Corey Helford Gallery: Spectacular Anniversary Show Closes this Saturday

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Crashing into the art scene ten years ago, Corey Helford Gallery has always served up fascinating shows.

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There is pretty much only one way to describe the 10th Anniversary Gala Group Exhibition now at Corey Helford Gallery in DTLA – and that’s spectacular. So don’t miss the chance to turn out for this feast of an exhibition, closing this week.

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Featuring the work of a wide variety of artists exhibited at Corey Helford over the years, “Ten Years of Amazing Artists:  Corey Helford Gallery and Friends Celebrate!” is a terrific retrospective, a kaleidoscopic survey created by curated by Jan Corey Helford & Caro of the diverse artists shown here.

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Making great use of the gallery’s grand 12,000-square-feet of space, artists showing include Chris Anthony, Caia Koopman, Carlos Ramos, Gary Baseman, Camille Rose Garcia , Ron English, Shag (Josh Agle), Andrew Brandou, Korin Faught, Natalia Fabia, Kinsey , Lola , Simone Legno (Tokidoki) ,Kukula (Nataly Abramovitch) , Luke Chueh, Buff Monster, Van Arno, Sarah Folkman, Sylvia Ji, Brandi Milne, Joey Remmers, David Stoupakis, Annie Owens, Jason Shawn Alexander, Henry Lewis, Eric Joyner, D* Face, Chloe Early, Greg Gossel, Colin Christian, Nouar ,Michael Mararian, Ray Caesar, Sas Christian, Mike Stilkey, Adam Wallacavage, Michael Page, Eine , Billy Norrby, Tom Bagshaw, Shawn Barber, Risk , Kazuki Takamatsu, Erik Mark Sandberg, Victor Castillo, Beau Stanton, Richard J Oliver, Ben Frost, Soey Milk, Hikari Shimoda, Jennybird Alcantara , PETER GRONQUIST , Nicomi Nix Turner , HUEMAN , Redd Walitzki , Yosuke Ueno , Herakut , Naoto Hattori , Lu Cong , R. Leveille ,Hannah Yata , Lori Nelson , Joanne Nam , Travis Lampe , Brian Donnelly , Hirabayashi Takahiro , Kisung Koh , Mary Jane Ansell , Kelsey Beckett , Logan Hicks , Sarah Dolby , Carlo Cane , Joe Hengst , Okuda , Nathan James , Mikael Takacs , Mandy Cao , Miho Hirano , Adrian Cox , Lauren Marx , Yasuyo Fujibe , Stephanie Inagaki , Amandine Urruty , Stickymonger , Sarah Emerson , Riikka Hyvönen , Pip & Pop , Nicole Gordon , Meredith Marsone , Mara Light , Lauren YS , Kris Lewis , Lala Abaddon , Kristen Liu-Wong , Keun Young Park , Joey Bates , Jean-Paul Mallozzi , Haroshi , Heidi Taillefer , Ewa Pronczuk-Kuziak , Alessia Iannetti , Scott Musgrove , Amy Fry , Scott Hove , Olivia De Berardinis , Ian Francis , Glazed Paradise , Jonathan Viner , Marion Peck , Nigel Cox , Handiedan , Glazed Paradise (Mark Jenkins & Sandra Fernandez).

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Culling from the gallery’s catalog of artists, the show highlights an emphasis on the cutting edge, the surreal, the subversive, and the simply beautiful.

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The gallery grew from a personal collection of Jan Corey Helford, who founded the gallery with husband Bruce. Previously housed in Culver City, the larger space has led to richer shows, with space not merely filled but with art work but space used to create an immersive experience of pop surrealism, street art, and all works contemporary.

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So sit back and enjoy a look at some of the stellar pieces that represent the gallery’s exhibitions over the years, then head downtown for the closing this weekend.

The beautiful photos here are all from the camera of Jack Burke.

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Corey Helford Gallery is located at 571 Anderson Street in DTLA.

  • Genie Davis; photos: Jack Burke

Of Art and Vineyards – Allegretto Vineyard Resort

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Allegretto Vineyard Resort is not just a beautiful resort with a focus on wine.  It is not merely the first true, inclusive luxury destination in Paso Robles. No, it’s also a work of art, a hotel as intimate museum, a spectacular destination that could be in Europe, could be from another time – but is instead a very modern take on a stunning Italian villa, in central California.

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Allegretto Vineyard resort is elegant, dreamy, an homage to Mediterranean style that is centuries old. Open for just under a year, the resort contains lush gardens and fountains, incredible artwork, a chapel – perfect for weddings or yoga retreats, depending on your needs – called the Abbey, two labyrinths, a pool with a view of the vineyards.

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There are twenty acres of vineyards here, and guests can stroll them, if so inclined, or relax by a fire pit, read in a lovely courtyard, experience a spa that features aroma therapy,  zero-gravity chairs, and an infrared detox sauna.

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But in the end, it’s the art of the place that makes a trip here an experience like no other, with a new “find” around every corner, from paintings to sculptures to massive crystals. Crushed marble from Israel, Indian arches, a stunning Buddha, a Roman goddess – you never know what you’ll find as you ramble through the property.

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The luxury and opulence of the resort is hardly formidable: somewhat miraculously, it feels comfortably homey as well as lush.

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The concept of the resort comes from creator Doug Ayres, whose family-owned line of 21 chain hotels are perfectly comfortable in their own right, but not properties that would lead you to envision Allegretto Vineyard Resort as part of that chain.

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The resort was a one of a kind personal vision by Ayres, after he visited this Central Coast wine region and fell in love with it. He wanted to establish – and has very much succeeded – a destination resort that fits perfectly with the area’s wineries, tasting rooms, and Tuscan-like scenery, and one that is infused with a sense of serenity. Guests frequently check in for a few days stay, and if a room is available, ask to extend their visit.

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Featuring 171 rooms and suites, each beautifully appointed in muted mauves and browns – the color of the earth and wines, these rooms are warm and appealing. We loved the large marble shower and our vineyard view. F23C6951

The resort’s dining is exceptional too, featuring locally sourced, and in some cases, locally foraged ingredients. An outdoor patio with a view of one of the resort’s fountains is a charming place for lunch; or try drinks and coffee by the massive fireplace just off the lobby. The interior of the restaurant, Cello, resembles a wine cave, again the reds and browns predominate in a comfortable,  stylish room.  In the evening, there’s often live classical music.

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Executive Chef Eric Olson is meticulous in his preparation of Northern Italian cuisine. Olson visits area farms to ensure that he’s working with organic and sustainable providers; has built his own bee box, and scours the area for wild-growing natural ingredients from milk thistle to seaweeds, elderberries, edible flowers, and acorns. Olson has his own chef’s garden and a large compost area. The vineyard on the resort’s property, and its 200 plus olive trees, also make fine resources for the chef’s kitchen.

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At lunch, we loved the light angel hair pasta with Roma tomato and fresh basil; the thyme-seared scallops on butter lettuce was everything you could wish for in a salad.

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“All the seafood is brought in whole, from halibut to salmon, to control freshness and origin,” Olson notes. “We create our pizzas going from gas to wood burning ovens to prepare them in a timely fashion while preserving technique. I look to prepare dishes that are unique and will educate our culinary team and our diners.”

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Formerly with Ojai Valley Inn, Olson’s creativity and flair in the kitchen is even more evident at dinner, with dishes like the stunningly presented sustainable abalone, arranged within the shell, and paired with lobster sauce; gluten free flat bread with edible flowers and fresh garlic; risotto with shrimp, scallops, and foraged mushrooms; and coconut gelato with bread pudding.

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Pastry chef Carol Anne Phiopott makes all her pastries and desserts from scratch. Her key lime pie is the best I’ve tasted – even after multiple visits to Key West, home to the dessert. “It’s my own recipe. I lift egg yolks and lime dust together,” she notes.

Other stand-out desserts include lemon mascarpone cheese cake, chocolate berry tart, honeycomb and fruit.

Alexandra Pellot, the venue’s mixologist, dries her own fruits and makes her own syrups from scratch.

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Careful sourcing is also a feature of the fine wines the vineyard resort creates: a Viognier with notes of minerals, citrus and honeysuckle, the hardy Spanish grape of the Tenaught,  a favorite here but rare on the coast, featuring spice notes, blackberry, and notes of chocolate as well. We were also impressed with the light rose petal notes in the Zinfindel and the cocoa and Bing cherry flavors in the Cabernet.

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A wine tasting room has just opened on site, for guests to enjoy sips from these vintages and more, both from wines created from the resort’s vineyard, and from the region.  With dinner we were able to taste a delightful Leticia sparkling Brute as well as a dry and fragrant Jack Creek Pinot Noir.

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Off property, we tasted at Villa San Juliette, whose capacious grounds and fountains made a lovely match with the resort’s ambiance. The Villa opened their tasting room in 2008, according to host Melanie Porteny. Created by Nigel Lythgoe and Ken Warwick, Villa San-Juliette’s tasting room is set amid the gardens of a 168-acre estate.

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The winery grows 11 varietals. We tasted a 2014 Pinot Gris redolent of almond, apricot, and lemon; an airy 2014 Sauvignon Blanc; and a rich Syrah with butterscotch notes. Winemaker Dan Smith, mixes 90% Syrah with 5% each of petite Syrah and Grenache to create the Syrah. Along with our tastings, we were treated to a bountiful cheese plate.

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We also strolled Tin City, a section of Paso Robles once given to industrial use, now with its warehouses recreated as wineries, distilleries, and breweries.

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We visited Barrelhouse Brewery, a terrific neighborhood hang out, producing 4500 barrels a year last year, and twice again as much this year. Outdoor picnic tables make a great spot to listen to live music on weekends.

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Open since 2013, Barrelhouse is the creation of Jason Carvalho and Kevin Nickell, lifelong friends and business partners. “We’re not looking to be found in every 7-11. What’s most important to us is to be part of the community,”  we were told. We loved Big Sur, their crisp double IPA, and their Sunny Daze Citrus Blonde Ale.

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A drive to the coast for some beach walking in Cayucos, and then it was time for dinner.

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In the heart of downtown Paso Robles, Thomas Hill Organics Bistro & Wine Lounge is another find, a beautiful restaurant that offers Central Coast resources as delicious as they are perfectly prepared. Produce comes from area farmers, breads are crafted by local bakers, and the local wines are perfectly selected.

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We tasted a 2014 Adelaida from Anna’s Vineyards along with Central Coast Brewing’s Monterrey Street pale ale to accompany an incredible seasonal dish of fried green tomatoes, dipped in gluten-free, house-made, Panko.

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Next came a cold cucumber soup, with Dungeness crab and sun gold tomatoes; zucchini from Haussler farms prepared with romesco and mint, and line-caught California King salmon served with crispy potatoes, Blue Lake beans, and olives, grilled with lemon. For dessert, the chocolate torte with cherries, and brown butter cake were both exceptional, and well paired with a Halter Ranch Vine de Paille and Rockso Porte.

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Sitting on the charming brick patio, this was a meal we lingered over, listening as owner Debbie Thomas explained that she doesn’t believe in heavy sauces, and neither does head chef Tim Veatch. “Let the fresh local ingredients shine,” she says.

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Thomas started an organic farm eleven years on top of a hill which she named Thomas Hill Farms, leaving a career in marketing in Pasadena. From the farm’s abundance of produce, the restaurant was born. “I was ahead of the farm to table curve,” she laughs.

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Returning to Allegretto Vineyard Resort, we were struck by the gorgeous play of colored lights on the fountains, the quiet of the vineyards, the serenity of a windswept night. Contemplated any time of day, both art and vineyards are pure delight.

You’ll want to taste, see, savor, and be transported by these Paso Robles finds as soon as you can – and then arrange a return trip to the sublime.

Allegretto Vineyard Resort

2700 Buena Vista Drive  Paso Robles, California, 93446

Thomas Hill Organics Bistro & Wine Lounge

1313 Park St.  Paso Robles, CA 93446

Villa San-Juliette

6385 Cross Canyons Road  San Miguel, CA 93451

Barrel House Brewing Company

3055 Limestone Way   Paso Robles, Ca 93446

 

 

 

 

Moonscape at FM Fine Arts Gallery

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 Such a fine moonscape curated by Karrie Ross at FM Gallery.

This multi-artist show, My Own Private Moon, combines individual artist visions of the moon into a phases of the moon exhibition that is poetically beautiful.

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Above, Peggy Silvert Zask.

“The Moon theme was suggested to me about a year ago…the connection I had with water, the moon, science interaction, global warming, axes changes, and the human element spurred me on and extended my vision,” Ross says.

Her focus was to create a traveling show and she has ideas for just such an event planned.  But for now, through the 26th of September, the moon is in the heavens of Los Angeles.

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Above, another lovely moon indeed from Peggy Silvert Zask.

On view are works by 22 Los Angeles based Artists: Roxene Rockwell, Dens Richardson, Ron Therrio, Ted Meyer, Stevie Love, Peggy Sivert Zask, Ada Pullini Brown, Dave Lovejoy, Bryan Ida, Wini Brewer, Susan Lizotte, Bibi Davidson, Jill Sykes, Scott Dienhart, Cathy Weiss, Sharon Suhovy, Joe O’Neill, Ashley Bravin, Lena Moross, Francisco Alvarado, Barbara Nathanson, Karrie Ross.

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Above, Jill Sykes bucolic beauty. Below, the work of curator and artist Karrie Ross.

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Below, the work of Francisco Alvarado.

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Below, Lena Moross’ moon.

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Above, the delicate colors and creatures of Winnie Brewer’s moon. Below, Bibi Davidson’s vibrant red but sad man in the moon.

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Below, Ron Therrio.

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“The artists were specially selected for their diversity of style and medium, therefore the title of My Own Private Moon,” Ross says. “The artists had complete freedom other than the fact that the moon had to be the most dominant. Each artist chose a phase and then were invited to also create a full moon.”

A catalog of the images and artists statement connections with the Moon are available on Amazon.

FM Gallery is located at 834 La Brea Ave. in Hollywood

 

Transcendence through Rhythms: Artist Pam Douglas at TAG Gallery

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Meet New York-born Pam Douglas, who began her career as an artist by absorbing the abstract expressionist art exhibited at the Museum of Modern Art. “I saved my lunch money to go to the museum. In college, the art studio was a revelation to a kid who never had access to art supplies. Growing up, anything unrelated to survival or grades that would get me a scholarship was considered an indulgence we couldn’t afford,” she recalls. “But discovery after discovery lured me to spend my college years in that studio even if becoming an artist wasn’t practical.”

Today her beautiful mixed media works pay respect to Zen artists of the first millennium such as Lao Tsu, who used their instincts as much as their brush, artists for whom “paintings were poetry. I found my inspiration in ancient Asian paintings reflected through contemporary sensibilities,” Douglas says.

Now based in Los Angeles, she feels the landscape here “opened my visual ideas to horizontals, having grown up in New York City, cold and poor, in a lifestyle trapped in vertical boundaries. To me, my feeling for exploration and taking chances on creative impulses is very much a product of Los Angeles.”

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Douglas’ committment to poetic exploration is firmly a part of her exhibition at TAG Gallery in Santa Monica’s Bergamont Station. Rhythms was inspired by what could’ve been prosaic for many: a visit to the doctor’s. While Douglas was hooked up to an EKG, watching the lines form on scrolling paper, the rhythm of her heart inspired this new series of paintings.

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She conceptualized ideas about current political and social situations, asking herself what makes the heart clench, and what makes it release? Using newspaper headlines, EKG lines, and elements from rope to string, sand to paint, she created a textural landscape that includes finely representational elements such as birds and hands as well as abstractions. Her palette consists primarily of black, white, and shades of red, a riff, perhaps on the old riddle “what’s black and white and ‘read’ all over – the newspaper.”

From the rhythms of the EKG to sound waves and the rhythms of nature, daylight, and night, Douglas has expanded her subject to something otherworldly and profound. Douglas has long been fascinated by the rhythms of the world, including the most eternal rhythm, life and death.

“Ten years ago I prepared to die. I was to have life-threatening spine fusion surgery followed by weeks in intensive care followed by three months in pain unable to walk or drive. In that time, I took my hands off the steering wheel of my career and everything others expected of me. The experience led me to contemplate the fragile line between life and what lies beyond,” she explains.

“My art saved me. On days when I could hardly stand, I propped myself at my painting table, so immersed in the painting before me that my physical disabilities became background noise. The work itself often dealt with transparencies at a time when reality itself was not solid. I also worked with circles, the symbol of universal continuity. The form is a nod to Zen painters who focus on the symbolism of the circle. In fact, I revisited my earlier studies in ancient Asian art and philosophy, and those ideas continue to influence my thinking.”

Her consideration of the circle of life and death have occupied her creative output ever since, she says. Some of that is clearly apparent in Rhythms.

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Sometimes a literal interpretation of that idea is apparent as in “The Plus of Our Time,” where Douglas has cut newspaper headlines in the shapes of birds, placing them to flock across an EKG grid.

“That’s an example that veers closer to concept, though in other pieces the pure abstraction of movement or progression is more evident,” Douglas explains.

Her style is essentially conceptual abstraction, which Douglas says differs from abstract expressionism that derives from the artist’s emotional impulse at the moment of painting.

“That isn’t to say that I don’t improvise or paint from feelings, but in my work I reach for an additional layer of significance,” the artist says.

Along with her subjects, her work has evolved in terms of materials as well.

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“Long ago, I explored the effects of staining on raw linen in paintings whose subtle, monochromatic palette was meditative. As time has gone on, my work has reached for bolder expressions,” Douglas asserts. “Both Rhythms and my 2014 series The Long Thread transcend two dimensions and the usual definitions of painting. Rope, twine, thread, even sand are used to draw on canvas, or transparent plastic, or raw silk. The textures that evolve from those combinations suggest depths beyond the obvious, as I hope the works themselves do.”

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Thematically, the focus of all of Douglas’ art is transcendence. In Rhythms, she bridges contemporary issues with a visceral response, and an interpretation that “transcends the specifics of the moment and delivers an emotional catharsis or level of understanding that links topical concerns to a more universal consciousness.”

Douglas feels strongly that the nature of the artistic process itself invites this sort of exploration, “because every act of creation ventures into the unknown, bringing into form something that hadn’t existed before. Artists inhabit that source as they work, and the most impactful works usually arise from that artistic transcendence.”

Douglas has recently exhibited throughout the Los Angeles area, in shows at Artcore Annual Competition and Exhibition at The Brewery; Hillcrest Center for the Arts; Lampourage Gallery at The Brewery; and Arena One Gallery; as well as shows at TAG Gallery at Bergamot Station including a solo a year ago. She has also exhibited through a 6-month installation at The California African American Museum, and at LACMA.

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“An artist is a vessel to manifest images, sounds, movements or stories that may not be visible to others until he or she brings them into this plane,” Douglas attests. “The clearer the artist, the more those images are recognized as true or give an insight into some aspect of truth.”

Experience Douglas’ insight at TAG through September 24th. An artist’s panel – Douglas shares the TAG space with artists Shelley Lazarus and Andrea Kichaven – will take place September 17th at 3 p.m. Don’t miss the chance to connect with Douglas and her emotional heartbeat.

TAG is located at 2525 Michigan Ave. # D3 in Santa Monica.