Buzzing with lively energy, the group exhibition Mixtape, now at ShockBoxx Gallery in Hermosa Beach brings the invigorating result of an international open art call to life while stirring up some good ol’ B-side nostalgia. Remember years ago when you carefully and painstakingly curated a mix of your favorite songs and recorded them on cassette tapes? Such a task was executed with the hope of eliciting the perfect mood to match the handwritten titles scribbled onto their plastic cases with a ballpoint pen. Artist Laurel Meister’s linoleum block print illustrates this nostalgic fun when “Sexy Time” and “Songs to Cry To” were in rotation along with “2 Good 2 B True” and “Fresh Crush Mix.” It was about the journey, not just the destination.
Laurel Meister’s Mixtape inspired print, “A Love story as told from the passenger seat of an 88′ Mustang.”
But what does Mixtape really mean for this exhibition? Is there just a bunch of art with boomboxes and portraits of famous musicians? There is some of that, yes. Like Meister; Ariel Cohen’s painting “Skanktuary;” and James Frost’s “Little Mermaid (Lady Gaga),” each of which lean into the more literal understanding of the theme.
James Frost with his lush and lovely painting, “Little Mermaid (Lady Gaga).”
Ariel Cohen with “Skanktuary.”
But what the jury happily stumbled upon when culling over 400 submissions, was that most artists had their own interpretation of what Mixtape meant to them.
“Ice Cream Girls” by photographer Alain Bali.
Punk rock had a big impact on French culture and fashion photographer Alain Bali,as he documented musicians touring Europe in the 80s, from The Clash to the Sex Pistols. It was a time where street photography was minimally edited and imperfections on film were celebrated. Here, Ice Cream Girls catches some mid-lick side eye in a grainy black and white double portrait.
Eileen Oda’s intricate and delicately rendered pencil drawing “Soul Food” also captures a street scene in black and white. Her warm urban scene gives viewers a look at a tableau that gets to the heart and soul of a specific place, and moment, in time.
Zoe Blackman’s oil on canvas work, “Hereditary,” places a nude self-portrait holding hands with her childhood-created character, Heartman, in front of every youngster’s favorite fast-food icon, McDonald’s. The play on American culture, personal life experiences and fictitious characters create a narrative that teeters somewhere between light-hearted and possibly grave circumstances that makes this an intriguing mix all its own.
The curation of the selected works is a mixtape in its own right, flowing with bold color waves, texture and 3-dimensional storytelling . “Summer Dreaming,” a vibrant scene using acrylic on a ceramic plate by Theodosia Marchant sets this tone with a black female figure dynamically placed amid the clouds, a rainbow and floral accents. This sunshine-y work hangs over a playfully tactile ceramic sculpture by artist Karl Hauser.
Alison McMahon with her life drawings at the ShockBoxx Mixtape opening.
Hermosa Beach native Alison McMahon, a staple in the ShockBoxx community of artists, took the mixtape theme to the next level with a whole slew of unframed life drawings and watercolor paintings featuring musicians who performed live in the South Bay. McMahon’s ability to capture the soul of artists like Zeal Levin, V Torres, Steve Aguilar, and Emily V among others, covers a single wall and plunges viewers into a recognizable rock n’ roll past.
Somaya Etamad [left] standing next to her sold work on opening night alongside myself [center] and Mike Collins. [right]
The diverse and vibrant works in this exhibition may recall the past, but they also ably reflect the future with what gallerist Mike Collins describes as “the ever growing community of artists and art patrons that call ShockBoxx home.”
Mike Collins [right] discussing his work with guests at the Mixtape opening.
Above: While nostalgia for a mixtape rings true across the board for most Gen Xers, these tiny humans are way too young to have experienced such a thing. It was fun to watch them take in the artwork and make some summations of their own.
Jennifer Nerio, “Can of Snacks.”
Above all else, Mixtape is about memory, and the ways in which a personal recollection can also be a universal one.
This exhibition reminds us not only of a moment in time where movies, fashion and big hair were breaking the rules, but a time when a musical compilation was a source of identity, a snapshot of our drive to create something soulful, emotive, meaningful or just plain fun. It’s a representation of something that was put out into the world and into the hands of someone you loved, or better yet, into your own hands. And this tape won’t unravel at your favorite song, as ShockBoxx thumbs through the archives, remastering and continuing the anthology.
Mixtape runs through Sunday, July 7th at 636 Cypress Avenue, Hermosa Beach, CA 90254. See the gallery’s instagram for open hours or email info@shockboxxproject.com for appointments. The exhibition can also be viewed online via Artsy here.
Written by: Aimee Mandala
Photos: Aimee Mandala, ShockBoxx, Matthew Alceves, Kelly Capouya, Theodosia Marchant, Genie Davis.
