, mesmerizing performances Invertigo offers an inspiring community engagement program, Dancing Through Parkinson’s, which uses dance as the medium to connect and inspire those with Parkinson’s Disease and other neurodegenerative disorders.

Invertigo productions are always a pure pleasure to watch – this weekends’ shows will be the fourth production I’ve seen from this company. The talented group offers a vital mix of dance, contemporary music, imaginative costumes and set design sure to bring a fusion of movement and magic to those fortunate enough to view the latest production.

This weekend performances take place at The Kirk Douglas Theatre, located at 9820 Washington Blvd. Culver City, CA. Show times are Saturday, April 20 at 8pm and Sunday, April 21 at 5pm, and run 65 minutes without intermission.  Parking is free.

Both performances offer additional experiences: a VIP pre-show reception starts at 6 p.m. on Saturday with music, wine, hors d’oeuvres and a celebration of Invertigo’s past, present, and future productions; on Sunday,  from 3 to 4 p.m., a free workshop experience will be led by Karlin and composer Wallace, titled “A Neighborhood is an Orchestra.”  It will be followed by a meet and greet event.

Learn more about both performances and events, and purchase tickets, here.

And don’t miss the chance to view the art of dance in supple, sinuous, and superb form.

  • Genie Davis; images provided courtesy of Invertigo Dance Theatre

Frieze is Hot in LA

Frieze Art Week, Frieze art parties, Frieze art fair…yes, when LA Frieze’s up, it becomes a hot art party.  At this year’s Barker Hangar spectacular, there were some absolutely stunning works, some solidly commercial fare, some weird and wild pieces, and even a collection of works made from recycled materials – I applaud the effort, but for the cost, is a spray-painted mattress really something one would purchase?

But that’s a quibble. This is the place to discover fresh takes never seen before;  classics, like the marvelous Terry Allen installation, or the gorgeous, delicate, found-materials weaving of El Anatsui, and the grand spectacle of a certified,  high-end art scene.

Nancy Kay Turner has already written an earlier review published here that delves into her favorite pieces and a bit of Frieze history besides, so my approach is simply to show you works divided into the categories that I experienced them:

Wonderful and Why?

The titles of each section alone should serve to be a bit illuminating, and the visuals will likely tell you why images were placed in specific places. Beyond this somewhat silly but honestly fitting breakdown, the enormous fair — which featured more than 95 galleries — displayed a large number of textile and bead works, art made from found objects, fascinating pop art riffs, the aforementioned recycled material pieces, and some stand-out miniatures among its collections.

Wonderful!

From crazy-good mixed media miniatures displayed in two separate gallery booths…the hot violet creation with mini TV screens represented both wonderful and wow…

to the aforementioned wonder of El Anatsui…

to the ethereal lovliness of a work by Tomas Saraceno at Tanya Bonakdar Gallery…

to a lush gold mosaic and even lusher impressionist flowers and a moving take on personal lonliness…

…there was plenty of wonderful to go around.

A room solely devoted to Shepherd Fairey…

terrifying but beautiful apocalyptic images related to climate change by J. Homer French…

lush mixed media paintings, large scale sculptures, including both freestandng – some created from tiny fruit, some digital and wall art – well, this was all a visual feast.

Why?

So, you can paint bronze sculptures to look like Amazon boxes, but, why would you want to? Most people thought it was a joke, and the art was real boxes. If Art Basel had its banana, LA could have it’s Amazon deliveries.

Also, you can create a very cool sculpture made of old cds, but up close, unfortunately, they still look like cds, just in a sinuously lovely shape. And then there were the basketballs. Pretty sure they were real basketballs, possibly taken from my neighbor’s roof.

Also a why for me, given the well-heeled crowd attending the fair, was there an intermittant sprinkle of social commentary that wasn’t quite pointed enough to ruffle any feathers or raise any eyebrows or consciousness?

Then there were the rose quartz sculptures. I love rose quartz. I love sculpture. But, why?

And finally, even though it was a cool walk-through, why was there a very expensive Swiss watchmaker creating their watches in a large corner of the fair? Yes, the craftsmanship was artful. Yes, it was fascinating to watch an engraver at work. But it rang a loud bell of excess …

…that contrasted quite a bit with some very spiritual and lovely gongs in one near by booth, and those aforementioned bits of commentary-related art.

All in all, Frieze is a more than worthy contender in the ever-growing LA art fair sweepstakes. So next year,  put on your best faux fur so you won’t literally freeze in the blasts of air conditioning throughout Barker Hangar, and enjoy the hot art scene. Doubtlessly there will be plenty of wonderful, some werid, and also some of those “why’s.” We will have to wait and see.

  • Genie Davis, photos – Genie Davis 

LA Art Fair Sparkles and Shines

As always, the LA Art Show served up a tasty treat of art in a wide variety of mediums. There were informative talks, passionate performance, themes of climate change, a heady dose of trippy AI, splashes of neon, cool cats, and a charitable beneficiary, this year the American Heart Association, especially appropriate given the event’s opening night was on Valentine’s Day.

More than 120 galleries offered commercial art, fine art, experimental art, and some dashes of comic relief; opening night attendees glittered and lined up for Pink’s Hot Dogs, creme brulee, and champagne,  Robert Vargas live painted his “World House” on a massive, mural-sized canvas;  and street art vibes, laser cut metal work, and a manga-decorated portable tea house were all present and art-accounted-for.

DIVERSEartLA, comprising the 7 non-commercial art institutions exhibiting, offered the most excitement with a focus on cilmate change, immigration, faux mythologies, and the use of a drawing machine. AI was all around, lush and evocative and fascinating, but also, ultimately, still bringing up that giant question mark as to its impact. We have come to accept the horrors and complexities and hopes entwined in the confrontation of climate change, but have we yet to acclimate to another vast sea change in our lifetime, brought by artificial intelligence?

Let’s take a look at some of what we saw.

 

 

Andy Moses shimmered with motion at Melissa Morgan Palm art, far, left, while pink neon vibrated color, and a truly terrific, sculptural cat and dog duo pranced.

 

From golden hills to a dimensional portico leading to the sea to the pink morning water glow on resting surfers painted by Gay Summer Rick, landscapes were hardly stereotypical. Adjoining Rick’s work at bG Gallery are Linda Smith’s whimsical ceramic cats; below, bG dominated on the sweet non-edible Valentine’s treat art – far right, from Tom Pergola.

 

Emily Madigan’s magical jeweled beasts were at StartUp Curatorial; J.T. Burke also dazzled,  with his jeweled succulent image, right.

Copo Gallery fascinated with images from the apocalyptic to the whimsical.

The cool of metal abstracts meets the vibrant pop of floral color…

Kim Bareu is all bright whimsey at Gallery X2; but some neon cannabis noodles could be whimsical, too; ditto the work of Mr. Brainwash.

Quintessentially LA – the Pink Panther, the freeway dream of Dalila Vonden Stemmen at MRG Fine Art; a surreal and somehow super LA landscape and home.

Multiples…

 

 

 

 

The magic of MOAH performance artists Kaye Freeman and Amy Kaps, aka Hibiscus TV artists. More from Guillermo Bert; the immersive sculptural and film AI of “Be Water” from Chilean DIVERSEartLA exhibitor AAL Museum’s artist, Antuan.

From Antuan’s changing AI landscape, to AI assisted tapestery and sculptures far right, and below left two images, ”

 

The machines made me do it…

Above left, “Fake Memories of a True Past” curated by Moises Schiaffino; middle “Bridging Emotional and Digital Landscapes” allows viewers to interact with AI through a type-in word conversion, creating images above. My word was “child,” creation rendered in far left corner.  Image far right: sculptural indications of climate change and flooding from Osceola Refetoff and MOAH, more images from his photographic and film series below.

Above, also Refetoff,  infrared photography at Melissa Morgan Gallery.

Entirely new profiles, in paint and in sculpture.

Quintessential American seascape, left; gorgeous blooms from Paris in the middle; a performance artist becomes the subject of an artist’s detailed sketch.

 

The fabulous oil image of a house afire matches well with political-context neon, and Guillermo Bert’s laser cut sculptures of immigrant workers.

A cosmic eye, very large Zen heads, and a brilliantly vibrant urban scene converge.

Gumby says hi, a classic nymph does a pop-up.

J & J Art presents a buccolic and beautiful chicken romance while Jacobo Eid’s fascinating small plastic figures dance at a Madrid gallery booth.

Thick paint is always a draw – abstract, flower petals, and the classic richness of a wooly lamb.

Dimensional illusions delight – far right, the paper “stained glass” of Lorraine Bubar.

Feiran Wang’s Mutated Chicken brought big smiles; as did stooping inside the portable tea house of Tokyo’s Manga Art Heritage collaborators (far right, and below left).

To the right – Building Bridges Art Exchange in Santa Monica more or less encapsulated 2024 – aren’t we all the dog in the yellow booties, sticking our heads through a hole in the wall, despite meeting the resistance of our plastic safety cones? (Worn for our own good, of course.)

Glass art sparkled.

The natural world becomes slightly surreal…

Naim June Paik at Scott & Jae, a lustrous garden; mysteriously glowing abstracts.

A fresh take on naive art style and collage, left; live drumming draws a crowd, right.

Fabrik Projects Gallery’s The Soul of the City included a wide range of photographic talent, including a terrific piece from Maureen Haldeman, below.

That’s LA, for you. And that’s the LA Art Show 2024 edition. The city’s oldest art fair and still my homegrown favorite. AI’ght?

  • Genie Davis; photos by Genie Davis