Sway Moves Us: Exciting Exhibition from Seven Artists at the Brand

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Curated by Chenhung Chen with project management from Linda Sue Price, Sway, at the Brand Library and Art Center, is an exciting exhibition that is both perfectly curated and filled with stunningly original art work in a variety of mediums.

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One of the most beautiful aspects of the exhibition is Chen’s astonishing ability to create a show in which the works seem to truly speak to each other; they are linked and separate at the same time, a cohesive presentation that pulls viewers into the experience of the exhibition.

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Each of the seven participating artists use a variety of materials including wire, cords, neon, plastic, found materials, graphite works, and acrylic and pencil. Primarily sculptural, the dimensionality of the works adds the to sense that the exhibition is a living, mutating form that swims with motion – or shall we say, sways with it. If this is a world of art – and it is – it’s a new world, composed of lines and light, intense color, grand patterns, and highly tactile images.

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Chen’s flowing,  often delicate wire copper wire crochet work constrasts and compliments her thicker wire abstract sculputures. Both styles of her work undulate, as if they were strange sea creatures, or alien life forms.

That sense of the alien and unexpected, of sea life and forest floor, permeates the exhibition and the viewers’ gaze. We are invited to experience something unique, alive, delicate materials made strong and connected.

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Snezana Saraswati Petrovic’s work here includes a room-sized installation that utilizes video images as well as delicate, lace-like plastic to immerse viewers in an a dive deep into a sea of art.

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Other works of Petrovic’s pulse in fierce orange or yellow, and again we seem to be a part of a world of mysterious alien shapes, puzzling and vibrant, highly textured and dream-like.

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She gives us starfish and stars, sea nettles and dimensional snowflakes, webs, fissures, and the illusion of plunging beyond or into our own consciousness.

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Price’s neon works throb with kinetic energy and motion, the colors seem impossibly vibrant, they are as vivid and visceral as light pulled from the center of the earth and straight through the soul.

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Pieces that literally move and those whose colors dance create a sense of nighttime magic, a glorious lit-up world that is both transcendent and emersed in noir.

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Speaking of light, Echo Lew creates drawings based on light and shadow, strange and ethereal, as rhythmic as if they had sound.

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His unusual process in creating these drawings from something as ephemeral as light itself is reminiscent of auras, ghostly presences, a spirit world.

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Both Debbie Carlson and Gina Herrera work with found materials that include articles as diverse as ladders and yarn and bottle caps and latex gloves.

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Herrera in particular creates works that are infused with a sense of humor and wit, fantastical and fairy-tale-like. She creates both creatures and abstract shapes out of what could be artistic detritus in less gifted hands.

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Carlson’s sculptural works link prosaic articles and repurpose them into something sublime, strange, and cooly geometric.

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The eye studies the lines that make the shapes that fuse recognizable objects into something far more interesting and rich.

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Anne Marie Rousseau exhibits a series of painted acrylic images, both sharp, modern, and shiny with color; lines of gold dance and opal-like paint shimmers within the works like the veins of rich minerals found within the earth.

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The large scale works seem to vibrate; located on the outside wall of the main galleries, they serve as a kind of introduction or portal into another realm. Her work is always filled with a sense of motion, here, the pieces are perhaps the most literal and lyrical interpretation of the show’s title.

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It perhaps goes without saying that the works here are each magical, they invoke and call out a sensual beauty, a reworking of line, shape, form, and texture that upends the expected and presents a new and intensely satisfying view of the world.

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Above, curator Chen, attendee Betty Brown, artist Petrovic

Sway is an exhibition to be savored – go take it in. The Brand Library and Art Center is located in Glendale – or perhaps, with this show, in another universe entirely. The exhibition runs through June 14th.

  • Genie Davis; photos: Genie Davis

 

 

 

 

When Line Becomes Form: Brand Library Gallery Liberates

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A soaring show filled with powerful figures and shapes, When Line Becomes Form is an elegant, measured spiritual odyssey. Featuring the art work of Mark Acetelli, Dirk Hagner, Cindy Jackson, Grey James, Joanna Kidd and Miles Lewis, the expressionistic exhibition roams from sculpture to painting and drawing, touching all points between them.

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Pasadena based painter Mark Acetelli works in oils and encaustics, layering his canvasses in a kind of emotional abstraction.  His figures are ghost-like, souls in migration, images to which the viewer imparts the more concrete elements. Lush and dreamy, these works wander through the mind and take root there, wavering in an emotional wind.

Brand line 2Dirk Hagner uses traditional mediums to create uniquely modern portraits of literary and political subjects. Iconic figures and those whose images just appear familiar are portrayed through a series of large-scale woodblock portraiture. Hagner’s highly stylized works are seemingly elegaic, poignant and cool, involving yet carefully nuanced.

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The late Cindy Jackson’s large scale and absolutely magnificent sculptures here are brimming with life. The artist noted that viewers should “Look deeply into my work and you’ll see that it is not about the figure itself, but about the internal emotional worlds that sit within those boundaries.” The entwined and exaggerated shapes of her very-much-alive figures soar through the space they inhabit. It would be impossible for a viewer to not stand beside these figures in awe of their spiritual depth. These are souls frozen in sculpted bodies, to which Jackson pays tribute. The internationally recognized and award-winning artist has created sublime works that serve as a legacy for her own indomitable spirit. To a large extent, these pieces are the center of the exhibit, from which other works spiral out and in, line having fully become form in her works.

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Glendale-based artist Grey James’ offers paintings and mixed media, personal, involving accounts of transition both physical and emotional. James creates moving transgender icons, intimate and appealing; a universal sense of beauty and change in these images going far beyond the borders of sexual definition. The works have the quality of religious paintings, a reverence that the viewer finds palpable.

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Joanna Kidd’s work forms a different sort of transition: that between the sculptural and painting. Her bas relief portraits are raised in high relief, shaping a highly dimensional, caught-in-motion quality to each portrait.  The faces she depicts are detailed and alive, shifting in light and in the viewers relationship to the images, so that they seem to be watching and watchful. Her art contains something quite intensely, universally human, the capture of a living being for a fraught moment in time.

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Miles Lewis considers himself a life-drawing artist. Drawing is the medium he uses to shape figures that are fluid and resonant; delicately textured, these works on paper seem ready to shape-shift into something more dimensional. These are carefully wrought creations, studies that make it seem possible they may morph into flesh and blood.

Over all, this exhibit is all about life: the lines that become form are the strands of DNA that create existence. The art is a part of the wonder and artistry of a spiritual universe, a new way of creating the real; expressionist art that expresses the most powerful and graceful embodiment of art itself – the human form, the human spirit.

The show runs through September 1st. The Brand Art Gallery is located at 1601 W. Mountain Street in Glendale.

  • Genie Davis; photos: Genie Davis