Susan Spector’s Sticks/Stones, which just closed at TAG Gallery, is a delightful collection of text-based work filled with wit and exuberance.
Simple painted figures are featured with phrases that are inspired by a question she asked during the COVID pandemic lockdown. That question being “What is a phrase from your past that has stayed with you forever?” She was still soliciting responses on Post-It Notes at the gallery – which we can hope leads to a part two for this smart work.
It isn’t just an illustrated reproduction of these phrases that Spector is after here. Rather, she has gathered and compiled ideas that are intrinsic to our way of life, refining and exploring social issues, mental health, cultural mores. The exhibition also touches upon the way we each speak to ourselves, and the ways in which society encourages specific forms of self-talk.
From loving advice to harsher words, the collection both charms and rivets, exposes and encourages. The work is a significant departure from the artist’s past abstract figuration. These are simple, easy to see visualizations accompanied by text that punches both a visual palette and an emotional one. Despite deceptive simplicity, this crowdsourced, text-based art is presented in a variety of visual ways.
Simple, heartfelt phrases such as “I matter,” “I am Enough,” and “I am at peace with who I am,” are presented on a solid colored background. The black type of the words, created in a variety of different type-faces including a cursive flourish on some words, is presented on a layer of gold leaf overlaid on the solid colored background. The viewer’s impression is that these words are especially valuable, and should be taken to heart.
Other phrases are accompanied by her unique, yet simple illustrations – a curly haired individual, holding a red heart against an outlined chest features text at the bottom of the image that reads “Always come from love not fear.” While most of the words are in black type outlined in white, the word “love” is outlined in red to match that heart; the word “fear” is simply written in black.
There are hilarious images too, including one of a screaming red face is matched with “Caution! I’m in retrograde,” highly appropros for the conclusion of a long Mercury retro just ending as the exhibition was viewed. A female figure, chest proudly displayed, stomach sucked in, is accompanied by bold text which reads “Tits out” in pink, and “Belly in” indicated in blue, both with arrows pointing to the way in which the body should be positioned.
“Spend it foolishly” looks as delightful as the advice written in thick silver letters. Here, a bent-figured grandma reaches to hand two eager children dollar bills stacked in both her hands.
Nearby, a blue-skirted, wide-eyed figure perches demurely on a chair while pink letters spell out “Be A Lady” in a long line beside her, an invisible, internalized authoritarian instructing her behavior.
Precariously balanced items plugged into a wall socket are the accompaniment to “Don’t Do Anything Stupid,” written simply in black. In another work, a large figure points to a screen which smaller audience-member figures look up to view. On the screen are written “3 Rules: Show Up, Speak Your Truth, Don’t Die Wondering.” Meanwhile, an aggreived looking stick figure is accompanied by a text bubble reading “Before you decide you’re depressed, make sure you’re not surrounded by a bunch of assholes.” And indeed, in close proximity all around her are what appear to be small outlines of just that – literal assholes.
One of the most visually beautiful works is a primarily black on black work. Written against a dense black sky, the words “It’s always darkest before the dawn” are just discernable over a gorgeous rising line of pink, orange, and gold sunlight.
Additionally fascinating were the Post-It’s added by viewers on the wall next to Spector’s work at TAG. There was “Why can’t you be more like your cousin,” next to the excellent advice “Don’t wait for everything to be okay to be happy.” “Life is a bitch, “Brush your teeth,” and “Nobody’s Perfect” nestled close to “Take a long walk on a short pier.”
Instead, take a long look at Spector’s work, and enjoy.
Along with this exhibition, fine solo shows by David Klein, Justin Prough, and Skut were also on display, but that’s a different story.
- Genie Davis; photos by Genie Davis