A Fond Farewell to California 101

Work by Flora Kao, above

California 101, the art exhibition that took place annually – with the excepetion of pandemic closure years 2020 and 2021 – ran for ten years in iconic South Bay locations such as Redondo Beach’s AES Power Plant, empty store space in the South Bay Galleria mall, the former Gold’s Gym spot overlooking Harbor Drive, and for it’s final two years, in the Redondo Beach Historic Library near the pier.

Helmed by curator and founder Nina Zak Laddon, this was a monumental undertaking, focusing on Southern California artists, including but not limited to those in the South Bay itself. The beachfront community has been underserved when it comes to art, with the Torrance Art Museum, Hermosa Beach’s Shockboxx gallery, and the Palos Verdes Arts Center pretty much the only venues in these beach towns.

Laddon’s art brainchild offered expansive installations – such as this year’s radiant gold fabric and projected images from Flora Kao, and the delightful exsculpating food sculptures of Eileen Oda, among other works positioned in the former library’s kitchen. There was also a rainbow room of participatory twine from Peggy Sivert, who also presented an incredible quilt-like textile work featuring a white horse.

The exhibition spaces, quirky, unique, and some more easily availing themselves of moutning exhibitions than others, were always filled with a delightfully varied mix of photographic art, paintings and mixed media, sculptures, and projected works.  The vast display of art was likewise accompanied by programming that drew community members and a range of art lovers from across the region, with this year’s entries including an art salon conducted by Kristine Shoemaker, director of Shoebox Arts, a Sound Healing, and live figure drawing with Timothy Kitz, among others. The gift shop, with it’s Last Banquet kitchen adjunct, offered a wide array of art choices at reasonable prices.

Among the other highlights this year:

Jane Szabo’s haunting photographic images; delicate paper cut outs from Lorraine Bubar; repurposed objects in sculptural art from Ben Zask; Pam Douglas’s figurative installation honoring refugees; stunning black and white images from both father and son Richard Chow and Caden Chow; the lustrous light in the urban landscapes of Gay Summer Rick; Gina M.’s poignant and harrowing installation about gun violence in our schools, “Hate the New Normal.”

Also exceptional: Eileen Oda’s gorgeous large scale painting “Pilgrammage to Concentration Camp Where our Parents Were Imprisoned During WWII;” Scott Trimble’s haunting figures; Ann Bridge‘s exotic look at Southern California sky; Susan Else’s multiple, whimsical cloth sculptures; Karena Massingill‘s lustrous sculpture; Janet Johnson‘s felted fish; and of course, Jason Jenn‘s spectacularly spiritual ” a hundred and one dreams and stories,” utilizing poetically repurposed found and upscycled materials cast in sacred shapes.

Beanie Kamen‘s vibrant fabric work; Erika Snow Robinson’s dramatic palms; Michael Stearn’s motion-filled work in wood – all terrific, each unique.

Also powerful: colorful combos of paint and old dress forms forms Susan Melly; Aimee Mandala’s black and white, hypnotic “Heart Opener;” the soft rose of Beth Shibata’s “Petals Falling,” Mike Collin‘s sharp and witty “The Inventory of Scoldings;” the sparkling stars of Vojislav Radovanovic‘s mixed media “New Constellation,” and the interactive possibilities of a third-floor installation asking attendees to create their own rock stack.

The pandemic closures were a difficult recovery in terms of the volunteerism and donations upon which California 101 depends in part, and while this may or may not have been behind Laddon’s decision to conclude the annual exhibition this year, she also has new and exciting plans ahead, including a 2025 art exhibition that will include international artists.

So while we bid a fond farewell to 2023’s final California 101, it doesn’t mean this road has come to an end. Think of it more as a freeway interchange, a new highway toward art to be established, hopefully, in the near future.

And in the meantime, through September 10th, enjoy visiting and viewing Friday-Sundays from noon to 7 p.m.  Offer up your own 101 salutes to an ever changing and awe inspiring collection of diverse art – by the sea.

The Redondo Beach Historic Library is located at 309 Esplanade in Redondo Beach. Street and hourly pay lot parking both available.

  • Genie Davis; photos by Genie Davis

CA 101 2015

Photo by Jack Burke
Photo by Jack Burke

Friday night marked the opening reception of CA 101 2015, a fantastic exhibition at “The Industrial Cathedral” a.k.a. the AES Power Plant in Redondo Beach. From site specific installations to immersive 3D video to evocative photography, don’t miss this show, on view again next weekend, Friday 8/7 to Sunday 8/9.

A Comfortable Skin - Kristine Schomaker Photo by Jack Burke
A Comfortable Skin – Kristine Schomaker
Photo by Jack Burke

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Photos by Jack Burke
Photos by Jack Burke

This is the fourth year for what has become an annual exhibition including a wide variety of cutting edge visual artists from throughout California. Over 126 artists are exhibiting 157 works. It’s hard to say what’s most compelling here. There’s Mike Saijo’s brilliant immersive images, One and Three Parallax Views? Put on your 3D glasses and check it out. Explore Kristine Schomaker’s  kaleidoscopic mixed media Bloom, Cie Gumucio’s intense tributes to writers including her Shadows and Light Within spotlighting Emily Dickinson. Listen to the wild caw of peacocks emanating from the doorbell at Patty Grau’s “crime scene,” Peacock Blues.  Get dazzled by the raiment displayed by Diane Strack’s Vestament: Reflections on Religion. Yes, there are also stunning, LA-evocative paintings like Lena Moross’ Red Couch #1 and Scott A. Trimble’s Two More in the Bonding Sea. Photography as wide open as the desert it depicts in Cameron Mcintyre’s Out on the Flats. The semi-apocalyptic daydream that is Ariel Swartley’s Beach Town.

Lena Moross - Red Couch #1 - Photo by Jack Burke
Lena Moross – Red Couch #1 – Photo by Jack Burke

But truly, this isn’t about one or even several artists. This is a seminal collective exhibition. The space itself, with it’s surreal, industrial green heights creates an aura half-way between factory and submarine. The mix of art forms, from watercolor to sculpture is simply too good to miss.

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All photos by Jack Burke
All photos by Jack Burke

So what are you waiting for? Take off for a day at the beach coupled with great art, or ruminate on what you’ll see here with an after-art stroll on the sand. For once, driving to DTLA isn’t necessary to experience some of the finest art and artists California has to offer. One caveat: it’s not actually accessible from the 101. You’ll need to take the 405.

  • Genie Davis; Photos: Jack Burke

Meet the Artist: Kristine Schomaker

Artist Kristine Schomaker not only creates her own art, she supports other artists in the Los Angeles community through her company, Shoebox PR. Schomaker discusses the direction of her art and how she began her work as an artist and as an artist’s advocate.

Schomaker’s first art experience was as a child in grade school. “I used to draw my dad’s race cars and the F-15 planes that he worked on. In the 80’s I used to take the soda bottles that had foam labels, tear the labels off in one swirling shot and put it in the empty bottle. I would call it ‘pop art.’” In high school, Schomaker wanted to be an architect until in college she realized “I hated math, so architecture was out.” A painting class, art history class, and museum visits set Schomaker’s life as an artist. “Iwent to the Sam Francis retrospective at MOCA and the Yayoi Kusama exhibition at LACMA and I was blown away. After seeing the Sam Francis exhibition, I knew abstract expressionism was for me.”

Photo by Jack Burke

Schomaker began painting using a process of “pouring and dripping, mixing colors on the canvas and using my blow dryer as a tool to create the work,” a technique she continues today. When an aunt and uncle described the virtual world of Second Life, and how artists appeared in the world, showing real-world artwork, Schomaker joined up. “I created an Avatar, started a gallery, organized shows and started creating work using second life as another tool. Since then, I continue to paint, but I also use Second Life as another art tool where I focus on identity and body politics.” While the artist has sold many paintings, she finds “new media is more cutting edge for the contemporary art world. I’m learning to combine the two and I’m working on making full room installations using new media, painting and sculpture,” she notes.

The artist is based out of the Brewery Artist lofts on the eastern edge of DTLA. That location contributes to her work. “I grew up in the Antelope Valley in the high desert, so I didn’t have the opportunity to come down to the museums or galleries as much as I would have loved to. When I moved to the Brewery a few years ago, the world opened up. I could jump on the freeway and be virtually anywhere in a matter of minutes. The diverse artists, the amount of creativity and imagination, the inspirational studios and lofts – the community is very stimulating. The artists who live here range from architects to graphic designers, painters and sculptors, photographers and print makers, jewelers and fashion designers. I have an idea to make a full body suit in the likeness of my Avatar and I have already talked to one of my neighbors about working together on it. I ran out of titanium white paint one Easter when all of the art stores were closed. I posted on our Facebook group to see if anyone had some, and an artist had a quart from Nova Color that I bought from her. It was perfect. If I need another eye to look at my work, I can call friends here to come over and check it out.” In short, being a part of this loft community is an important aspect of Schomaker’s work and lifestyle.

But the artist is not one to stay at home. She recently transported sculptures on a “road trip” around Southern California and took photos of that journey. “My new media work has always been about bringing the virtual world to the physical world or blurring the line between the virtual and the physical worlds. In a solo show I had a couple years ago, for opening night I held a dinner party performance in which participants in the physical world sat down to eat with Avatars from Second Life. The Avatars were made up of people from all over the world. The painted mannequins are inspired by my Avatar in Second Life. In that virtual world, I used one of my paintings as a skin on my Avatar and it became a brand for me and my work. It was a natural progression to bring her into the real world. Painting a mannequin was the best way at the time to make it happen.”

Photo by Jack Burke

Schomaker has created five real world Avatars and has taken them on the road with her. “I call this project Avatar Simulacrum. My last trip was to San Diego and I am planning on taking them to San Francisco the end of the month. The Avatars are a stand-in for me. They are virtually my ‘ideal’ self. Since my work is about body image, self-acceptance and society’s perception of beauty, I will eventually have a mannequin made in my likeness to show that every body shape and size is beautiful.” Her art is very personal, particularly in regard to her Avatars. “They represent me and my body image issues. I have an eating disorder which in part originated because of these issues. I use my work to hopefully inspire people to accept themselves and others no matter what shape, size, race, or religion they may be.”

Along with her own art, Schomaker is unique in supporting other artists through her company Shoebox PR. “I’ve always been big on building art communities. I absolutely believe that we have to support each other in order to thrive in the art world. I was the social media manager and then the president of the Brewery Artwalk Association, and I’ve been able to support the artists who live here. It is so fulfilling to see my artists succeed. It is not only their success, but my own, because I know in a small way, I was able to help them get there. Art is all encompassing. Like literature, it tells a story and every artist has their own story. It’s fantastic to share those stories.”

See Schomaker’s work – and that of other artists – at the California 101 Exhibit opening July 31st in Redondo Beach

Photo by Jack Burke
Photo by Jack Burke