Formulae & Fairy Tales: Sublime Dance from Invertigo Dance Theatre

Formulae_FairyTales 1 - credit Joe Lambie

When one looks at the word sublime in the dictionary – assuming we still look at dictionaries, of course – an illustration of the work of Invertigo Dance Theatre should accompany it.

Now at The Eli and Edythe Broad Stage in Santa Monica for one more night, September 14th only at 7:30 pm., Formulae & Fairy Tales tells the heartbreaking story of the life of Alan Turing, the mathematical genius and World War II codebreaker.

Using the ideas and images from his favorite film, Disney’s Snow White and the Seven Dwarfs, the brilliant choreography of Laura Karlin, Invertigo Dance Theatre’s Founding Artistic Director, creates a dream-like, fascinating world of mathematics, artificial intelligence, and cryptography that is also a love story, and a tale that expresses great loneliness and injury.

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Making strong use of the troupe’s floor-based dance movement and sinuous contemporary style, Formulae & Fairy Tales was one of 20 nationwide works selected for a prestigious New England Foundation for the Arts’ National Dance Project production grant. 

Invertigo will continue to tour Formulae & Fairy Tales during the 2020-21 season, starting with a performance at the University of Florida Performing Arts’ Phillips Center on February 5, 2020. Seriously, if you miss it in LA, it’s worth a plane ticket. 

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For those unfamiliar with the story of Alan Turing, considered the father of artificial intelligence and the computer, this genius of  a computer scientist, mathematician, logician, cryptanalyst, philosopher, and theoretical biologist basically broke German code and turned the tide of World War II. Despite this heroic victory, following the war, he was cruelly persecuted for being homosexual, convicted of “gross indecency” by the country he helped save, and in 1954, he died by eating an apple laced with cyanide, a desperate act that was likely inspired by Snow White. 

Karlin describes the dance performance as “a rejection of tragedy in favor of hope, redemption, and an implacable desire that our world be better for the people living in it,” which not only sums up Turing’s life and Karlin’s telling of his story, but also the troup’s truly give-back philosophy, with its Dancing through Parkinson’s program and various school programs.  And it just might sum up the palpable joy that vibrates through this Invertigo performance and those we’ve had the pleasure of seeing in the past.

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During the show, much witty, trenchant, and loving use is made of Turing’s love for Snow White and the Seven Dwarfs, the first animated feature to be produced in English and in Technicolor©. The muse of fractured film images as well as numbers, letters, and binary code is projected behind the dancers as they leap, writhe, soar, and collapse onto the stage. 

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Karlin has managed to embody Turing’s creativity, his mathematical world, his hidden meanings, his secret love life. Throughout the 80 minute performance, the dancers’ movements often play on computational systems, on the known and unknown.

The end result is both magical and precise, story telling crafted from motion. And that motion often  mirrors the decoding of classified information in that dancers and viewers alike are bound to the mystery and resolution.

Karlin created the choreography in collaboration with the dancers: Cody Brunelle-Potter, Hyosun Choi, Jessica Dunn, Spencer Jensen, Corina Kinnear, Dominique McDougal, and Luke Dakota Zender. Composers Toby Karlin, Julia Kent, and Eric Mason’s music are also featured in the piece.

Karlin was compelled to create the work after hearing an NPR broadcast about Janna Levin’s book on Turing,  A Madman Dreams of Turing Machines;  the end result is both a beautiful tribute to Turing and a fresh representation of Levin’s fascinating material. Unlike the rather staid film about Turing’s life released in 2016, The Immitation Game, Karlin’s work gets into the heart, soul, and sensuous bones of her subject.

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The joy, defiance, and anguish in a final dance featuring Turing and his lover, meeting not lip to lip but with an apple clenched in their teeth between them, is absolutely brilliant. Like the production itself, this is an incredible, richly memorable moment in dance.

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When Karlin joined the dancers tonight for a final bow, the company received a well-deserved standing ovation.

 

Tickets are now on sale at www.thebroadstage.org or by calling 310.434.3200.

The Eli & Edythe Broad Stage is located at 1310 11th St. Santa Monica CA 90401. Parking is free.

  • Genie Davis; photos: Joe Lambie, George Simian – provided courtesy of Invertigo Dance Theatre

 

Invertigo Dance Theater: Reeling

Reeling - Invertigo Dance Theatre - Photo and all photos by Jack Burke
Reeling is dance theater at it’s finest. Inventive, sensual, hilarious, and interactive, you just plain haven’t seen this before. Missed it at the Moss Theater in Santa Monica? Then head to San Diego this weekend October 17-18 to see it at White Box in San Diego, or the weekend of Nov. 7-8 in Santa Barbara.
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Choreographed and directed by artistic director Laura Karlin, the intense 70-minute  Invertigo Dance Theatre production is entirely unique.
Choreographer and director Laura Karlin
According to Karlin: “The show is set in a dive bar, and  is inspired by the double meaning of the word reeling:  first, to be off-kilter from drinking, getting punched, falling in love at first sight,  and second, to try to pull someone into you, which is why a lot of people go to bars.  I like multiple meanings, different angles to a story and whimsical imagery,” she says. “Underneath all of my work, the deepest inspiration is human connection.  The dive bar is a great context in which to see characters interact with the underlying, driving desire to connect.”

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Featuring eight stellar dancers, the piece shows them literally fishing for partners with rod and reel, flirting, texting, fighting, falling in love, diving off the bar. As Karlin says “These are recognizable stories, but always with a twist. The dancers never leave the stage once they enter, because the whole show takes place over the course of one evening in the bar.  This show is the equivalent of a television “bottle episode.”  Which of course plays into my love of word play, because. . . bar!  bottle!”
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The dancers are onstage, in character the entire performance, which, Karlin notes, requires a huge amount of stamina.
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According to Karlin, Invertigo’s philosophy is that dance should be compelling, thought-provoking, fun and accessible. “I believe in beautiful, highly kinetic movement, bold theatricality, and striking imagery.  I want to tell stories that matter, to crack open different subjects and examine them from many different angles.  I want people who have never watched a dance show before to be able to connect with what we’re doing, even as people who are ‘dance aficionados’ find many layers as well.”
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Invertigo does more than provide stunning performances. “We bring the same philosophy to our engagement programs: Invert/ED youth education and Dancing Through Parkinson’s.  We believe in empowering people through the creative process and the idea that dance is for everybody and every body,” Karlin stresses.
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A piece this demanding might seem difficult to cast, but Karlin demurs. “I have worked with 7 of the 8 dancers before, and our the newest member Jonathan Bryant, integrated seamlessly into the company.  It feels like he’s worked with us for years already.  Invertigo holds auditions when we need new company members, and we have a fairly low turn-over rate.  I look for dancers with gorgeous technique, intriguing originality, creativity, and a kindness and generosity to their manner.  As a choreographer, I work so collaboratively, and we need people in the room who are excited to be a part of that and who will support one another in the creative process.”
Go, go, go – to see Invertigo.