Faces from the Southern Ocean & Shackleton’s Hut – J.J. L’Heureux at MOAH Cedar

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Now at MOAH Cedar in Lancaster through February 9th, artist J.J. L’Heureux’s Faces from the Southern Ocean & Shackleton’s Hut Series offers an insightful and moving look at the Antarctic landscape.

Weddell Seal Pup

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L’Heureux is a visionary photographer, providing a rich documentary of people and places unique to many viewers.  This doesn’t mean the artist doesn’t work in other mediums as well, such as paintings and collages with real depth and a lush beauty of their own, but it is with her photographic work that viewers may feel the most immersed in a visual world previously unseen. Nor is L’Heureux focused solely on distant and exotic locales, among her recent works are dreamy images of the community around her Venice Beach studio, as well.

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But at MOAH Cedar, the artist exhibits her spirit of adventure and her naturalist sense of wonder. She made her first trip to Antarctica in 2000, and has returned every year since, building a vast body of work that includes digital images of close-ups of albatross and penguins, expansive and awe-inspiring photographs of the Ross Ice Shelf, and poignant looks at late explorer Sir Ernest Shackleton’s hut at Cape Royds.

Emperor Penguins

From penguins to people, L’Heureux captures a world we may have little acess to explore on our own; bringing a visceral and thrilling experience home to Southern California. A seasoned traveller, accostumed to harsh conditions and the miricle of magic moments with sea life and surreal scenery, her work has been included in hundreds of both national and international exhibitions. 

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She has 3 solo exhibitions over the next 2 months and is currently participating in several group shows as well.  Faces from the Southern Ocean & Shackleton Hut Series will be appearing at the Discovery Museum, Bridgeport, Conneticut and at  Jiaotong University, Shanghai, China, and the Mayborn Museum, Baylor University, in Waco, Texas. Catch it here at MOAH, and prepare to be awed. 

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  • Genie Davis; photos provided by the artist and Genie Davis

Continuum is Just Getting Started: Monica Wyatt at MOAH Opens this Weekend

When Shadows Chase the Light (detail) _ Wyatt

Artist Monica Wyatt’s Continuum is a beautiful, dream-like show opening at MOAH: Cedar this Saturday. The exhibition, which runs through March 3rd, was curated by Jill Moniz. Wyatt calls Moniz an inspiring collaborator; much of the work here has been created specifically for the installation or never before exhibited.

“Jill encouraged me to be expansive and bold in my creating, all the while furthering the visual dialogue about lifecycles, sustainability, new beginnings,” Wyatt asserts. “Continuum is definitely an outgrowth of my previous work. One of the three spaces I’m using at MOAH: Cedar contains my first big site-specific installation.  I knew I wanted to push myself to work large scale and the making of this installation, called When Shadows Chase the Light ,was both thrilling and terrifying.  I’ve been creating it in segments over the last five months and never saw it as a whole until yesterday.  And it took seven of us to install,” she exclaims.

WHEN SHADOWS CHASE THE LIGHT (detail 2) _ Wyatt

When Shadows Chase the Light contains 4000 acrylic globes, 10,000 nylon hairnets, 23 industrial light lenses, fishing wire and lighting, all manmade materials that “look like a huge and mesmerizing organic, biomorphic form,” according to Wyatt. “By using synthetic materials to represent the organic, I’m trying to represent the increasingly complex interconnections that bind people to nature and technology.”

Moniz calls Wyatt “an artistic alchemist, collecting materials and turning them into precious objects. In this process, she fuses the history of disparate materials to create new beginnings, representing the cyclic nature of all things.”

Terming Continuum Wyatt’s three-dimensional expression of love, death and creativity, Moniz notes that Wyatt pursues themes and compositions that  encompass her passion for her materials and the ways in which she infuses them with life and meaning.

Reworking materials, disassembling, and reimagining them, Wyatt uses both organic and manmade materials, creating a unique vision that connects man and nature.

VALENTINE'S DAY _ Wyatt

“A couple years ago, I made a series of wood and rock assemblages called San Andreas Variations. With the indispensable help of Ron Therrio, I created five larger scale wood and granite rock sculptures that I’ll be unveiling, too,” Wyatt attests. 

She adds “A lot of my newer work has become more sculptural, no longer rooted in a box. Working towards this show has given me the space and mindset to play more purposefully with volume and large scale composition.  It’s not so much exploring the history of the objects in a different way, but visually expanding on themes that interest me such as the daily markers of family, nature, and life cycles.” Inspired by her father, a physicist-inventor, Wyatt strives to bring her imagination to life, reshaping different materials to create a piece with its own fresh identity.

“I’m using organ and piano pieces, marbles, beads, nails, wire, crystal orbs, acrylic globes, nylon hairnets, wood, and so much more.  I’m also transforming tens of thousands of capacitors into sculpture.  I’ve never worked before this show with acrylic globes and nylon hairnets, so that’s been an engrossing and fascinating challenge.”

HEAVIER THAN AIR (detail) _ Wyatt

Wyatt says “My assemblage is embedded with not only the histories of the materials, but also my own stories, and those of the viewer. I think my love for materials is the poetic element that’s apparent in my work. When the fragments and small bits come together as a seamless whole, there’s a sort of magic that happens and the piece becomes something more than the sum of its parts.”

Wyatt has a background as an English major, and her love of words is especially evident in the title of her works. “I never title a piece until it’s finished and really labor over finding a title that works.  And if I don’t mess it up too badly, a poetic object is matched with a fitting title.”

Falling Water _Wyatt

As to the title of the exhibition, Continuum is a perfect fit: according to the Cambridge dictionary, it is something that changes gradually in character or in slight stages without clear points of division. For Wyatt, mere objects become something magical, even mythical — art.

  • Genie Davis; photos provided by the artist

 

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