PhotoLA – A Snapshot of Time

What the eye sees, what the camera sees, what the eye of the beholder of what the camera sees: that’s PhotoLA.

The art renaissance that is taking place in Los Angeles is coming to a momentous peak this January, with PhotoLA the first in a string of large scale events including the LA Art Show, Fabrik Expo, and Art Los Angeles Contemporary, which are all opening this week.

PhotoLA was held last weekend at The Reef,  the cavernous 2nd floor space at LA Mart in DTLA. The opening night gala, benefiting Best Buddies, was crowded for the event’s tribute to Los Angeles artist James Welling.

The city’s longest-running art fair, PhotoLA ran the gamut of cutting edge pieces, historical photos, stunning landscapes, political art, abstract photos, and pop art. Eclectic panels populated the weekend, too, including provocative subjects such as “The Instagram Effect: How Instagram is Changing the Way We See Photography”; “Robert Mapplethorpe: Beyond Good and Evil”; and “Artists Take Issue: Perspectives and Practices in Activist Photography.”

What was our take? A wide range of exceptional pieces, with a number of standout independent photographers and curated group exhibitions.

Photo LA Welling

The honoree of the opening gala, James Welling. This post-modern photographic artist has a storied career experimenting with a variety of photographic mediums from digital prints to Polaroids.

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Some visual highlights: below, the haunting and riveting work of Kathy Curtis Cahill, whose art is dedicated to revealing “how fragile young children are, and how everything matters in the home environment.”

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Fascinating historical photos – and the  music of David Bowie.

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Photo Pop Art – the striking and amusing work of Marianne Hess.

Photo LA Haas

National Geographic landscape stunners – sometimes a straight forward shot of natural beauty evokes feelings beyond what is seen.

Photo LA landscape

Below: a delightfully different approach to scene: the fine work of Osceola Refetoff, also a panel speaker on activist photography moderated by Shana Nys Dambrot. Refetoff’s work, among other cutting edge pieces, was curated by VICA, the non-profit Venice Institute of Contemporary Art.

photo LA Osceola

Below: the opening night crowd viewing PhotoLA  – reflected in a San Francisco skyline.

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Artist Jeffry Sklan’s enormous – and enormously beautiful flowers, below. Impressive detail and color.

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Artist Sklan  below – photo by Nina Bonyak

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To sum up: Photo LA presented an international eye on the world, vibrating through the lens of many Los Angeles area curators and artists. What you see is literally what you “get” out of interpreting an artist’s own unique vision of the world.

  • Genie Davis

A Saturday Night in Chinatown

Joyous celebration, paper lanterns swinging overhead, crowds pushing into and out of galleries all along Chung King Road in the heart of Chinatown. That was the scene for Saturday openings all along Chung King Road’s walk-street gallery row on January 9th.

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Images and experiences flow together with the crowd – and just because this was a don’t-miss-night, Los Angeles art lovers need not despair. Thursday January 28, the scene will be repeated from 7-10 p.m., part of an LA Art Show sponsored celebration honoring Pop Surrealist artist Robert Williams with a lifetime achievement award. And most of the exhibitions run through February 20th.

Here’s a look at the great art flowing through these DTLA galleries.

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Brian Mains’ “The Intersection of Light and Darkness,” at the Gregorio Escalante Gallery is a visually and emotionally stimulating mythological world. The artist says “The kind of space, type of composition, use of light, and method of articulating forms all work together to create an other-worldly reality and to infuse the pictures with magical, theatrical and spiritual qualities.”

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At Chungking Studios, Painting by Scott Trimble and Photography by Osceola Refetoff, co-curated by Refetoff and Shana Nys Dambrot, enrichingly combines photographic and painted images that share the same sensibility of space, light, line, or emotion.

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Coagula Curatorial featured “Ten Top Artists,” a group show juried by Tulsa Kinney, editor of Artillery Magazine, and featuring artists including Jill Emery, Same Source, Vanessa Madrid, Annette Hassell, Jennifer Lugris,
Reagan Lake, Daggi Wallace, Michele Vavonese, and Kate Oltmann.
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Very different art and artists – commonality: a vision that makes you look twice.

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The Charlie James Gallery gave us artist Sadie Barnette’s meditative and haunting take on life at the racetrack, Superfecta, and Rosette, a group show curated by artist Mary Anna Pomonis, featuring the work of Suzanne Adelman, Lili Bernard, Mattia Biagi, Annie Buckley, Kristin Calabrese, Angel Chen, Sarah Cromarty, Cherie Benner Davis, Mark Dutcher, Christine Dianne Guiyangco, Sabina Ott,  Pomonis, Cindy Rehm, Allison Stewart and Vincent Ramos.

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Artist Lili Bernard, above, discusses her autobiographical tribute to the souls of her ancestors and three generations of rape survivors. The powerful piece, titled “Elvis Slept Here: Help Me, Abuelitas,” grabs you by the heart and the gut and won’t let go until you really see the details.

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Below, The Project Gallery premiered Wyatt Mills’ Normal, whose images belie the title. The Los Angeles artist’s mixed media paintings are a bold mix of the real and surreal.

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At The Good Luck Gallery, below, Art Moura’s stunning installations are a fine example of this gallery’s commitment to visionary and outsider art.

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A treasure trove of art washed up on a wild shore…

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Not sure how anyone couldn’t love this. It’s folk art, it’s surreal, it’s a tapestry of life, it’s the rhythm of existence, dream, and distance.

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The details are as compelling as the large designs.

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So you want some art? Some exciting art? Chung King Road is the place to be. But then, it almost always is.

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Painting by Scott Trimble and Photography by Osceola Refetoff

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Co-curated by art critic, curator, and author Shana Nys Dambrot and photographer Osceola Refetoff, Chungking Studios is serving up an exciting juxtaposition of painting and photography through January 29th in Chinatown. Featuring the works of painter Scott Trimble and photographer Refetoff, this visually and emotionally linked combination of images is a mind expanding look at scenery both external and internal.

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As if seamless, the melding of photographic images with painterly ones is like watching two different sides of the same art coin. Here the same touch of color, there a similar image; the vibrancy and desolation of the desert, the emptiness or vividness in a place or a face. Shapes, shadows, and feeling coalesce.

The two artists met, liked each others work, and wanted to put on a show despite apparent lack of similarities in their work. Dambrot and Refetoff chose work by each artist that is intrinsically linked, through landscape, palette, and lines.

Scott Trimble
Scott Trimble

Trimble describes his work. “I paint every day, it’s a total coping mechanism for me, the one and only area of my life in which I have total freedom. It brings me such joy, I can’t imagine not painting.”  Trimble says he was thrilled to work with Dambrot and Refetoff, and agrees with Dambrot’s description of putting the show together as “casual and organic.”

Osceola Refetoff and Shana Nys Dambrot
Osceola Refetoff and Shana Nys Dambrot

“Osceola and Scott were trading studio visits,” Dambrot explains. “Their work was so different, but they both wanted to have a show together. To assemble the exhibition, we went with a palette approach, picking images that were both hot and cold, or shared the same graphic strengths.”

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Refetoff and Dambrot made studio visits together. “It was a ‘yes, no, maybe’ process,” Dambrot notes. “And once we had the loose structure, we unpacked the pieces, we looked at Scott’s paintings and Osceola’s photographs, and we just saw the pairings. I saw that this idea made sense.”

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Refetoff adds “We were originally thinking of separate walls for Scott’s paintings and my photographs. We thought it would be hard to make black and white photos and colors work seamlessly together, but they do. It’s a dialog together.”

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“It clicks, and I can’t say why,” Dambrot laughs. “We toyed with the idea of calling it ‘Studio Visit’ since the show grew out of the binding of two artists who explored each others work.”

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The exciting visual aspect of the work is apparent the moment the viewer steps into the gallery. Thematically, the pieces work through their images, their colors, their emotion. It is an underlying sensibility that perhaps drew both artists together originally which creates a dynamic pull throughout the exhibit.

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Missed the opening? See the work of this electrifying trio Thursday 1/28 from 8-11 p.m., as part of an LA Art Show sponsored celebration honoring Pop Surrealist artist Robert Williams with a lifetime achievement award. Other Chung King Road galleries will be open late, too.

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Chungking Studios is located in the heart of Chinatown, at 975 Chung King Rd. in DTLA

Art Makes Change

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VisionLA ‘15 presents Art Makes Change, a group exhibition of 60 local artists. Through over 200 pieces of art from photography to sculpture, these works inspire viewers to confront the climate-related issues in today’s world.  These beautiful pieces are divided into four categories: Earth, Water, Recycle, and Awareness. Co-curators Dale Youngman and Lilli Muller hone in on the ways in which art can create and promote change.

Each piece speaks of either or both the beauty of the earth and the challenges facing it, such as drought, pollution, endangered species, and climate change.

Participating artists include:

Mike Anderson, Jacki Apple, Cody Bayne, Clara Berta, Om Bleicher, Jody Bonassi, Wanda Boudreaux, Qathryn Brehm, Bill Brewer, Gary Brewer, Wini Brewer, Mark Brosmer, Kate Caravellas, Michael Carrier, Nathan Cartwright, Morgan Chavoshi, Steven David, Roberto Delgado, Ben Dewell,Beth Elliott, Karen Fiorito, Nicole Fournier, Barbara Fritsche, Anyes Galliani, Tom Garner, Brian Goodman, Patrick Haemmerlein, Erin Hansen, Michael Hayden, William Hogan, Brenda Hurst, Liz Huston, Dave Knudsen, Juri Koll, Jamie Lynn Kovacs, Stuart Kusher, Jonna Lee, Aline Mare,Michael McCall, Rick Mendoza, Monica Mader, Colette Miller, Rebecca Molayem, Michael M. Mollett, Suzi Moon, Jen Moore, Pamela Mower-Conners, Lilli Muller, Julie Orr, Miguel Osuna, Billy Pacek, Yael Pardess, Vinnie Picardi, Naomi Pitcairn, Jena Priebe, Osceola Refetoff, Gay Summer Rick, Robert Rosenblum, Karrie Ross, Avi Roth, Catherine Ruane, Louise Russell, Gwen Samuels, Elizabeth Saveri, Winston Secrest, Moses Seenarine, Karen Sikie, Paul Soady, Sean Sobczak, Marilee Spencer, Anna Stump, Jill Sykes, Alexandra Underhill, Rachel Van Der Pol, Andrea Villefane, Geoffry White, Rush White, Tami Wood and Ron Zeno

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Above: a photo chronicle of Mud People, the living sculpture project helmed by artist and performance artist Mike Mollett.

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Co-curator Dale Youngman says “I am so happy about this opportunity to curate a show of this magnitude for such a really important cause.  I think that artists have an ability to engage the public in meaningful conversation through their work, and if they can affect or inspire change through their efforts, that is a wonderful thing.”

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Morgan Chavoshi has focused on the plight of endangered animals for many years. She painted these wild mustangs as if in a void, because they are disappearing from our landscape. Her sensitivity is equal to her passion for changing people’s behavior through awareness.

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Osceola Refetoff’s evocative photographs above focus on both the wonder and potential ecological disaster that is the Salton Sea. Refetoff has also worked on depicting the desert and its relationship to Los Angeles itself as part of a long term project with writer/collaborator Christopher Langley.

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Absorb the water. Robert Rosenblum’s stunning photomontage technique mirrors the life in each drop.

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Colette Miller’s vibrant wings make a great spot to pose for a photo and show support for the environment — and soar to protective, guardian angel heights to help preserve it.

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Sculptures by Mike Mollett…wires that seem to bloom like dry-weather plants.

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Support art and the environment with many of these beautiful eco-centered pieces making a very reasonable holiday gift.

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Artist Gay Summer Rick has four pieces in the show, all featuring local beach scenes in Santa Monica and Venice. “I like to paint what I see as I’m making my way around town,” she says. “I paint the bay, and I try to show the mood I feel at the moment,” she relates. “In Atomic Trash Can (left) I included the trash can of course and also tractor marks from sand combing. I wanted to create a little different impression of preserving our beautiful beaches.”
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Rick says she paints using only a palette knife, no brushes or solvents. “I’m very environmentally friendly. Very little goes into the landfill when I create my art. I want to be a good steward of the environment and still deliver a message about how beautiful nature is.”

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Youngman says: “I have selected works that  depict endangered animals, photos of drought–stricken areas, and assemblage pieces that utilize recycled and re-purposed materials to spark the flame of realization regarding environmental issues.”

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Bill Leigh Brewer’s take on the desert focuses on the Salton Sea in this series of evocative black and white prints. Viewers can almost touch the magic, the aloneness, the dryness, the preciousness of water.

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Steve David’s sculptures seem to show the human head as a flower. What ideas are we planting?

“This show speaks loud and clear that climate change is one of the most important issues facing the world today,” Youngman notes.

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Jonna Lee’s compelling Folly uses grass, dirt, wire, and wood. A whole new kind of topiary art.

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“I hope people recognize the power of art to make change – and I pray they come out to support this endeavor by purchasing work here that will benefit these artists and the Vision LA Fest non-profit cause,” Youngman says.

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Mike Anderson created the forest of art above.

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So much to see, so much to take in: art mirroring the environment, art respecting the environment, art as a song to action.

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Foreground: Mike Mollett’s balls of beauty and detrititus.

The free and truly awe-inspiring Art Makes Change exhibit is open daily Dec. 1st through Dec. 10th, at the VisionLA ’15 Home Gallery at Bergamot Station, located at: 2525 Michigan Ave, Building G1 in Santa Monica, CA 90404

all pieces in the exhibition are for sale

  • Genie Davis; all photos: Jack Burke