The Summit Series: Macey Lipman Reaches Artistic Heights

A music industry legend, the song that is spilling from Macey Lipman’s artistic heart today is visual. With a new body of work, The Summit Series, Lipman offers a pinnacle – play on words intended – achievement.

The artist has painted all his life, devoting himself full-time to his art for the last twenty years. The immersive landscapes of North and South American peaks that make up this current series were inspired by Lipman’s daughter and her passion for mountain climbing. The result is exhilarating.

The artist’s acrylic on canvas and birchwood works are uniquely compelling. While the images are firmly grounded in the real world, the dreamy, vibrantly colored works also carry with them expressionistic elements.  The works are also highly visceral; viewers can almost feel the chill in the shadows of Glacier Peak Volcano; absorb the crisp thinness of the air at the crest of Mt. Shasta.

On January 25th and 26th, the artist will hold two afternoon receptions at his West Hollywood studio and gallery, presenting works from this series and previous bodies that include images from California’s wine country, Cuba, and Italy.

Over the course of his music career, Lipman received 57 gold and platinum album awards, working with artists such as the 5th Dimension, Heart, Chet Baker, Ravi Shankar, and Johnny Rivers. In 1972, he established Macey Lipman Marketing, the first independent marketing company in the recording industry, through which he managed a wide range of campaigns for top recording artists from Dolly Parton to Cher.

But through it all, he painted. He paints daily, depicting pristine landscapes such as “Mt. Rainer and Nisqually Glacier”; the tallest mountain in Washington and the Cascade  Range; “Popocatepetl Volcano (El Popa), Mexico,” raining ash below its slopes; and “Glacier Peak Volcano,” the most remote of the five active volcanoes in Washington State.

One of his sparest and most fascinating landscapes from this series is the 30” x 40” “Foggy Lake/Gothic Peak, Washington,” above, a dream-like vision that merges meticulous pointillist technique with wild and mystical scenery.

Equally absorbing are images such as that of a young Guatemalan woman climbing Santa Maria Peak in Guatemala while breast-feeding her baby. Other recurring motifs in Lipman’s work include the wine regions of Napa and Sonoma; and graceful images of reflections in windows, images that shape their own illusory landscape.

Having been accepted to the Michelangelo Accademia D’Arte in Florence, Italy, Lipman is learning to expand his technique with the use of egg tempera and the creation of paints and colors from scratch.

The artist says his life-long passion for painting began as a child, visiting the art section of Gimbel’s department store, attracted to the scent of oil paints and linseed oil. Despite his early inspiration, he did not sell his paintings until 2002; but by 2004 he was selling out at LACMA’s Sales Gallery. Today, Lipman works at his West Hollywood gallery and studio five days a week.

The dual receptions for The Summit Series take place at Macey Lipman Art studio and gallery, located at 511 N. La Cienega Blvd., #210 from 2-6 p.m. both days. The Summit Series will remain on view through February 20th.

Perceive This

Kristine Schomaker had an idea. It started with the personal and has become a galvanizing collaborative project that reaches and speaks to a wide-range of viewers. It’s a conversation starter, it’s a collection of absolutely unique artworks, it’s an exultant vision of personal spirit, a creation from and of the soul that’s grounded – both literally and figuratively – by the body that holds it.

Art above by Sheli Silverio.

We’re talking about Perceive Me, an exhibition about to debut on January 25th at California State University Los Angeles.

Artist: Emily Wiseman

According to Schomaker – artist, curator, publisher and founder of Shoebox PR – the concept for the show started with a conversation between herself and artist Amanda Mears. Mears was drawing Schomaker athe time. “We were talking about body image, ideas of beauty, modeling nude, and I brought up the story that I had only been asked out on a date a couple times in my 46 years of life. I think unconsciously I took that as this validation that I wasn’t worth anything. Of course I know it is much more complicated than that,” Schomaker laughs, noting that the first time she expressed this out loud was in a previous interview for DiversionsLA.

Artist: Holly Boruck

Describing the idea as having come “full circle,” Schomaker says “I never realized that that was where a lot of myself worth came from. The need for outside validation. Or the idea that we often take our own self-worth from how we imagine others perceive us. Working with Amanda and looking back to a collaboration I did with J Michael Walker for his Bodies Mapping Time project as well as Chris Blevins-Morrison for a photographic project, I thought it would be an interesting ‘research project’ to see how I look through another person’s eyes. It was like a lightbulb.”

Artist: Austin Young

Over the next several months, Schomaker put together the idea of how Perceive Me would work, meeting with 57 different artists between November 2018-August 2019.

Schomaker selected the artists for the exhibition beginning with artists she knew who created work using a figure. “I have a folder on my computer of ‘Artists to Watch’ and culled from that. Plus, I looked at my walls, my art collection and invited those artists. And I invited friends, of course. I started off with the idea of 20 artists, then it went to 40; because I couldn’t say no then it went to 60. Most of the artists were invited, but there were a few who contacted me and after looking at their websites and seeing how their art practice was aligned with mine, I knew they were a perfect fit.”

What she mosts want viewers to take from this powerful and poignant exhibition is to “feel free to be themselves. I want people to be less afraid of ‘going for it,’ whatever that means for them. I want people to not be afraid to be different, unique, authentic and to not hide from others or themselves.”

Artist: Geneva Costa

The catalog that accompanies the exhibition is beautiful and rich; delving much deeper into both the intent behind it and presenting a fuller depiction of the images that most exhibition catalogs.

What led Schomaker to create such a vital piece of the project, or as she calls it, performance, is based on a fundamental belief in its social practice/impact and community engagement.

Artist: Marjorie Salvaterra

“I think my thesis was to see if my perception of myself changed as I saw myself through others’ eyes. Or maybe by inviting the many talented artists to collaborate with me, I thought they could make me beautiful? I am just now at this moment asking this question. This is just one project in many in my art practice that will continue helping me develop my own identity.”

Artist: Sydney Walters

“I have a story to tell, a message to relay. I want to educate and inspire. I knew an exhibition would not be enough to get the message out there. I knew a catalog would help get the word out there more,” she relates. “We are also doing artists talks; I am working with classes at the colleges, and there will be a video. I want to support others as much as I can. The catalog was one way of sharing the artists’ amazing work.”

Artist: Dani Dodge

Schomaker terms the exhibition a continuation of her own work, which focuses on challenging and finding herself. “I don’t think I will ever get to an end-point, because life changes all the time. Our identity changes all the time. Our weight changes all the time. My art practice is about telling my story of my eating disorder, struggles with weight and self-confidence. So, it will continue on.”

Artist: Nurit Avesar

The genuinely brave and beautiful show is uniquely notable from its lush and individually terrific images to the concept and Schomaker’s willingness to literally and figuratively expose herself. Following its debut at CSULA, the show will travel to Oxnard College in November 2020, Coastline Community College in January 2021, Mesa Community College in San Diego in March 2021, MOAH in Lancaster in October 2021 and the College of the Sequoias in Visalia in 2022.

Artist: Anna Stump

“We are actively sending out proposals to colleges and Universities right now, because I believe that is where a large part of our audience is. If I can reach our youth and make a difference, I feel like there is hope for the future,” Schomaker asserts.

Artist: Bradford Salamon

Perceive Me opens January 25th  5-8 p.m. at the Ronald H Silverman Fine Arts Gallery, Cal State University LA, under the direction of Dr. Mika Cho.

Participating artists include: Amanda Mears, Anna Kostanian, Anna Stump, Ashley Bravin, Austin Young, Baha Danesh, Betzi Stein, Bibi Davidson, Bradford J Salamon, Caron G Rand, Carson Grubaugh, Catherine Ruane, Chris Blevins-Morrison, Christina Ramos, Cynda Valle, Daena Title, Daggi Wallace, Dani Dodge, Debbie Korbel, Debby/Larry Kline, Debe Arlook, Diane Cockerill, Donna Bates, Elizabeth Tobias, Ellen Friedlander, Emily Wiseman, Geneva Costa, Holly Boruck, J Michael Walker, Jane Szabo, Janet Milhomme, Jeffrey Sklan, Jesse Standlea, John Waiblinger, Jorin Bossen, K Ryan Henisey, Karen Hochman Brown, Kate Kelton, Kate Savage, Kerri Sabine-Wolf, Kim Kimbro, L Aviva Diamond, Leslie Lanxinger, Mara Zaslove, Marjorie Salvaterra, Martin Cox, Monica Sandoval, Nancy Kay Turner, Nurit Avesar, Phung Huynh, Rakeem Cunningham, Serena Potter, Sheli Silverio, Susan Amorde, Susan T. Kurland, Sydney Walters, Tanya Ragir, Tony Pinto, Vicki Walsh.

CSULA Gallery is located at:
5151 State University Drive
Los Angeles CA 90032
Opening Reception: Saturday January 25, 5-8pm

Artist Talk with Alexandra Grant Sun February 2, 2-4pm
Artist Talk with Leslie Labowitz-Starus Sun February 16, 2-4pm
Artist Panel and Closing Reception Sat February 22, 2-4pm

Artist: Daena Title
Artist: Mara Zaslove
  • Writer: Genie Davis; photos: provided by artists through Kristine Schomaker

Margaret Hyde: Transformative Jewel-Perfect Images Dazzle

Photographic artist Margaret Hyde creates images that are as precise and glowing as gems. Describing herself as a “transformative” artist, she shapes lustrous, natural subjects that are worthy of contemplation.

The Memphis-born and raised artist literally and figuratively focuses on the minutiae of the natural world, using close-ups and macro lenses. The result is a cross between the meditative and the transcendent; qualities that she also bring to her life outside her artwork, exemplified by her work in support of the National Civil Rights Museum in Memphis through her family’s Hyde Family Foundations.

 Eleven years ago, she produced an Emmy nominated documentary short, The Witness: From the Balcony of Room 306, detailing the last days of Martin Luther King; she’s also written children’s books; shot documentaries in Bhutan, and photographed orphanages in Liberia.

But her recent art veers considerably away from the documentary. She uses images such as shells and flowers to create an entire celestial universe of emotion and beauty. Hyde says “the purpose of art is to make you stop and look and think…if you keep seeing different things and asking different questions then that’s a successful piece of art.”

Her current series involve the collection of tiny objects such as shells, beach glass, scrap metal, and simple flowers and seeds. From these prosaic, intimate bits of life’s flotsam, she builds tiny sculptures, utilizing water and light to reshape these materials into her own tiny, glowing universe. The dimensionality she creates, the rich and mysterious color palettes she shapes, are matched by the inner shine of her work.

“I collect and photograph things most people would walk by,” she notes in her artist’s statement. “Water… flows through the sculptures, reflecting its infinite memory of the people, places and things that it has encountered along the way.”

It’s a fascinating idea, that water holds memory – one that oddly enough is a key tenet of the current Disney film Frozen 2. But Hyde’s work makes this messaging far more profound.

Her unique vision is an outgrowth of macro photography, most often used to examine something more closely. But what Hyde examined was more an internal imagining than an object itself. “I walked into an alley and someone had drained a swimming pool, and the water was rushing down the alley. It no longer looked like an alley…I put the macro lens on my camera and took photographs of light on water. I realized I didn’t need to go anywhere – everything I needed was right here, beauty, transformation right in front of me, I just was not seeing it…I went from being a photographer with a good eye, to an artist who used a camera to create art.”

Now she shares the butterfly images and Batman’s cape she finds in a protective mussel shell; an eternal moment in a drop of dew that glows like a diamond on multi-hued green leaf.

Arguably, color, light, and her use of water to illuminate are the main components of her macro work, but the textures she conveys are perhaps the true entry point into her radiant world. The ridged striations of a leaf, the ripples in a dot of dew, a sense of rounded, thick suspension in a drop of water.

In Hyde’s Shell Eddies series, the lapis lazuli blue and amethyst crystal quality of works such as “Shell Vortex” and “Shell Pirouette” are smooth and seductive; a whirl that is soft and supple yet somehow as solid as a stone, a universe unfolding in motion.

Her Shell Scapes series, including such opalescent, winged images as “Pastel Pinion” use essentially the same color palette as Shell Eddies, but in lighter shades, and with a quicker, brighter feel that evokes mother of pearl butterflies, seeds, twins, and with an airier more translucent texture.

Mystic Masks turns a simple dandelion flower into something cosmic and ethereal; “Canine Mask” is both wolf and flower; “Imp Mask” the genesis of a fairytale character.

Hyde’s Migration Series takes a single dandelion seed and turns it into a study in perfection in “Feathered Seed;” the simplicity and wonder of this image, an embodiment of life, is both alien bird and message of hope. But it is a translucent cosmos that Hyde captures in another work, “Cosmic Dandelion.”

There are the certainly the origins of this astonishingly minute, perfect work in her earlier photography– Hyde’s travel images in her Seascapes series is pearled and reflective with light; her Memphis images rippled with visceral texture.

Jeweled and mesmerizing: Hyde gives viewers memorable images spun from the imagination in close-up.

Partita II at Durden & Ray Adds Art for the Holidays

Who wouldn’t want to enjoy the works of stellar contemporary artists, have a fun and festive evening, and help support one of the most cutting-edge and globally-linked art collectives in LA? Certainly not you, right?

Artist: Nadege Monchera Baer

Partita II at Durden & Ray in DTLA’s Bendix Building this Saturday night offers you the opportunity to bid on, enter a raffle for, and simply enjoy the art of:

Lillian Abel, Kim Abeles, Mark Acetelli, Daniel Adkins, Robin Adsit, Kim Alexander, Dawn Arrowsmith, Nurit Avesar, Carlos Beltran Arechiga, Christine Morla Armstrong, Dawn Arrowsmith, Kristine Augustyn, Nadege Monchera Baer, Malado Baldwi, Marsha Effron Barron, Quinton Bemiller, Arezoo Bharthania, Jodi Bonassi, Jorin Bossen, Gary Brewer, Janine Brown, Stefan Bucher, Suzanne Budd, Gavin Bunner, Julian Bustill, Gul Cagi, Jane Callister, Debbie Carlson, Jennifer Celio, Chenhung Chen, Sijia Chen, Mika
Cho, Trine Churchill, Norman Clark, Daniel Barron Corrales, Natalie Cruz, Joe Davidson, Ismael de Anda III, Ilknur Demirkoparan, Mark Dimalanta, Glenda Dixon, Dani Dodge, Tom Dunn, Lana Duong, Martin Durazo, Cliff Eberly, Michael Emmanuel, Mitra Fabian, Marielle Farnan, Roni Feldman, Cia Foreman, Christian Franzen, Sarajo Frieden, Josh Friedman, Steven Fujimoto, Sean Michael Gallagher, Martin Gantman, Gabe Garcia, Michael

Garcia, Yvette Gellis, Lawrence Gipe, Audra Graziano, Phyllis Green, Kio
Griffith, Jenny Hager, Steve Hampton, Stephanie Han, Aska Irie, Ben Jackel,
Claire Jackel, Dion Johnson, Brian Thomas Jones, Flora Kao, Yasmin
Kazam, Kate Kelton, Shane King, Nadim Kurani, Jay Kvapil, Connie DK
Lane, David Leapman, Tidawhitney Lek, Stephen Levy, Echo Lew, Nikki
Lewis, Kevin Linehan, Susan Lizotte, Amelia Lockwood, Mela M ( Mela Marsh), Maya Mackrandilal, Alanna Marcelletti, Aline Mare, Jane Margarette, Kim Marra, Anne Martens, Javier Martinez, Lynne McDaniel, Annelie McKenzie, Amanda Mears, Kathleen Melian, Yevgeniya Mikhailik, Hagop Najarian, Hung Viet Nguyen,
Khang B. Nguyen, Sean Noyce, Labkhand Olfatmanesh, Elizabeth Orleans, Miguel Osuna, Billy Pacak, Paul Paiement, Kristopher Paos, Chris Pate, Olga Ponomarenko, Elizabeth Preger, Max Presneill, Michael Provart, Katie Queen, Mei Xian Qui, Kristopher Raos, Samuelle Richardson, Frederika Roeder, Ann Marie Rousseau, David S. Rubin, Frank Ryan, Liza Ryan, John Sollom, Annie Seaton, Sonja Schenk, Kristine Schomaker, Nike Schroeder, Lorenzo Hurtado Segovia, Steve Seleska, Rafael Serrano, Shilla Shakoori, Maccabee Shelley, Stephanie Sherwood, Dimitra Skandali, Jeffrey Sklan, Charles Snowden, Robert Soffian, David Spanbock, Curtis Stage, Kayla Sweet-Newhouse, Eric Minh Swenson, Jill Sykes,Vincent Tomczyk, Katya Usvitsky, Emily Van Horn, Melissa Walter, Ann Weber, Joan Weinzettle, Dana Weiser, Stacy Wendt, Tracy Weiss, Valerie Wilcox, Sammy Jean Wilson, Surge Witron, Steven Wolkoff, Alison Woods, and Jacob Yanes.

Artist: Christine Morla

The one-night-only small works exhibition and fundraiser is designed to help Durden and Ray to continue its international artist exchanges which this year took viewers on a one-of-a-kind art exploration here in LA with compelling contemporary artwork from Rome, Luxemborg, Greece, Berlin, and Iceland. The result for viewers is an exploratory adventure.

Artist: Max Presneill

For this show, Los Angeles-area artists were invited to make small-sized art that represents, according to Durden and Ray member Dani Dodge, “the unification across distances through image and discourse. They are the physical remnants of experience.” The works are available for $50 each, with 100% of the proceeds benefitting Durden and Ray.

In short, the night is a holiday gift for attendees and might just help you wipe out your entire gift list besides.

The raffle will include larger artworks and experiences such as portrait sessions and studio visits. Raffle tickets are $5 each and will be available at the event. The raffle will be held at 8:30 p.m. the night of the event.

Event curators are Arezoo Bharthania, Joe Davidson, Ben Jackel, Alanna Marcelletti, David Spanbock, Curtis Stage, and Valerie Wilcox.

The evening runs from 6-9 p.m. at Durden and Ray, 1206 Maple Ave. #832 in the Bendix Building. Santa says go, and so do we.

  • Genie Davis; photos provided by Durden and Ray and Genie Davis