Dances with Films: 19 Years of Indie Cinema Keeps Rocking

 

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Above, director and stars of The Salton Sea.

DWF19 has – as Dances with Films does every year – presented a wide slate of films, some absolutely awe-inspiringly wonderful. The variety of narrative films, documentaries, shorts, music videos, and kids programming alone should make film-lovers flock to the festival, and the chance to see some truly transcendent cinema in the mix is something to really celebrate.

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This week screenings included The Salton Sea, director Veena Sud’s two-hander about an alcoholic wandering the desert (Jamie Anne Allman) and the hitchhiker (Diarra Kilpatrick) she reluctantly picks up after what may have been a hit and run.  As eerie and exotic as its setting, one which we are personally very familiar with, this unusual redemption story has an ending which surprises and resonates in a film that works both as visual poetry and narrative story telling.

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Allman had recently had a baby, and director Sud accommodated during the seven day, two-weekend shoot, providing an air-conditioned truck following behind the actresses to support Allman and her baby. “It was wonderful,” Allman attests, “I had the support of work with women who did not mind working with a new mom.”

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Sud describes the film as a “kind of f-d up My Dinner with Andre, a forced intimacy between the two women with a lot of dialog.” Shot on a Sony F-3 and budgeted at $70,000, the elegaic beauty of the film’s locations in Niland, Calipatria, and the sea itself was itself a third character. Sud chose her actors carefully. “I’ve watched Jamie Anne in The Shield, I cast her in The Killing, I knew I wanted her for this. Diana, I saw in the play The Interlopers, and I knew she was the one.”

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Singapore Sling writer/producer Neto DePaula Pimenta and director Marcus Sigrist with DP Ivan Rodrigues, above.

Singapore Sling is revelatory cinema. Writer/producer Neto DePaula Pimenta and director Marcus Sigrist assembled a stellar cast: Cinthya Hussey, Samuel de Assis, Angelica di Paula, and Neto DePaula Pimenta himself in a brilliant depiction of what happens when two former lovers reconnect – and bring along their current significant others. The Brazillian film is absolutely gorgeous, with DP Ivan Rodrigues crafting something exceptional in every scene. “It’s all about the integrity of style. We did long takes with the characters in perspectives, we used steadycam, mirrors bouncing into the house for light, no articifical lighting. I just had to figure it out and commit to it. It’s hard to shoot dialog heavy scenes, to decide what you are going to do with the camera. We had to figure out how the actors would walk and block their movements. Each day we’d block the next day’s shoot.”

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Pimenta adds “I got Ivan involved by the time Marcus and I had finished the script. it worked because he was a part of the movie, we’ve worked together for years and I knew it would not be static of theater-like.”

Almost unbelievable that this gorgeous and emotionally charged film was shot in just eight days for $15,000.

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“It started off with Marcus calling me and suggesting we make a movie with very little resources. We’ve known each other since 6th grade,” Pimenta says.

“Oiriginally, Neto wasn’t planning to be in the film, but we needed a fourth actor and he ended up playing Bruno,” Sigrist says.

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“I loved creating a film without a standard Hollywood ending,” Pimenta adds. “I’m a big admirer of films like The Graduate.” Don’t miss this film.

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Above, cast and crew of I Live For You.

I Live For You was originally going to be an entirely different film, according to this quirky, very dark comedy mystery’s director,  Monika Wesley. “We were originally going to be shooting a project called Great Barrington, a more standard mystery.” But her co-writer, Brandon Zinn, “got bored.”

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Instead they decided, according to Zinn, to make something “weird and twisted.”

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“We had no money,” Wesley attests, “we were just two people who wanted to make a movie. We pared it down, we shot for as minimal amount as we could, and spent a month just rehearsing. Casting was super important, just really important to have terrific, charming actors because we got a lot of notes that otherwise our characters were despicable.”

 

Both despicable and charming are Sean (Rob Hook) and Kate (Hannah Telle) as two people who meet through a complex plot involving a dead father, an unknown half brother, a suicide-wish, and so much more.  No spoilers here, but this LA set love story is kind of an anti-rom/com. Telle is a singer-songwriter as well as an actress, and her musical skills become instrinsic to the plot.  Taut and funny, the film’s unexpected twists and turns keeps both audience and its characters on their toes.

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Also viewed: Writer/Director Jake Hulse crafts the tale of two boyfriend friends who decide to the do the patriotic thing and enlist after 9/11 in Heroes Don’t Come Home. One goes, one stays, a strong bond remains between the conflicted heroes, primarily set in rural Maine.

More reviews of more – of course – exciting films and festival summary posting soon. See you at the movies!

 

 

 

 

Do You Like to Dance? Step on Out with Dances with Films

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Cast and crew of Valley of Ditches, above.

Dances with Films continues with strong line-ups every day through the 12th.

Two horror/suspense films, Shortwave and Valley of Ditches captured our attention over the weekend.

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Shortwave cast and crew above.

Shortwave made me scream and jump – the intense audio soundtrack, stunning camera moves, and sleek/modern contained interior setting brought chills and thrills.

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Director/writer Ryan Gregory Phillips was “inspired by creepy sounds coming from the TV, and then the script was written in three days. We really wanted to do something like Ex Machina with our location. We wanted to make the setting real, but we wanted our characters trapped in the modernism, to create a real aura of claustrophobia,” he says.

One technique used was vasoline on the camera lens and diopter. “It allowed us to keep with the negative space, and create isolation in our shots.”

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The New York state location is actually the director’s own home. “We built the lab in my garage in four days,” he relates.

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He says the biggest challenge in the film was “having our characters express their loss, deal with the loss of their daughter in a meaningful way.” The story revolves around the sudden abduction of the daughter of a research scientist and his wife, aliens seeking contact, mysterious sounds on the shortwave radio, and the intensity of loss. “There’s a prequel and a sequel we’ve talked about,” Phillips says. “If this does well, you’ll see something even more screwed up than what was on screen this time.”

Juanita Ringeling as Isabel, the mom living with her loss day by day, gives an especially intense performance.

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Cast and crew of Valley of Ditches, above.

Valley of Ditches served up a leaner take on horror than Shortwave, but an incredibly effective and beautifully intense one. Set in the desert of Joshua Tree, a girl and her boyfriend are abducted from their van, the boyfriend killed, the girl left for dead by the Bible-quoting madman who kidnapped her.

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“Our logline,” director Christopher James Lang explains, “is a woman is left for dead and struggles to keep her sanity in a dark but accessible horror film. It’s an intensely personal struggle. We were trying to make a horror thriller that’s very accessible to general audiences.”

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He and writer/star Amanda Todisco have succeeded, shooting over ten days using C300 digital. “It took us a year to edit. The film is having its world premiere at Dances with Films.”

Currently in talks with agents and distributors, the director should see good things ahead for this chilling, nail-biting film with a great third act twist.

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“The project came about when Amanda and I were touring with our first feature, Our life in Make Believe, which is basically an uplifting road movie,” Lang states.  “We decided that working together, looking for something darker would have more impact.”

The two worked on the script together, with Lang passing his outline to Todisco.

She says “People told us that with no-name leads it would be easier to sell horror. So James did the outline, the story line, and sent it to me. I added all the weird religious stuff. I wanted to give Sean, the murderer, a reason for what he did. We found a great quote from Kings 2 in the Bible, and built our idea around that.”

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While shooting in the desert presented it’s challenges according to cinematographer Jack Yan Chen, who stabbed his hand on a cactus, the setting “shaped the performances. Dealing with the elements was a great challenge, but the desert itself was really another character.”

“It was an amazing setting,” Lang adds.

Pacing and editing are intensely perfect; this is a simply terrific film that will have you looking over your shoulder all the way home.

Don’t have Dances with Films tickets yet? Get them now!

 

Dances with Films: The Ultimate Indie Film Festival

Festival Screen with TCL

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Dances with Films dances with pure delight. If you have to pick one film festival to attend, pick this one. Indie films you won’t see anywhere else, some as perfectly honed and crafted as anything you’d see in the multi-plex – except more interesting; others showing a more home-made vibe. But every one worthy of watching.

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I’m a veteran of Sundance, the Los Angeles Film Festival, and AFI – and I had no idea what to expect out of Dances with Films. What I got was an eclectic, lovingly curated explosion of cinematic story-telling from shorts to features, screened over eleven days. Founded eighteen years ago by filmmakers Leslee Scallon and Michael Trent, the festival more than lives up to its goals of being a prime source of great talent.

Held late May through early June at the TCL Chinese Theaters in Hollywood, there were a lot of standouts in the 2015 selections.

Cast and Crew of Echo Lake
Cast and Crew of Echo Lake

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Echo Lake, written and directed by Jody McVeigh-Schultz, is a poignant, taut coming-of-age-late and getting in touch with your demons story about a 30-year-old functioning alcoholic, an inherited cabin, and a lost – and found – dog. It’s a vibrant, heart-filling film with a lot of laughs in with the darkness.

Strangers love in Fools
Strangers love in Fools

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Benjamin Meyer’s Fools is a chance meeting love story set in Chicago about two strangers who randomly come together, live together, and fall in love. Witty, sharp, both romantic and decidedly unromantic, this is a relationship story that takes you along for the ride.

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In Stereo is all about relationships - and relationships in New York
In Stereo is all about relationships – and relationships in New York

Mel Rodriguez III is the force behind In Stereo, the tale of David and Brenda, who may or may not be perfect for each other, even after they rekindle a past romance. This very New York tale dissects the human condition and gets under your skin the way the main characters get under each others.

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Superior acting makes the film Superior a mighty coming-of-age treat
Superior acting makes the film Superior a mighty coming-of-age treat

Edd Benda’s 1969-set Superior takes a 1,300 mile bike ride around Lake Superior, two best friends, and the looming shadow of the Vietnam War, and blends them seamlessly into a moving comedy drama about hard choices and true friendship.

Lots of laughs and screams in Bad Exorcist
Lots of laughs and screams in Bad Exorcist

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Bad Exorcists, filmmaker Kyle Steinbach’s horror comedy about awkward teens making a horror movie and igniting their lead actress’ own possession, is fresh, funny, and scary, too.

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Powerful film-making for Wildlike
Powerful film-making for Wildlike

If I had to pick one film as a favorite, it would be the astonishing Wildlike, an unlikely and breathtaking drama about a troubled teen’s escape from an abusive uncle, her survival in the Alaskan wilderness, and her moving friendship with a recent widower. Frank Hall Green has written and directed a simply stunning film – see it in theaters and VOD this October. Star Ella Purnell is poised to be a breakout.

Barn Wedding was a do-it-yourself affair
Barn Wedding was a do-it-yourself affair

Also viewed: infidelity and a home-made, Pinterest-style wedding cross paths in the comedy-drama Barn Wedding; an estranged brother and sister must solve their deceased father’s annual treasure hunt to receive their inheritance in The Last Treasure HuntLola’s Last Letter is a compelling micro-budgeted tale of an ex-con’s confessions on camera; Kathleen Behun’s 21 Days is the length of a nail-biting, scream-inducing paranormal challenge to stay closed in a haunted house.

Micro-budget meets multi-talents in Lola's Last Letter
Micro-budget meets multi-talents in Lola’s Last Letter

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Janet Jackson lends her support to writer/director Kathleen Behun's chilling supernatural 21 Days
La Toya Jackson lends her support to writer/director Kathleen Behun’s chilling supernatural 21 Days
Festival Shorts captivated
Festival Shorts captivated

The shorts program was equally compelling, with standouts including Madam Black, the surprisingly sweet and funny tale of a dead cat and true love; The Girl in the Green Dress, a Stepford-wives-esque tale of repressed feminism and sexual liberation; the buzzy Shevenge, directed by Buffy the Vampire Slayer‘s Amber Bensen, a short but hilarious comedy about women’s revenge on their men; and Selling Rosario, detailing the hard choices made by a family of migrant workers and their faith in a brighter future for their daughter.

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Look for these films and these filmmakers; and get ready to dance with films yourself in 2016.

  • Genie Davis; all photos Jack Burke (copyright Jack Burke)