The Art of Walking: Fall Brewery Art Walk

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Paintings by Kristine Schomaker – contemporary mixed media-  Photo: Jack Burke

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MLA Gallery at Brewery Art Walk – a focus on fine art from Latin America – Photo by Jack Burke

Just east of downtown Los Angeles is the Brewery Art Complex, created in 1982 in what was once the Pabst Blue Ribbon Brewery. Hoist a glass in honor of the artist-in-residence code which allowed artists to rent both living and working space in buildings formerly zoned industrial. Renting only to artists, the Brewery is among the world’s largest complexes. The public gets to explore the sprawling spot and enjoy the opened studios of many artist residences twice a year – in spring and fall.

There’s a real steam punk feel to the cavernous space, where the Brewery smoke stack still towers over loading docks and gardens. The complex has evolved into eighteen acres of working artists perched in the northeast corner of the city. Not only is the area huge, so is it’s creative scope – painters, sculptors, photographers, performance artists, multi-media creators, and fashion designers all reside here.

Why should you visit? To experience the diversity and excitement of the art. Over a hundred residents participate, speaking with browsers and buyers about their work. Like no other art walk, the Brewery gives strollers a glimpse into what it means to be an artist, and the space the artists create in, eat, sleep, and dream in. And as an extra bonus, many beautiful, unique pieces are available for purchase, some well under $100. From plastic purses showcasing colorful neon strands to enormous paper mache drumsticks, perfectly crafted landscapes, textured portraits, and brilliant contemporary photography, there’s a wide range of talent.

This fall’s art walk took place Oct. 3rd and 4th. Each year, we have the pleasure of meeting new and unique artists, and visiting with those whose work we’ve come to admire. Here’s a mix of some of the works on view this fall – artists you should definitely check out when the spring open house commences, or visit their websites, follow their Twitter feeds, see their shows now.

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Kati V. Milano‘s archival pigment prints capture natural elements both animal and mineral from a recent trek to Iceland. Her photography has a visceral, tangible quality that makes you feel the rough wool on the sheep, the delicate trajectory of a feather, the sharp edges of ice and stone.

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In shared studio space with Milano, artist Ryan McIntosh exhibited his photos from the same recent Icelandic trip. Voluptuous ocean waves with the texture of lace, velvet, and satin are alive with motion in pieces such as “Ocean Variants 2014.” McIntosh is also the founder and master-printer of Miscellaneous Press.

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Jane Szabo‘s photographs of dresses are beautifully evocative. The dresses themselves are crafted by Szabo from everyday objects like road maps and coffee filters. “They suggest a persona and become a stand-in for myself, who I am, am not, and who I wish to be.” Her conceptual photography is alive with light, filled with metaphor, playful in its mix of fashion, photography, and the human form as sculpture. Szabo’s photographic work is both vividly representational and otherworldly.

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Victoria Sebanz is an artist who creates exciting mixed media including evocative, poetic photography – images that evoke another of her art forms: dance. The motion of dance, the subtle and curved shapes that are human forms, flowers, neon curves, the limbs of trees, the torsos of women – all captured in her work. Sebanz says “Movement, texture, shape and shadow are the bones for my work…”

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Kristine Schomaker‘s rainbow colors draw the eye, while the provocative social commentary of her collections engage the mind and illuminate the heart. Below, “A Young Girl’s Vanity.”

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Schomaker not only creates her own art, she supports other artists in the Los Angeles community through her company, Shoebox PR.

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“The painted mannequins are inspired by my Avatar in Second Life. In that virtual world, I used one of my paintings as a skin on my Avatar and it became a brand for me and my work. It was a natural progression to bring her into the real world. Painting a mannequin was the best way at the time to make it happen,” Schomaker says.

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Some of Schomaker’s paintings evoke calligraphy. Below: geometric shapes, feathered patterns, and a richness that evokes flight and music notes – a peacock in a painting.

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Below, artist Yvonne Beatty with a beautiful fall-colors piece, that is both realistic and as imaginative and detailed as a fairy-tale. “In my drawings and paintings I apply traditional and contemporary media using unconventional techniques. The challenge is to create works that, while static, gain movement in the viewer’s mind.”

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Below, Cynthia Friedlob once incarnated art aurally as a jazz singer. You can feel the jazzy rhythm in her pieces here. Her works are both brilliantly hued and meditative, and she says she would like to live in an Edward Hopper painting “with Bill Evans music playing softly in the background.”

 

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Below, Chuka Susan Chesney exhibits at FRESH, a contemporary art exhibition at Lamperouge Gallery, jurored by Jane Szabo, and assembled by the Pasadena Society of Artists. Chesney’s piece “Sister Cancer” proclaims that the disease will not defeat when smothered with love.

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Fine art photographer Lissa Hahn, below.

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Hahn’s images are created with no digital manipulation. The electric feel of her photography unfolds like a spin-art take on the world. She captures her subjects with one exposure, stretching out depth and colors into a complex visual pattern that illuminates and intrigues. Below, she shows off a beautiful creation of an entirely different nature.

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Below, artist Chenhung Chen, with pieces in a variety of different media.

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Chen focuses her art on the formation of line in drawings, sculptures, and 3D installations. Regardless of medium, her pieces are vibrating with motion, whether wire and metal sculptures, pristine line drawings, or hand-crocheted copper wire. Her work evokes the sea, the ceaseless rhythm of water, air, and life itself.

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Chen’s work exudes motion and life. Can inanimate objects be this animate?

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Want to walk for yourself? The Brewery art walk will be back in full bloom, come spring.

  • Genie Davis; all photos by Jack Burke

Magical Night at Gallery H of Phantom Galleries: “Where the Magic Happens”

Curated by Kristine Schomaker, the incredible collection of art on display at Gallery H of Phantom Galleries in Hawthorne was ablaze with magic Saturday night. The opening saw many of the 30-plus artists present.

Kristine Schomaker, left; Dwora Fried right
Kristine Schomaker, left; Dwora Fried right – Photos: Jack Burke

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Margaret Ouchida

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Works by Susan Melly

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Margaret Ouchida presents detailed, intimate pieces in “The Battle” and “T’ode to Klimt.”

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The exhibition’s theme, of getting out of one’s comfort zone to that special place where magic can indeed occur – or zen, or power, or enlightenment, however you want to look at it – was fully realized in virtually every piece. This group show has the feeling of celebration, and both in terms of the art created and the means by which it was created and displayed, the feeling was genuine. The exhibit included a wide variety of contemporary Los Angeles artists who go beyond conventional artistic boundaries  – the standard gallery system – to establish a vibrant presence in the art community. Presented by Schomaker’s company, Shoebox PR, the artists and their art have created an exciting body of work, and are each showing that work in independent, outside-the-system ways from artist-run galleries to online magazines like this .

From beautifully detailed small scale dioramas to large scale canvases and sculptures crafted from found-materials, there’s something for everyone in this exhibit. Perhaps its the freshness of approach or the freshness of the “we can do it” attitude by these artists, but this is a special show that unfolds the passion of art like the petals of a Georgia O’Keeffe flower.

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Terry Arena’s graphite on mixed media piece.

Artists exhibiting include:

Susan Amorde, Terry Arena, JT Burke, Jennifer Celio, Chenhung Chen, Jeanne Dunn, Dwora Fried, Rob Grad, Carlos Grasso, Cie Gumucio, Carla Jay Harris, Teale Hatheway, Cindy Jackson, Echo Lew, Erika Lizée, Susan Lizotte, Dave Lovejoy, Susan Melly, Freyda Miller, Mike M. Mollett, Andrea Monroe, Stacey Moore, Malka Nedivi, Margaret Ouchida, Lori Pond, Linda Sue Price, Lindsey Price, Isabella Kelly-Ramirez, Katherine Rohrbacher, Jane Szabo, Christine Weir

Here’s a closer look at some of the stellar pieces on display.

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Cindy Jackson’s “7 Deadly Sins” are crafted from wood, aluminum, urethane, paint, iPods, and fluorescent lights. And with these materials come seven heads, all the same but painted in a rainbow spectrum. “Because these sins are in each of us, the heads are all the same, with pride standing tall above the rest – anger, lust, greed, pride, envy – envy is always looking elsewhere, gluttony, and sloth,” Jackson says.

 

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Suzanne Lizotte blends the classical and contemporary, using aerosol spray and traditional oil-on-canvas painting in her rich “Seeking Treasure.”

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Mixed media artist Lindsey Price is a photographer with a vision, here “A Clockwork Orange” offers a stunning digital photo montage.

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Andrea Monroe’s stylized “The Harlot” and “The Oiran and Her Pussy” use acrylic on canvas to create full dimensional figures that pulse with life.

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Cie Gumicio’s “Fragile” uses mint glass and light to create a wispy, beautiful vision of the planet earth. “It reflects where we are now with our fragility as a planet,” she says. This delicate image shapes not just a planet but the construction of a leaf-like image when viewed from a certain angle – mother nature meets mother earth in a shadow box. “Art, at its best, reminds us that we are human,”  Gumucio says.

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Dancingly nuanced neon is served up by Linda Sue Price with her pieces “Joy Ride” and “Cynthia Rose.”

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Jennifer Cielo’s “Astral Travelers” is an example of the artist’s work which “expresses the effects of human disconnection with the natural world.”

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Malka Nedivi’s large scale “Woman in a Box,” evokes her singular style using wood with paper, fabric, acrylic, and glue to create an image of poignant beauty. A painter, sculptor, and collage artist, Nedivi says that all of her work is inspired by her mother, and both her parents’ previously unknown past as Holocaust survivors.

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Katherine Rohrbacher’s glittering canvasses “Early One Morning” and “Arcadia” are bright, sparkling, and brilliantly moving all at once. “I  draw everything on like a pattern, then comes the glue, and glittle applied with a paint brush. With only a few colors did I have to put paint beneath the glitter itself.” Her “Arcadia” relates the passing of her cat. “She’s entering a glittery cat Heaven,” the artist explains. “Early One Morning signifies the ending of a relationship, but also the passing of a small bird found on a balcony.”

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Chenhung Chen continues to amaze with her ever evolving art, crocheted copper with its amoeba like, sinuous shapes, a viewer-participation piece “Connect the Dots” that allows guests to literally do that with colored pencils, and free standing wire sculptures. Her works are fluid, like electronically charged water. Delicate and ephemeral are not often the words associated with recycled materials such as copper wires and components, but Chen’s work provides both. She describes her work as being “about the driving force for inner fulfilment, balance, meditative process…and experiencing the inner power.”

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Erika Lizee’s curved and haunting hanging piece is an example of the artist’s propensity to create installations that work as journeys, drawing the viewer down mysterious paths on a pursuit of nature and rebirth.

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Mike M. Mollett is the sculptor of large scale pieces created from found art, shaped into balls and bundles. His work provides an outside-in look into a different reality, in which balls and bundles of wires appear animate, hold secrets within secrets.

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Dwora Fried creates miniature tableaux, using tiny figures and photographs to create detailed worlds inside glass-topped wood boxes. “I keep re-creating the feeling of what it was like growing up,” the artist says, “the box captures the claustrophobic feeling a painting can’t,” she says.

With so many other artists to admire, grab a hold of the magic now. The show rums through October 17th. Gallery H is located at 12619 Hawthorne Blvd. in Hawthorne.

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  • Genie Davis; all photos Jack Burke

CA 101 2015

Photo by Jack Burke
Photo by Jack Burke

Friday night marked the opening reception of CA 101 2015, a fantastic exhibition at “The Industrial Cathedral” a.k.a. the AES Power Plant in Redondo Beach. From site specific installations to immersive 3D video to evocative photography, don’t miss this show, on view again next weekend, Friday 8/7 to Sunday 8/9.

A Comfortable Skin - Kristine Schomaker Photo by Jack Burke
A Comfortable Skin – Kristine Schomaker
Photo by Jack Burke

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Photos by Jack Burke
Photos by Jack Burke

This is the fourth year for what has become an annual exhibition including a wide variety of cutting edge visual artists from throughout California. Over 126 artists are exhibiting 157 works. It’s hard to say what’s most compelling here. There’s Mike Saijo’s brilliant immersive images, One and Three Parallax Views? Put on your 3D glasses and check it out. Explore Kristine Schomaker’s  kaleidoscopic mixed media Bloom, Cie Gumucio’s intense tributes to writers including her Shadows and Light Within spotlighting Emily Dickinson. Listen to the wild caw of peacocks emanating from the doorbell at Patty Grau’s “crime scene,” Peacock Blues.  Get dazzled by the raiment displayed by Diane Strack’s Vestament: Reflections on Religion. Yes, there are also stunning, LA-evocative paintings like Lena Moross’ Red Couch #1 and Scott A. Trimble’s Two More in the Bonding Sea. Photography as wide open as the desert it depicts in Cameron Mcintyre’s Out on the Flats. The semi-apocalyptic daydream that is Ariel Swartley’s Beach Town.

Lena Moross - Red Couch #1 - Photo by Jack Burke
Lena Moross – Red Couch #1 – Photo by Jack Burke

But truly, this isn’t about one or even several artists. This is a seminal collective exhibition. The space itself, with it’s surreal, industrial green heights creates an aura half-way between factory and submarine. The mix of art forms, from watercolor to sculpture is simply too good to miss.

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All photos by Jack Burke
All photos by Jack Burke

So what are you waiting for? Take off for a day at the beach coupled with great art, or ruminate on what you’ll see here with an after-art stroll on the sand. For once, driving to DTLA isn’t necessary to experience some of the finest art and artists California has to offer. One caveat: it’s not actually accessible from the 101. You’ll need to take the 405.

  • Genie Davis; Photos: Jack Burke

Meet the Artist: Kristine Schomaker

Artist Kristine Schomaker not only creates her own art, she supports other artists in the Los Angeles community through her company, Shoebox PR. Schomaker discusses the direction of her art and how she began her work as an artist and as an artist’s advocate.

Schomaker’s first art experience was as a child in grade school. “I used to draw my dad’s race cars and the F-15 planes that he worked on. In the 80’s I used to take the soda bottles that had foam labels, tear the labels off in one swirling shot and put it in the empty bottle. I would call it ‘pop art.’” In high school, Schomaker wanted to be an architect until in college she realized “I hated math, so architecture was out.” A painting class, art history class, and museum visits set Schomaker’s life as an artist. “Iwent to the Sam Francis retrospective at MOCA and the Yayoi Kusama exhibition at LACMA and I was blown away. After seeing the Sam Francis exhibition, I knew abstract expressionism was for me.”

Photo by Jack Burke

Schomaker began painting using a process of “pouring and dripping, mixing colors on the canvas and using my blow dryer as a tool to create the work,” a technique she continues today. When an aunt and uncle described the virtual world of Second Life, and how artists appeared in the world, showing real-world artwork, Schomaker joined up. “I created an Avatar, started a gallery, organized shows and started creating work using second life as another tool. Since then, I continue to paint, but I also use Second Life as another art tool where I focus on identity and body politics.” While the artist has sold many paintings, she finds “new media is more cutting edge for the contemporary art world. I’m learning to combine the two and I’m working on making full room installations using new media, painting and sculpture,” she notes.

The artist is based out of the Brewery Artist lofts on the eastern edge of DTLA. That location contributes to her work. “I grew up in the Antelope Valley in the high desert, so I didn’t have the opportunity to come down to the museums or galleries as much as I would have loved to. When I moved to the Brewery a few years ago, the world opened up. I could jump on the freeway and be virtually anywhere in a matter of minutes. The diverse artists, the amount of creativity and imagination, the inspirational studios and lofts – the community is very stimulating. The artists who live here range from architects to graphic designers, painters and sculptors, photographers and print makers, jewelers and fashion designers. I have an idea to make a full body suit in the likeness of my Avatar and I have already talked to one of my neighbors about working together on it. I ran out of titanium white paint one Easter when all of the art stores were closed. I posted on our Facebook group to see if anyone had some, and an artist had a quart from Nova Color that I bought from her. It was perfect. If I need another eye to look at my work, I can call friends here to come over and check it out.” In short, being a part of this loft community is an important aspect of Schomaker’s work and lifestyle.

But the artist is not one to stay at home. She recently transported sculptures on a “road trip” around Southern California and took photos of that journey. “My new media work has always been about bringing the virtual world to the physical world or blurring the line between the virtual and the physical worlds. In a solo show I had a couple years ago, for opening night I held a dinner party performance in which participants in the physical world sat down to eat with Avatars from Second Life. The Avatars were made up of people from all over the world. The painted mannequins are inspired by my Avatar in Second Life. In that virtual world, I used one of my paintings as a skin on my Avatar and it became a brand for me and my work. It was a natural progression to bring her into the real world. Painting a mannequin was the best way at the time to make it happen.”

Photo by Jack Burke

Schomaker has created five real world Avatars and has taken them on the road with her. “I call this project Avatar Simulacrum. My last trip was to San Diego and I am planning on taking them to San Francisco the end of the month. The Avatars are a stand-in for me. They are virtually my ‘ideal’ self. Since my work is about body image, self-acceptance and society’s perception of beauty, I will eventually have a mannequin made in my likeness to show that every body shape and size is beautiful.” Her art is very personal, particularly in regard to her Avatars. “They represent me and my body image issues. I have an eating disorder which in part originated because of these issues. I use my work to hopefully inspire people to accept themselves and others no matter what shape, size, race, or religion they may be.”

Along with her own art, Schomaker is unique in supporting other artists through her company Shoebox PR. “I’ve always been big on building art communities. I absolutely believe that we have to support each other in order to thrive in the art world. I was the social media manager and then the president of the Brewery Artwalk Association, and I’ve been able to support the artists who live here. It is so fulfilling to see my artists succeed. It is not only their success, but my own, because I know in a small way, I was able to help them get there. Art is all encompassing. Like literature, it tells a story and every artist has their own story. It’s fantastic to share those stories.”

See Schomaker’s work – and that of other artists – at the California 101 Exhibit opening July 31st in Redondo Beach

Photo by Jack Burke
Photo by Jack Burke