Bergamot Station in Santa Monica is presently hosting two incredible exhibitions – both on exhibit until early November.
At bG Gallery, Gay Summer Rick’s glorious color palette and precise oil painting using palette knife morphs the impressionistic form with a gauzy realism of seascape and landscape. Lighter Than Air, her latest series of richly rewarding works, glow with Southern California light. The transcendence that light creates is the force within her work, which here touches on the lyrical and metaphysical as well as the contours of the coast. “Somewhere Above” is a burst of golden sky reflecting on cloud or water, Heaven as a visual portal, perhaps. “Buoyant” gives us a woman floating on a yellow inner tube against a sun-kissed sea, an almost child-like bliss. “Cadence” offers a pale periwinkle sea suffused with bits of pink light, the pink line of the horizon or a distant shore all a-glow.
“The Golden Sun” is just that, with a small figure bobbing on a surfboard, watching a bold pink sky slowly fade. “Fly” is also a pink and gold gem, as an airplane comes into a pink LA surrounded by palms; while “Good” is a view of homecoming as seen from a plane, the grand grid of lights below an airplane window spread out against a fine canopy of Cerulean blue. “Distant Light” is a shimmery, mirage like view of distant houses, illuminated against a shoreline.
Taking a direction new to this viewer, Rick offers a series of trapeze artists, in her series “The Fliers #1-#4.” Here pale, almost abstract figures outlined in a gold/pale mustard shade reach for, connect, or glide past each other on aerial rigging. There is the quality of a dream about this work – but all her work here is dreamy – disconnected from a known reality, it suggests our ability to tenaciously, with assistance, take to the sky the artist so admires.
And speaking of sky, in “Lustre” it is difficult to tell where sea and sky meet and merge, as minute golden figures on surfboards float among the waves as if reaching for the sky itself. As with a number of the paintings here, Rick replaces here past preference for blues with pinks, ethereal, hot, or paling like cotton candy dissolving into mist. As peaceful and lush as each work here can be seen, beneath that is a vision that can only be considered emotionally transcendent. The exhibition’s final beautiful day at bG Gallery is November 4th.
Walk across Bergamot Station’s parking lot to Building Bridges Art Exchange to take in another series of ocean-centric images, but with an entirely different message and medium. Curated by Marisa Caichiolo, under the scientific auspices of Dr. Eric Larour, artists Guillermo Anselmo Vezzosi and Osceola Refetoff offer a stellar exhibition on climate change and global warming in their Summer Artists and Scientists Residency, Shifting Landscapes: Sea Level Rise in Los Angeles and Beyond.
Refetoff’s visionary photographic and projected video images compel and entrance. Producing his first video in over a decade as a large-scale projection, Sea of Change (edited with Juri Koll) offers intense and beautiful images that include drone footage from the near-North-Pole community of Svalbard, California’s Central Valley fracking operations, and images of the distressed Salton Sea, as well as NASA satellite images, and AI prompts based on Refetoff’s own infrared photographic images, projected to imagine future scenarios. The 8 minutes video is both entrancing and heartbreaking, as we contemplate the rising likelihood of planetary change. Refetoff also created his first sculpture, representing potential projected rise in sea level at Santa Monica Pier based on the future of human C02 emissions.
In the same exhibition, Vezzosi also shines with work that includes a mysteriously translucent series of some 165 transfer photographs on recycled plastic food containers in “Melted Memories,” with the photographic images collected from NASA Observatory, the National Snow and Ice Data Center and the Glacier Repeat photo project from the Glacier National Park Montana.
From his “Offerings to ask for forgiveness” series, a large wall work resembles glacial ice, and is also constructed from recycled plastic from food containers collected from trash. He relates that the “ice” is made to “ask for forgiveness for the traces of our civilization…forcing [nature] to arrive to the present.” The exhibition closes November 4th.
While Rick’s beauty will soothe, Reftoff’s and Vezzosi’s will jolt. Both exhibitions are profoundly lovely and of this moment.
Bergamot Bonus: on Sunday November 5th, you may want to hurry back to the same Santa Monica location. bG is presenting an exclusive one-day exhibition, curated by artist A.M. Rousseau. Titled Small Pieces We’ve Collected Over the Years, the exhibition pays tribute to the passion for art shared by A.M. Rousseau and her late husband, Duvall Hecht and their support for both artists and the thriving Los Angeles art community. There are some 67 Los Angeles area artists represented in the show, including work by Rick.
Building Bridges is located at 2525 Michigan Ave. #F2 at Bergamot in Santa Monica; bG is located at #A2.
- Genie Davis; photos provided by the artists and by Genie Davis
